Years
2019 2018
LIESBETH SCHLUMBERGER-KURPERSHOEK – Organ Chair
2018-10-02

2 – 6 October 2018

CONCERTS

2 October 2018 – Sundowner Concert

(Lutheran Church, Bloemfontein, 17:30, Admission FREE)

3 October 2018 – Organ Recital

(Odeion, 19:30, Tickets @ Computicket)

MASTERCLASSES

4 – 6 October 2018

(Odeion / Kopanong)


The ODEION SCHOOL OF MUSIC aspires to excellence and aims to provide superior tuition at an international standard. The South African higher music education arena remains isolated in many senses, and this impression is reinforced by a declining number of students studying music. The OSM aims to fill these voids by pro-actively generating and facilitating excellence on several levels simultaneously. A multilateral policy towards internationalisation and innovation constitutes the cornerstone of our strategy.

The Liesbeth Schlumberger-Kurpershoek Organ Chair was founded in 2015 by the OSM and is positioned under the auspices of the OSM International Artistic Mentorship Programme (IAMP). The main objective of the IAMP being establishing partnerships with musicians (soloists, chamber musicians, and pedagogues) who are pursuing and already have established careers as musicians internationally. On par with international tendencies, the aim is to deploy these experts as instructors to coach and mentor OSM students complimentary to the local residential OSM performance faculty.

The amount of students studying the organ has declined drastically in South African during the last two decades. Therefore, it is imperative for the OSM that the anticipated initiatives and intellectual capital generated by the organ chair will be optimally accessible to all South African students, lecturers, liturgical and amateur organists.

The Liesbeth Schlumberger Organ Chair is assembled of an annual week-long intensive tuition programme to mentor and tutor SA organ students and organists under the tutelage of Liesbeth Schlumberger. Complimentary Liesbeth presents two concert recitals contrasting in nature during this timeslot as well as a lecture.

Apart from the scheduled annual programme to be hosted by the OSM in South Africa, our long-term aim is that talented OSM organ students will have the opportunity to study a semester or more of their studies under the auspices of Liesbeth Schlumberger and her colleagues in France at Conservatoire national supérieur de musique et de danse de Lyon (Lyon CNSMD). Formal discussions with the aim of forging of a bi-lateral agreement between the Lyon CNSMD and the Odeion School of Music is planned for this year.

The OSM has presented already two already two highly successful events of the Liesbeth Schlumberger Organ Leaning Chair in 2015 and 2016. For both events students and organist from all over the country participated as master students at the event. The third Liesbeth Schlumberger Organ Leaning Chair is scheduled to take place from 28 September – 5 October 2018.”

PROGRAMME

Concert I : Sundowner Concert

  • Dietrich Buxtehude (1637-1707): Praeludium in F major, Bux WV 146
  • Johann Sebastian Bach (1685-1750): Partita - Sei gegrüsset, Jesu gütig - O Jesu, du edle Gabe BWV 768
  • François Couperin (1668-1733): Messe à l’usage ordinaire des Paroisses, pour les Fêtes Solennelles
  • Wolfgang Amadeus Mozart (1759-1791): Fantasia - Fantasie für eine Orgelwalze in F minor KV 608

ADMISSION: Free

PROGRAMME

Concert II : Liesbeth Schlumberger Recital (Odeion, Bloemfontein)

  • Louis Marchand (1669-1732): Pièces choisies pour l’Orgue de feu
  • César Franck (1822-1890): Choral No 3 in A minor (1890)
  • Jean Sebastian Bach (1685-1750): Toccata, BWV 564

ADMISSION:

  • R140 (adults)
  • *R100 (pensioners)
  • *R80 (UFS staff)
  • *R60 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above-mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504)


Back
Brahms love waltzes

Sunday, 25 May 2014

Odeion

16:00

A group of outstanding South African musicians – four singers and two pianists – have teamed up to perform both the Op. 52 and Op. 65 of Johannes Brahms’ exquisite Liebeslieder Waltzer for vocal quartet and piano duet.

Eighteen Liebeslieder form part of the Op. 52 set and a further fifteen Lieder (Op. 65) followed five years after Op. 52.  These Lieder are delectable specimens of their kind: pithy, roguish, and written in Viennese waltz-time with none of the soul-searching that went into so many of his serious songs.  The performers include Linelle Wimbles (soprano), Tina Tshupane (mezzo-soprano), Sandile Mabaso (tenor), Hendrè van Zyl (baritone) with pianists Ilse Myburgh and Peter Cartwright.

Soprano Linelle Wimbles studied for a BMusHons degree with Prof Werner Nel after which she continued her studies in München at the Hochschule für Musik und Theater.  She won several bursaries and competitions like the SABC Singing Competition and the International Belvedere Singing Competition.  Linelle has already sung opera roles such as Papagena (Mozart: Die Zauberflöte), Oscar (Verdi: Un Ballo in Maschera), Susanna (Mozart: Le nozze di Figaro) and Monica (Menotti: The Medium). She regularly performs in oratoria and at several arts festivals.  She is currently studying with Emma Renzi.    

Mezzo-soprano Tina Tshupane received her vocal training from Prof Werner Nel.  She completed her BMus degree and is currently working as freelance singer in Johannesburg.  She performs as soloist with the Chamber Choir of South Africa (under the leadership op Michael Dingaan) and regularly performs in oratoria countrywide.     

Tenor Sandile Mabaso completed his BMus degree in 2005 (UP).  His first professional performances were with Opera Africa in 2006.  In July of 2006 he was appointed member of the Cape Town Vocal Ensemble which toured to Germany, France and Sweden.  In 2008 he was accepted as student of renowned soprano Elizabeth Connell.  In 2009 he started with private lessons with Prof Werner Nel and was chosen to take part in the International Baroque Symposium.  In 2010 he sang the role of Acis (Handel: Acis and Galatea), in 2012 he sang the role of Puck (Purcell: The Faery Queen), in 2007 he sang in the Messiah (Handel) and in 2009 in Stabat Mater (Rossini).

Bariton Hendré van Zyl studied under prof Werner Nel.  Since he made his debut in May 2002 with works by Bach and Mozart he has given recitals in concert halls throughout South Africa.  He has already worked with various local and international conductors such as Richard Cock, Petru Grabe, Gerben Grooten, Kåre Hanken and Peter-Louis van Dijk.  Highlights of 2013 include an Easter Concert of Baroque Music with an ensemble under the leadership of Antoinette Lohmann, performances of Bach’s Cantata (BWV140) and Lamentation No 1, ZWC53 (for Maundy Thursday) by Jan Dismas Zelenka, Brahms’ Ein deutsches Requiem, as well as performances of his Liebeslieder, Op. 52 and Neue Liebeslieder, Op. 65.

Pianist Ilse Myburgh merges het talents as accompanist and piano teacher with an entrepreneurial spirit.  Influences of masterclasses with Fabio Bidini, Vladimir Viardo, Dorian Leljak, Svein Børkøy, Albie van Schalkwyk, Jill Richards and Peggy Haddon, has shaped her stylistic technique and interpretation of classical music.  Pauline Nossel and Prof Malcolm Nay were her mentors in achieving an MMus in chamber music.  As inspirational director and project manager of the Beka Bantwana Foundation, Ilse invests in a spectrum of pupils and colleagues who seek to showcase their talents, thus reaching out to young children through enjoyment of music. 

Peter Cartwright completed his BMus degree with distinction at Rhodes University, studying piano with Muriel Ilusorio.  Since then Peter has established himself as one of South Africa’s leading young pianists, performing in major venues across South Africa, as well as in Botswana, Zimbabwe and the USA.  He has attended masterclasses by various international pianists in Israel and England. He is currently studying towards an MMus in piano performance and also works as an accompanist, piano teacher and concert organizer.

PROGRAMME:

Brahms: Liebeslieder Waltzer, Op. 52

Brahms: Neue Liebeslieder, Op. 65

ADMISSION:

R110 (adults)

R70 (pensioners, students and learners)

R60 (UFS staff)

R40 (group booking of 10+)

Tickets available at Computicket.

ENQUIRIES:  

Ninette Pretorius (tel. 051 – 401 2504)

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