Years
2019 2018
Quartet For The End Of Time
2018-10-25

Quartet For The End Of Time

By Olivier Messiaen (1908 – 1992)

25 October 2018

Odeion

19:30

“THE IDEA OF THE END OF TIME AS THE END OF PAST AND FUTURE AND THE BEGINNING OF ETERNITY”

Anmari van der Westhuizen and Samson Diamond (members of the renowned Odeion String Quartet), will join with the award-winning soloists Grethe Nöthling and Danrè Strydom to perform one of the 20th century’s most compelling chamber music works, Olivier Messiaen’s Quartet for the End of Time. These musicians need no introduction to Bloemfontein audiences.

Composed while he was a prisoner of war, Messiaen's Quartet has continually wowed audiences since its creation. The oppressive conditions within which the work was conceived - set against the backdrop of wartime conditions in Nazi Germany - contribute to the work’s inner narrative. In this unsettling time of global political and social uncertainty, we aim to reframe this work from the past in order to contemplate the present. Music woven together with other art forms elicit and explain a range of emotions where words often fail.

A selection of striking WWII photos will be projected behind the musicians - reflecting the theme and history of the composition.

About the composition
Olivier Messiaen (1908 - 92)
Quatour pour le fin du temps (1940 - 41)

Olivier Messiaen’s Quartet for the End of Time was written in perhaps the most incongruous spot any great score has been composed in: an unheated barrack in Stalag VIII-A, a German prisoner-of-war camp, during the second winter of World War 2. Messiaen wrote this mystical quartet for the instruments available in the camp (clarinet, violin, cello, and piano) in a setting that is arguably among the least conducive for creative work.

The quartet is Messiaen's musical depiction of and rumination on Revelation 10:1-7, which the composer included as a heading to the score:

“I saw a mighty angel descending from heaven, clad in mist, having around his head a rainbow. His face was like the sun, his feet like pillars of fire. He placed his right foot on the sea, his left on the earth, and standing thus on the sea and the earth, he lifted his hand toward heaven and swore by Him who liveth forever and ever, saying: "There shall be time no longer, but at the day of the trumpet of the seventh angel the mystery of God shall be consummated."

ADMISSION

  • R120 (adults)
  • *R80 (pensioners)
  • *R70 (UFS staff)
  • *R50 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above-mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504)


Back
Khanyisile Mthetwa – flute recital

Khanyisile Mthetwa – flute recital
with Lesley-Ann Mathews (piano)
6 August 2011
Odeion
19:30

Khanyisile began her musical education at the age of 15 at the Centre for Gifted Children in Johannesburg in 2000. Khanyisile made her début as soloist with the Johannesburg Festival Orchestra at the age of 16 with the Mozart Concerto No. 2 under the baton of Chris Dowdeswell. She studied at the University of Pretoria with dr John Hinch. After two years she continued her studies at the Music Conservatoire in Nice and played principal piccolo in the Symphony Orchestra of Lugano in Switzerland. She also completed a diploma specializing in orchestral training at the Giuseppe Verdi Conservatoire in Milan (Italy) where she graduated as the premier prix laureate. In 2009 she completed her performance diploma study at the acclaimed Superior Conservatoire (Paris) under the tutelage of prof. Gabriel Fumet. During her studies abroad she received master classes from Trevor Wye, Tessa Brink, Ljubisa Jovanovic, Emmanuel Pahud to name but a few.

In 2005 Khanyisile was the overall winner in the UNISA competition for new Talent. She was the recipient of the section for woodwinds in the National Ronnie and Rhona Lubner competition for orchestral musicians. She was recipient of the Pretorium Trust bursary at the University of Pretoria and awarded a leadership bursary by the University of Pretoria and The National Research Foundation. She won the Apollo Foundation bursary for overseas study 3 years consecutively. She was awarded bursaries by both the National Arts Council and the Nelson Mandela Foundation.

In 2006 she played principal flute in the South African National Youth orchestra at the Beethoven Festival (Bonn, Germany). On the same tour she played principal flute in Beethoven 5th Symphony with the Berlin Philharmonic under the baton of Herbert Blomstead. Khanyisile was also a member of the World Youth Orchestra in 2006. She plays regularly with the Johannesburg Philharmonic Orchestra, Johannesburg Festival Orchestra, Chamber Orchestra of South Africa, the MIAGI Youth Orchestra and the National Youth Orchestra. She has performed with the Kwazulu-Natal Philharmonic, Milan soloists, the Nice Summer Festival Orchestra and at the Saint Chapelle (Paris). She has given recitals in all the major cities in South Africa and abroad (Atlanta, Washington D.C., Milan, Rome, Como, Geneva, London and Paris).

Khanyisile is currently the flute lecturer at the National School of the Arts.

Program:
Poulenc: Sonata for flute and piano
Hofmeyr: Incantessimo for solo flute
Prokofiev: Sonata for flute and piano

Master Classes:
Khanyisile will present master classes on Thursday, 4 August from 14:00 – 17:00 in the Odeion. Admission is free.

Admission:
R60 (adults)
R40 (pensioners, students and learners)
Tickets available at Computicket (at all Shoprite / Checkers shops, Mimosa Mall information desk) and at the doors.

Enquiries:
Ninette Pretorius (tel. 051 - 401 2504)
 

We use cookies to make interactions with our websites and services easy and meaningful, to better understand how they are used and to tailor advertising. You can read more and make your cookie choices here. By continuing to use this site you are giving us your consent to do this.

Accept