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Quartet For The End Of Time
2018-10-25

Quartet For The End Of Time

By Olivier Messiaen (1908 – 1992)

25 October 2018

Odeion

19:30

“THE IDEA OF THE END OF TIME AS THE END OF PAST AND FUTURE AND THE BEGINNING OF ETERNITY”

Anmari van der Westhuizen and Samson Diamond (members of the renowned Odeion String Quartet), will join with the award-winning soloists Grethe Nöthling and Danrè Strydom to perform one of the 20th century’s most compelling chamber music works, Olivier Messiaen’s Quartet for the End of Time. These musicians need no introduction to Bloemfontein audiences.

Composed while he was a prisoner of war, Messiaen's Quartet has continually wowed audiences since its creation. The oppressive conditions within which the work was conceived - set against the backdrop of wartime conditions in Nazi Germany - contribute to the work’s inner narrative. In this unsettling time of global political and social uncertainty, we aim to reframe this work from the past in order to contemplate the present. Music woven together with other art forms elicit and explain a range of emotions where words often fail.

A selection of striking WWII photos will be projected behind the musicians - reflecting the theme and history of the composition.

About the composition
Olivier Messiaen (1908 - 92)
Quatour pour le fin du temps (1940 - 41)

Olivier Messiaen’s Quartet for the End of Time was written in perhaps the most incongruous spot any great score has been composed in: an unheated barrack in Stalag VIII-A, a German prisoner-of-war camp, during the second winter of World War 2. Messiaen wrote this mystical quartet for the instruments available in the camp (clarinet, violin, cello, and piano) in a setting that is arguably among the least conducive for creative work.

The quartet is Messiaen's musical depiction of and rumination on Revelation 10:1-7, which the composer included as a heading to the score:

“I saw a mighty angel descending from heaven, clad in mist, having around his head a rainbow. His face was like the sun, his feet like pillars of fire. He placed his right foot on the sea, his left on the earth, and standing thus on the sea and the earth, he lifted his hand toward heaven and swore by Him who liveth forever and ever, saying: "There shall be time no longer, but at the day of the trumpet of the seventh angel the mystery of God shall be consummated."

ADMISSION

  • R120 (adults)
  • *R80 (pensioners)
  • *R70 (UFS staff)
  • *R50 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above-mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504)


Back
Harmonic Brass Munich 6 March 2012

Odeion
19:30

Since 1991, the Harmonic Brass Munich has been renowned for their big, elegant brass sound. Carnegie Hall (New York), Arts Center (Seoul), Leipzig Gewandhaus: the five gentlemen are welcomed and feel at home everywhere in the world. Harmonic Brass travels around the globe playing around 120 concerts a year with changing programmes. An ensemble that spreads good humor: meticulous filing at their performance combined with baroque joie de vivre, serious musical work alternating with giggling boyishness. Five individuals, who couldn't be more unequal, melt to a unity on stage that is hardly ever to be met. Harmonic Brass is supported by an incredibly large number of fans. For the Goethe Institute Harmonic Brass has since 2000 been a cultural ambassador all over the world and the musicians from Munich also hold numerous international workshops. Whoever has been to a Harmonic Brass concert knows what the “Süddeutsche Zeitung” means when writing about an ensemble that "… with its glamorous-virtuous way of performing is one of the best of its kind worldwide."

Hans Zellner (trumpet) studied with Prof. Lachenmaier, Rolf Quinque and Wolfgang Guggenberger at the Richard Strauss Conservatory in Munich as well as the Hochschule für Musik und Theater also in Munich.

Gergely Lukács (trumpet) studied with Prof. Károly Neumayer, Prof. István Palotai and Prof. Zoltán Szücs at the Franz-List Music Academy in Budapest as well as with Prof. Reinhold Friedrich at the Musikhochschule Karlsruhe.

Andreas Binder (French horn) studied with Prof. Siegfried Hammer and Prof. Wolfgang Gaag at the Hochschule für Musik und Theater.

Thomas Lux (trombone) studied with Prof. Paul Schreckenberger at the Staatl. Hochschule für Musik und Darstellende Kunst in Mannheim.

Manfred Häberlein (tuba) studied at the Meistersinger-Conservatory in Nürnberg and with Tom Walsh at the Richard Strauss Conservatory in Munich.

Programme:

Vivaldi – Concerto in C
Bach – Toccata and Fugue in D minor (BWV 565)
Bach – Jesu, Joy Of Man´s Desiring
(BWV 147)
Orff – O Fortuna (from Carmina Burana)
Verdi – Triumphmarsch from Aida
Rimsky-Korsakov – Procession of the Nobles
Händel – The Harmonious Blacksmith
Bizet – Carmen
Khachaturian – Sabre Dance
Ravel – Bolero

Admission:

R120 (adults)
R80 (pensioners, students and learners)
R50 (group bookings of 10+)
Tickets available at Computicket (at all Shoprite / Checkers shops, Mimosa Mall / Waterfront information desks) and at the doors.

Enquiries:

Ninette Pretorius (tel. 051 – 401 2504)
 

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