Years
2019 2018
LIESBETH SCHLUMBERGER-KURPERSHOEK – Organ Chair
2018-10-02

2 – 6 October 2018

CONCERTS

2 October 2018 – Sundowner Concert

(Lutheran Church, Bloemfontein, 17:30, Admission FREE)

3 October 2018 – Organ Recital

(Odeion, 19:30, Tickets @ Computicket)

MASTERCLASSES

4 – 6 October 2018

(Odeion / Kopanong)


The ODEION SCHOOL OF MUSIC aspires to excellence and aims to provide superior tuition at an international standard. The South African higher music education arena remains isolated in many senses, and this impression is reinforced by a declining number of students studying music. The OSM aims to fill these voids by pro-actively generating and facilitating excellence on several levels simultaneously. A multilateral policy towards internationalisation and innovation constitutes the cornerstone of our strategy.

The Liesbeth Schlumberger-Kurpershoek Organ Chair was founded in 2015 by the OSM and is positioned under the auspices of the OSM International Artistic Mentorship Programme (IAMP). The main objective of the IAMP being establishing partnerships with musicians (soloists, chamber musicians, and pedagogues) who are pursuing and already have established careers as musicians internationally. On par with international tendencies, the aim is to deploy these experts as instructors to coach and mentor OSM students complimentary to the local residential OSM performance faculty.

The amount of students studying the organ has declined drastically in South African during the last two decades. Therefore, it is imperative for the OSM that the anticipated initiatives and intellectual capital generated by the organ chair will be optimally accessible to all South African students, lecturers, liturgical and amateur organists.

The Liesbeth Schlumberger Organ Chair is assembled of an annual week-long intensive tuition programme to mentor and tutor SA organ students and organists under the tutelage of Liesbeth Schlumberger. Complimentary Liesbeth presents two concert recitals contrasting in nature during this timeslot as well as a lecture.

Apart from the scheduled annual programme to be hosted by the OSM in South Africa, our long-term aim is that talented OSM organ students will have the opportunity to study a semester or more of their studies under the auspices of Liesbeth Schlumberger and her colleagues in France at Conservatoire national supérieur de musique et de danse de Lyon (Lyon CNSMD). Formal discussions with the aim of forging of a bi-lateral agreement between the Lyon CNSMD and the Odeion School of Music is planned for this year.

The OSM has presented already two already two highly successful events of the Liesbeth Schlumberger Organ Leaning Chair in 2015 and 2016. For both events students and organist from all over the country participated as master students at the event. The third Liesbeth Schlumberger Organ Leaning Chair is scheduled to take place from 28 September – 5 October 2018.”

PROGRAMME

Concert I : Sundowner Concert

  • Dietrich Buxtehude (1637-1707): Praeludium in F major, Bux WV 146
  • Johann Sebastian Bach (1685-1750): Partita - Sei gegrüsset, Jesu gütig - O Jesu, du edle Gabe BWV 768
  • François Couperin (1668-1733): Messe à l’usage ordinaire des Paroisses, pour les Fêtes Solennelles
  • Wolfgang Amadeus Mozart (1759-1791): Fantasia - Fantasie für eine Orgelwalze in F minor KV 608

ADMISSION: Free

PROGRAMME

Concert II : Liesbeth Schlumberger Recital (Odeion, Bloemfontein)

  • Louis Marchand (1669-1732): Pièces choisies pour l’Orgue de feu
  • César Franck (1822-1890): Choral No 3 in A minor (1890)
  • Jean Sebastian Bach (1685-1750): Toccata, BWV 564

ADMISSION:

  • R140 (adults)
  • *R100 (pensioners)
  • *R80 (UFS staff)
  • *R60 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above-mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504)


Back
Lavrova Primakov piano duo

with Vassily Primakov & Natalia Lavrova (2 pianos)

7 November 2015

Odeion

19:30

 

“… Lavrova and Primakov take turns playing the piano I and piano II parts, but technically and tonally they are so well-matched, you wouldn’t know who was on first and who was on second unless you actually look at them. Like the talented and imaginative chefs they are, they work wonders with the ingredients they’ve been given… Strongly recommended then for a dazzling display of two-piano works by two phenomenal pianists.”~ Jerry Dubins, Fanfare

 

The Lavrova Primakov Piano Duo was established in August 2010. Since then, they performed extensively throughout the USA and garnered accolades from audiences and critics, stating that “Lavrova and Primakov play with brilliance and depth. They have excellent unity and do not hesitate to go with full power.” - Music Web International.

 

In November 2011, Natalia and Vassily established their own record label, LP Classics, an initiative committed to unearthing lost historical gems, presenting never-before released recordings, and enriching the discographies of emerging stars of new generation.

 

In recent years, Vassily has been hailed as a pianist of world class importance. Gramophone wrote that "Primakov's empathy with Chopin's spirit could hardly be more complete," and the American Record Guide stated: "Since Gilels, how many pianists have the right touch? In Chopin, no one currently playing sounds as good as this! This is a great Chopin pianist." Music Web-International called Primakov's Chopin concertos CD "one of the great Chopin recordings of recent times”.  In 1999, as a teen-aged prize winner of the Cleveland International Piano Competition, Primakov was praised by Donald Rosenberg of the Cleveland Plain Dealer: "How many pianists can make a line sing as the Moscow native did on this occasion? Every poignant phrase took ethereal wing. Elsewhere the music soared with all of the turbulence and poetic vibrancy it possesses. We will be hearing much from this remarkable musician."

 

Natalia Lavrova is a highly regarded performer of multi-faceted artistry, whose sincerity of interpretation and beguiling charm upon the stage has won the hearts of audiences around the world. She enjoys a diverse career upon the international platform, and additionally holds substantial positions in the worlds of arts administration and pedagogy.

 

Solo and orchestral performances have taken Natalia throughout Russia to Canada, France, Hungary, Italy, United Kingdom, South Africa and the United States, to include notable New York venues such as Alice Tully Hall and Avery Fisher Hall, Carnegie Hall and Steinway Hall.  She has captured top prizes at the New Orleans, Isabel Scionti, Frinna Auerbach, Heidi Hermanns, Music Academy of the West, Silver Lake, and Senigallia International Piano Competitions. Upon her debut at the Leeds International Piano Competition, Natalia was the youngest performer of 1996 admitted to the quarterfinal round.  In her repertoire, she has over 30 concertos and extensive solo recital programs, as well as substantial chamber music repertoire, including an ongoing partnership with her duo partner, Vassily Primakov. 

 

Natalia is the founder and president of a very successful private school – the Music School of New York City.

 

Programme

Alexander Scriabin: Fantasy for Two Pianos, Opus Posthumous

Johannes Brahms: Variations on a Theme by Joseph Haydn, Opus 56b

Franz Liszt: Concerto pathétique for Two Pianos (S.258/R.356)

Witold Lutoslawski: Variations on a Theme by Paganini

Anton Arensky: Suite No. 3 Op. 33 “Variations” (1894)    

Sergei Rachmaninoff: Suite No. 2 for Two Pianos, Op. 17

 

Admission

R130 (adults), R90 (pensioners), R70 (UFS staff), R50 (students and learners), R50 (group bookings of 10+)

Tickets available at Computicket.

 

Enquiries

Ninette Pretorius (tel. 051 401 2504)

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