Years
2019 2018
LIESBETH SCHLUMBERGER-KURPERSHOEK – Organ Chair
2018-10-02

2 – 6 October 2018

CONCERTS

2 October 2018 – Sundowner Concert

(Lutheran Church, Bloemfontein, 17:30, Admission FREE)

3 October 2018 – Organ Recital

(Odeion, 19:30, Tickets @ Computicket)

MASTERCLASSES

4 – 6 October 2018

(Odeion / Kopanong)


The ODEION SCHOOL OF MUSIC aspires to excellence and aims to provide superior tuition at an international standard. The South African higher music education arena remains isolated in many senses, and this impression is reinforced by a declining number of students studying music. The OSM aims to fill these voids by pro-actively generating and facilitating excellence on several levels simultaneously. A multilateral policy towards internationalisation and innovation constitutes the cornerstone of our strategy.

The Liesbeth Schlumberger-Kurpershoek Organ Chair was founded in 2015 by the OSM and is positioned under the auspices of the OSM International Artistic Mentorship Programme (IAMP). The main objective of the IAMP being establishing partnerships with musicians (soloists, chamber musicians, and pedagogues) who are pursuing and already have established careers as musicians internationally. On par with international tendencies, the aim is to deploy these experts as instructors to coach and mentor OSM students complimentary to the local residential OSM performance faculty.

The amount of students studying the organ has declined drastically in South African during the last two decades. Therefore, it is imperative for the OSM that the anticipated initiatives and intellectual capital generated by the organ chair will be optimally accessible to all South African students, lecturers, liturgical and amateur organists.

The Liesbeth Schlumberger Organ Chair is assembled of an annual week-long intensive tuition programme to mentor and tutor SA organ students and organists under the tutelage of Liesbeth Schlumberger. Complimentary Liesbeth presents two concert recitals contrasting in nature during this timeslot as well as a lecture.

Apart from the scheduled annual programme to be hosted by the OSM in South Africa, our long-term aim is that talented OSM organ students will have the opportunity to study a semester or more of their studies under the auspices of Liesbeth Schlumberger and her colleagues in France at Conservatoire national supérieur de musique et de danse de Lyon (Lyon CNSMD). Formal discussions with the aim of forging of a bi-lateral agreement between the Lyon CNSMD and the Odeion School of Music is planned for this year.

The OSM has presented already two already two highly successful events of the Liesbeth Schlumberger Organ Leaning Chair in 2015 and 2016. For both events students and organist from all over the country participated as master students at the event. The third Liesbeth Schlumberger Organ Leaning Chair is scheduled to take place from 28 September – 5 October 2018.”

PROGRAMME

Concert I : Sundowner Concert

  • Dietrich Buxtehude (1637-1707): Praeludium in F major, Bux WV 146
  • Johann Sebastian Bach (1685-1750): Partita - Sei gegrüsset, Jesu gütig - O Jesu, du edle Gabe BWV 768
  • François Couperin (1668-1733): Messe à l’usage ordinaire des Paroisses, pour les Fêtes Solennelles
  • Wolfgang Amadeus Mozart (1759-1791): Fantasia - Fantasie für eine Orgelwalze in F minor KV 608

ADMISSION: Free

PROGRAMME

Concert II : Liesbeth Schlumberger Recital (Odeion, Bloemfontein)

  • Louis Marchand (1669-1732): Pièces choisies pour l’Orgue de feu
  • César Franck (1822-1890): Choral No 3 in A minor (1890)
  • Jean Sebastian Bach (1685-1750): Toccata, BWV 564

ADMISSION:

  • R140 (adults)
  • *R100 (pensioners)
  • *R80 (UFS staff)
  • *R60 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above-mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504)


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JÉRÔME PERNOO cello recital with Jérôme Ducros (piano)

21 November 2013

Odeion

19:30

 

Born in Nantes, Jérôme Pernoo first studied with Germaine Fleury and then with Xavier Gagnepain and Philippe Muller at the Conservatoire National de Musique de Paris. In 1994, he was prize winner at the Tchaikovsky Competition in Moscow as well as at the Rostropovitch Competition in Paris and, in 1996, he won the UNISA International Strings  Competition.

 

Pernoo has performed with most of the major symphony orchestras in Europe.  He has appeared in recital with the pianist Jérôme Ducros on some of the world's most renowned stages: the Wigmore Hall in London, the Florence Gould Hall in New York, the Théâtre des Champs Elysées, the Théâtre du Châtelet and the Cité de la Musique in Paris.

 

His 2008/9 season was highlighted by the world première of the cello concerto Guillaume Connesson has dedicated to him, with the Orchestra of the Rouen Opera, in Rouen and Paris. In 2011 he will perform this masterwork several times in France and at the Enescu Festival in Rumania.

 

His discography includes Bach's Suites for cello (live 1998), the Ricercati of Antonii and Gabrielli (2002), the Rachmaninoff and Frank Bridge Sonatas for cello and piano, the Cello concerto Nr. 2 by Saint-Saëns with the Orchestre de Bretagne under Nicolas Chalvin (Timpani Records, 2006) and the Cello concerto by Offenbach with Les Musiciens du Louvre under Marc Minkowski (Archiv-Deutsche Grammophon, 2006). He has just released his new CD-recording (for Ligia Digital) with Jérôme Ducros including works by Beethoven (among others the Kreutzer Sonata in the transcription by Czerny,).

 

Jérôme Pernoo plays a baroque cello and a piccolo cello. Both instruments are Italian and were built in the 18th century by the Milanese School. He also plays a modern cello made for him by Franck Ravatin.

 

Born in 1974, Jérôme Ducros studied piano with Françoise Thinat at the Music Conservatory of Orléans and also with Gérard Frémy and Cyril Huvé at the Conservatoire National Supérieur de Musique de Paris.  He postgraduated with Gérard Frémy and was also advised by Léon Fleisher, Gyorgy Sebök and Davitt Moroney.  In 1994 he took part in the first Umberto Micheli Piano Competition organized by Maurizio Pollini at the Scala di Milano (jury president: Luciano Berio). He was awarded the Second Prize and the Special Prize for the best interpretation of the imposed work (Incises, by Pierre Boulez).

 

Since then he has been achieving a brilliant career, performing at the Festival de Montpellier, at the Orangerie de Sceaux, at the Roque d'Anthéron, at the Festival de Pâques de Deauville, at the Théâtre du Châtelet, at the Théâtre des Champs-Elysées, at Salle Pleyel, at Radio-France, at the Théâtre du Capitole (Toulouse), at the Concertgebouw in Amsterdam and in London, Geneva, Rome, Berlin, New York and Tokyo. He has performed as a soloist with orchestras such as the Johannesbourg Philharmonic Orchestra, the Philharmonie de Chambre de Paris, the Orchestre National de Lyon, the Orchestre de Chambre de Lausanne, the Orchestre National de Lille, the Ensemble Orchestral de Paris, the Orchestre Français des Jeunes, the Rotterdam Philharmonic Orchestra under the baton of conductors such as Alain Altinoglu, Paul Meyer, James Judd, Emmanuel Krivine, Marc Minkowsky and Christopher Hogwood.  A highly appreciated partner in chamber music, he has performed with Augustin Dumay, Michel Portal, Michel Dalberto, Nicholas Angelich, Franck Braley, Paul Meyer, Gérard Caussé, Tabea Zimmermann, Jean-Guihen Queyras, Henri Demarquette, Renaud and Gautier Capuçon, Quintette Moraguès, Quatuor Parisii and Jérôme Pernoo (with whom he has been making a duo since 1995). In 2007, he performed at the French Victoires de la Musique with Maxim Vengerov. He also toured with soprano Dawn Upshaw to London, New York and Salzburg.  At the Théâtre des Champs-Élysées their concert was recorded by Erato. In 2007 he started an intensive collaboration with Philippe Jaroussky, performing worldwide.

 

Among his most performed works in recital, his own transcription of Schubert’s Fantaisie for four hands that has raised unanimous enthousiasm. The recording of this transcription (Ligia Digital) was awarded the Diapason d’Or of the year 2001.  Jérôme Ducros is also a composer. His Trio for two cellos has been performed a number of times.

 

His recent recordings include the works for piano and orchestra by Fauré under the baton of Moshe Atzmon (Quartz), a recital with Renaud Capuçon (Virgin Classics), a programme with selected works by Beethoven with Jérôme Pernoo and a program with French melodies with Philippe Jaroussky, Renaud and Gautier Capuçon and Emmanuel Pahud (Virgin Classics).

 

PROGRAMME:

Bach: Sonata for viola da gamba in D major, BWV 1028

Ducros: Fantaisie for cello and piano

Shostakovich: Sonata in D minor for cello and piano, Op. 40

 

ADMISSION: R130 (adults), R90 (pensioners), R50 (students and learners), R50 (group booking of 10+)

Tickets available at Computicket.                      

 

ENQUIRIES: Ninette Pretorius (tel. 051 401 2504)

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