Years
2019 2018
Quartet For The End Of Time
2018-10-25

Quartet For The End Of Time

By Olivier Messiaen (1908 – 1992)

25 October 2018

Odeion

19:30

“THE IDEA OF THE END OF TIME AS THE END OF PAST AND FUTURE AND THE BEGINNING OF ETERNITY”

Anmari van der Westhuizen and Samson Diamond (members of the renowned Odeion String Quartet), will join with the award-winning soloists Grethe Nöthling and Danrè Strydom to perform one of the 20th century’s most compelling chamber music works, Olivier Messiaen’s Quartet for the End of Time. These musicians need no introduction to Bloemfontein audiences.

Composed while he was a prisoner of war, Messiaen's Quartet has continually wowed audiences since its creation. The oppressive conditions within which the work was conceived - set against the backdrop of wartime conditions in Nazi Germany - contribute to the work’s inner narrative. In this unsettling time of global political and social uncertainty, we aim to reframe this work from the past in order to contemplate the present. Music woven together with other art forms elicit and explain a range of emotions where words often fail.

A selection of striking WWII photos will be projected behind the musicians - reflecting the theme and history of the composition.

About the composition
Olivier Messiaen (1908 - 92)
Quatour pour le fin du temps (1940 - 41)

Olivier Messiaen’s Quartet for the End of Time was written in perhaps the most incongruous spot any great score has been composed in: an unheated barrack in Stalag VIII-A, a German prisoner-of-war camp, during the second winter of World War 2. Messiaen wrote this mystical quartet for the instruments available in the camp (clarinet, violin, cello, and piano) in a setting that is arguably among the least conducive for creative work.

The quartet is Messiaen's musical depiction of and rumination on Revelation 10:1-7, which the composer included as a heading to the score:

“I saw a mighty angel descending from heaven, clad in mist, having around his head a rainbow. His face was like the sun, his feet like pillars of fire. He placed his right foot on the sea, his left on the earth, and standing thus on the sea and the earth, he lifted his hand toward heaven and swore by Him who liveth forever and ever, saying: "There shall be time no longer, but at the day of the trumpet of the seventh angel the mystery of God shall be consummated."

ADMISSION

  • R120 (adults)
  • *R80 (pensioners)
  • *R70 (UFS staff)
  • *R50 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above-mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504)


Back
For colored girls who have considered suicide when the rainbow is enuf

Venue:  Scaena Theatre, UFS-Main Campus

Language: English 

Genre: Choreopoem / Drama

 

Date and times:

12 September @ 19:30

13 September @ 19:30

14 Septermber@ 19:30

 

Tickets:         

R 40.00 per person

R 30.00 for students, scholars,

R 25.00 for pensioners

 

Bookings Computicket (0861 915 8000)

 A beautiful fusion between dance, poetry, drama and music is what you can expect in For Colored Girls Who Have Considered Suicide When the Rainbow is Enuf, the next play brought to the stage by the University of the Free State Drama Department. Issues women all over the world are struggling with, like abuse, identity crises, the coming of age and self-love, empowerment and depression, are themes this choreopoem explores. Written in 1975 by American author Ntozake Shange, it is today just as relevant as then.

 For Colored Girls uses nineteen poems by seven women who experience different individual problems. Each of these characters go through a journey of their own but come to realise that they are not alone. While they are all confronted with similar issues, they are not as different from each other after all.

“she’s half-notes scattered

without rhythm/ no tune

sing her sighs

sing the song of her possibilities

sing a righteous gospel

let her be born”- Lady in Brown

The characters’ names reflect the colours of the rainbow: Lady in Red, Lady in Blue, Lady in Brown, Orange, Yellow, Purple and Green.

American playwright, poet and feminist activist fighting for the rights of black women, Ntozake Shange, was born in Trenton New Jersey, as Paulette Williams. When she separated from her first husband, she often attempted to commit suicide. However, focusing her anger and hurt on the limitations that black women have she was able to regain her inner strength. She then took her African name, from South African friends at the time – Ntozake Shange – which means “she who comes with her own things “and “she who walks like a lion”.

Being an educator, performer/director, writer and committed solo spoken word artist, she said “the poems find[ing] their way through me to the audience”, but that she was so nervous in the beginning of putting these poems into a performance, because “I was a performance poet, not a theatre artist.”

For Colored Girls will be performed by second year drama students from the UFS, from 12 – 14 September 2018, at 9:30 in the Scaena Theatre, UFS.

Please note the age restriction of 16 years, as some content is too mature for younger viewers. Tickets are available at Computicket. For more information go to https://www.facebook.com/ufsdrama/

We use cookies to make interactions with our websites and services easy and meaningful, to better understand how they are used and to tailor advertising. You can read more and make your cookie choices here. By continuing to use this site you are giving us your consent to do this.

Accept