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Folk Baroque
2018-10-18

Camerata Tinta Barocca presents:

FOLK BAROQUE

18 October 2018

Odeion

19:30

with

  • Bridget Rennie-Salonen (traverso)
  • Darryn Prinsloo (recorder)
  • Annien Shaw (Baroque violin)
  • Uwe Grosser (theorbo, Baroque guitar)
  • Cheryl de Havilland (Baroque cello)
  • Erik Dippenaar (harpsichord, director)

Camerata Tinta Barocca (CTB), founded in Cape Town by violinist Quentin Crida (July 2004), is the leading South African Baroque ensemble playing on period instruments. Its name is derived from the musicians' passion for Baroque music and red wine. The members include some of Cape Town's finest musicians who embrace a historically informed performance practice approach. CTB's concerts have been broadcast on Fine Music Radio and have received critical acclaim in the Cape Times and Die Burger. Mostly playing music from the 18th century, CTB has worked with leaders in their fields, such as Baroque violinists Antoinette Lohmann and Pauline Nobes; violinists David Juritz, Darragh Morgan and Zoe Beyers; countertenor Christopher Ainslie; male soprano Philipp Mathmann; recorder player Stefan Temmingh; mandolin player Alon Sariel and conductor Arjan Tien.

Apart from CTB's annual concert series in their home, St Andrew's Presbyterian Church (Cape Town), the ensemble regularly accompanies opera and oratorio performances, and performs in festivals throughout South Africa. CTB also has an active outreach component, which includes an annual education tour to the West Coast (the Matzikama Music Week), the Sunshine Concerts (an outreach programme for people unable to attend concerts because they are elderly, indigent or disabled in some way), as well as a regular collaboration with the Keiskamma Music Academy (Eastern Cape).

Since 2011 CTB has gradually moved towards playing on period instruments. Currently it is the only period ensemble in South Africa that regularly plays in orchestral format, performing most of its annual concerts on period instruments. In 2013 CTB, in collaboration with the Cape Consort, gave the first South African period performance of Handel's Messiah. During November 2016 CTB played for Cape Town Opera's first production to use a period instrument orchestra: Monteverdi's L'Orfeo, directed by Jaco Bouwer and conducted by Erik Dippenaar. In December 2016 CTB was nominated for a kykNET Fiesta award for a programme titled Handel in the Drawing Room presented during the 2016 Klein Karoo Klassique festival. In September 2017 CTB successfully launched the first annual Cape Town Baroque Festival.

In 2015 CTB set up a collaboration with the early music ensemble Collegium Musicum at the South African College of Music, University of Cape Town, through which two student cadets annually receive hands-on training in period performance in CTB projects. The cadet scheme is generously supported by the Claude Leon Foundation. In July 2015 Erik Dippenaar was appointed Artistic Director of CTB, Michael Maas (former CEO of the Artscape Theatre Centre) as Administrative Coordinator and Cheryl de Havilland as Outreach Coordinator.

www.ctbaroque.co.za

PROGRAMME

  • Marco Uccelini (c.1610 – 1680): Bergamasca
  • Trad. Scottish, Orpheus Caledonius (1733): The bush aboon tranquair
  • Francesco Barsanti (1690 – 1775): The bush aboon tranquair from A Collection of Old Scots Tunes (1742)
  • Francesco Geminiani (1687 – 1762): The bush aboon tranquair from A treatise of good taste in the Art of Musick (1749)
  • Gaspar Sanz (1640 – 1710): Canarios
  • Francesco Barsanti (1690 – 1775): Lochaber from A Collection of Old Scots Tunes (1742)
  • Domenico Scarlatti (1685 – 1757): Sonata in C minor, K.99
  • Gaspar Sanz (1640 – 1710): Zarabanda
  • Tarquinio Merula (1595 – 1665): Ciaconna
  • Trad. Scottish, Orpheus Caledonius (1733): Lady Ann Bothwell's lament
  • Francesco Geminiani (1687 – 1762): Lady Ann Bothwel’s Lament
  • Francesco Veracini (1690 – 1768): Scozzese from Sonata IX, Opus 2 (1744)
  • Niel Gow (1727 – 1807): Lament for the Death of his 2nd wife

ADMISSION

  • R120 (adults)
  • *R80 (pensioners)
  • *R70 (UFS staff)
  • *R50 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504)


Back
Ching-Yun Hu (piano recital)

Ching-Yun Hu (piano recital)
8 March 2011
Odeion
19:30

“This young woman brings with her the secret, the mystery, and the style. She has the suspense of Brendal, Perahia’s lyricism and Barenboim’s depth. Are we witnessing the birth of a new Martha Argerich?”

Chanoch Ron, Yediot Acharonot, Israel.

In Ching-Yun’s home country (Taiwan) and abroad, she has been given a title – “Taiwan’s Proud”. Referred to as “dazzling”, Ching-Yun captured the top prize at the 2008 Arthur Rubinstein International Piano Master Competition. Her memorable performances of the Beethoven Piano Concerto No. 1 and Prokofiev Piano Concerto No. 3 in the finale of this competition were broadcast live to 38 countries worldwide.

At the age of 14, Ching-Yun moved to the US to study at The Juilliard School. At 16 she won the silver medal at the Taipei International Piano Competition after which she collaborated with several orchestras, including the Aspen Concert Orchestra, New York Sinfonietta, Mississippi Symphony Orchestra and the World Festival Orchestra and appeared at major festivals in The Netherlands, Austria, the UK and the USA. As Taiwan’s major artist of her generation, she appeared with the Taiwan National Symphony Orchestra in a concert for 10 000 people as a memorial for the 921 Earthquake Anniversary. Concert appearances have also taken her to prestigious venues such as the Lincoln Center, Carnegie Hall, Kennedy Center, Concertgebouw (Amsterdam), Salle Cortot, Osaka Hall and various other major concert halls around the world.

Her numerous other international competition accolades include several gold medals and first prizes: at the World Piano Competition (Cincinnati), Olga Koussevitzky International Piano Competition, Seiler International Piano Competition (New York) and the California International Piano Competition. Her performances have been aired by several international radio and television stations. The most recent addition to her long list of international awards is being awarded the First Prize in the 2009 Concert Artists Guild International Competition securing her a Carnegie Hall recital.

Programme:
Beethoven – Sonata in C major, Op. 35 (“Waldstein”)
Schumann – Fantasie, Op. 17
Schubert/Liszt – Song Transcriptions
Liszt – Concert Etude “La Leggierezza”
Liszt – Spanish Rhapsody

Admission:
R120 (adults)
R80 (pensioners, students and learners)
Tickets available at Computicket (at all Shoprite / Checkers shops, Mimosa Mall information desk, the Waterfront Mall) and at the doors.

Enquiries:
Ninette Pretorius (tel. 051 - 401 2504)
 

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