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Quartet For The End Of Time
2018-10-25

Quartet For The End Of Time

By Olivier Messiaen (1908 – 1992)

25 October 2018

Odeion

19:30

“THE IDEA OF THE END OF TIME AS THE END OF PAST AND FUTURE AND THE BEGINNING OF ETERNITY”

Anmari van der Westhuizen and Samson Diamond (members of the renowned Odeion String Quartet), will join with the award-winning soloists Grethe Nöthling and Danrè Strydom to perform one of the 20th century’s most compelling chamber music works, Olivier Messiaen’s Quartet for the End of Time. These musicians need no introduction to Bloemfontein audiences.

Composed while he was a prisoner of war, Messiaen's Quartet has continually wowed audiences since its creation. The oppressive conditions within which the work was conceived - set against the backdrop of wartime conditions in Nazi Germany - contribute to the work’s inner narrative. In this unsettling time of global political and social uncertainty, we aim to reframe this work from the past in order to contemplate the present. Music woven together with other art forms elicit and explain a range of emotions where words often fail.

A selection of striking WWII photos will be projected behind the musicians - reflecting the theme and history of the composition.

About the composition
Olivier Messiaen (1908 - 92)
Quatour pour le fin du temps (1940 - 41)

Olivier Messiaen’s Quartet for the End of Time was written in perhaps the most incongruous spot any great score has been composed in: an unheated barrack in Stalag VIII-A, a German prisoner-of-war camp, during the second winter of World War 2. Messiaen wrote this mystical quartet for the instruments available in the camp (clarinet, violin, cello, and piano) in a setting that is arguably among the least conducive for creative work.

The quartet is Messiaen's musical depiction of and rumination on Revelation 10:1-7, which the composer included as a heading to the score:

“I saw a mighty angel descending from heaven, clad in mist, having around his head a rainbow. His face was like the sun, his feet like pillars of fire. He placed his right foot on the sea, his left on the earth, and standing thus on the sea and the earth, he lifted his hand toward heaven and swore by Him who liveth forever and ever, saying: "There shall be time no longer, but at the day of the trumpet of the seventh angel the mystery of God shall be consummated."

ADMISSION

  • R120 (adults)
  • *R80 (pensioners)
  • *R70 (UFS staff)
  • *R50 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above-mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504)


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Retelling Telemann's Tale

Retelling Telemann’s Tale...

With the Odeion Baroque Ensemble

12 November 2017

Odeion

16:00

The Odeion Baroque Ensemble presents this concert titled Retelling Telemann’s Tale... consisting of some of the most appealing works by Georg Philipp Telemann (1681-1767). This concert falls with the 250th anniversary of his death.

During the concert the Namibian/South African narrator, Dorian Haarhoff, will elucidate on Telemann’s life and works. Tenor Lance Phillip will perform two sacred solo cantatas with organ (one with oboe and one with recorder). A Trio Sonata with an extraordinary setting for harpsichord, oboe and organ will be included. This will be followed by a quartet for bassoon, oboe, violin and continuo - an exceptional work with beautiful bassoon solos.

The rest of the programme will consist of concertos. The Double Concerto for recorder and bassoon is probably one of the Telemann’s most popular works due to the skilful manner in which Telemann interweaved these two instruments’ parts. The Double Concerto for oboe and violin is seldom performed, because it is unfinished. This will be followed by the Violin Concerto in G minor and the programme will be appropriately concluded with a composition named Conclusion. Telemann named it as such because it is the last work in his series Tafelmusik. Conclusion is a short concerto for two recorders.

Members of the Odeion Baroque Ensemble include Maretha Krige (harpsichord), Petrus Krige (recorder), Kobus Malan (oboe & recorder), Brahm Henkins (bassoon), Elspeth Neary (violin), Tilla Henkins (cello), Lance Phillip (tenor & organ) and Francois Henkins (violin).

ADMISSION

  • R80 (adults)
  • *R60 (UFS staff)
  • *R50 (pensioners, students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504)

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