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Quartet For The End Of Time
2018-10-25

Quartet For The End Of Time

By Olivier Messiaen (1908 – 1992)

25 October 2018

Odeion

19:30

“THE IDEA OF THE END OF TIME AS THE END OF PAST AND FUTURE AND THE BEGINNING OF ETERNITY”

Anmari van der Westhuizen and Samson Diamond (members of the renowned Odeion String Quartet), will join with the award-winning soloists Grethe Nöthling and Danrè Strydom to perform one of the 20th century’s most compelling chamber music works, Olivier Messiaen’s Quartet for the End of Time. These musicians need no introduction to Bloemfontein audiences.

Composed while he was a prisoner of war, Messiaen's Quartet has continually wowed audiences since its creation. The oppressive conditions within which the work was conceived - set against the backdrop of wartime conditions in Nazi Germany - contribute to the work’s inner narrative. In this unsettling time of global political and social uncertainty, we aim to reframe this work from the past in order to contemplate the present. Music woven together with other art forms elicit and explain a range of emotions where words often fail.

A selection of striking WWII photos will be projected behind the musicians - reflecting the theme and history of the composition.

About the composition
Olivier Messiaen (1908 - 92)
Quatour pour le fin du temps (1940 - 41)

Olivier Messiaen’s Quartet for the End of Time was written in perhaps the most incongruous spot any great score has been composed in: an unheated barrack in Stalag VIII-A, a German prisoner-of-war camp, during the second winter of World War 2. Messiaen wrote this mystical quartet for the instruments available in the camp (clarinet, violin, cello, and piano) in a setting that is arguably among the least conducive for creative work.

The quartet is Messiaen's musical depiction of and rumination on Revelation 10:1-7, which the composer included as a heading to the score:

“I saw a mighty angel descending from heaven, clad in mist, having around his head a rainbow. His face was like the sun, his feet like pillars of fire. He placed his right foot on the sea, his left on the earth, and standing thus on the sea and the earth, he lifted his hand toward heaven and swore by Him who liveth forever and ever, saying: "There shall be time no longer, but at the day of the trumpet of the seventh angel the mystery of God shall be consummated."

ADMISSION

  • R120 (adults)
  • *R80 (pensioners)
  • *R70 (UFS staff)
  • *R50 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above-mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504)


Back
Don’t shoot the messenger

Production: Don’t shoot the messenger
Text: Prof. Nico Luwes
Director: Prof. Nico Luwes
Venue: Wynand Mouton Theatre

Dates & times:
Morning performances
21 May 2009 - 10h30 (Free attendance for public)
22 May 2009 - 10h30 (Free attendance for public)
23 May 2009 - 10h30 ((Free attendance for public)


Evening production
23 May 2009 - 19h00

Tickets:
R 30.00 Adults
R 25.00 Pensioners, scholars & students
R 25.00 Block bookings 10+
R 15.00 Club Theatron members

Tickets available at Computicket (Mimosa Mall & any Checkers) or at the door.

This new allegorical play by Prof Nico Luwes, “Don’t shoot the messenger!” had its premiere on 26 and 26 March in the Wynand Mouton Theatre on the UFS campus. Thus, back by popular demand.

As part of the 200 year commemoration of Charles Darwin’s birth and the 150th year commemoration of his publication “The Origin of Species”, Darwin is confronted with ancient Greek knowledge in the form of the character, Ancienti Academicus. Were Darwin’s theories indeed original? Reli-Gious, representing Western religion comes into serious conflict with Darwin, the agnostic. In the fun play, Incense, appears from the blue and throws a spanner in the wheel with Eastern believes in Reincarnation and theories on the origin of life and the creation of Earth. The oldest, isolated nation is called in to bring some light on the matter and Original Aboriginal comes in to didgeridoo everything up further with her creation theories and Dreamtime. Off course Africa Nus is not impressed and tells the Africa tale on the origin of life on earth and how humans came to wander this earth. All the characters are manipulated by the Jester of the King about the core question: Can a religious person except and believe Darwin’s scientific theories? Or visa versa! Can a scientist except and believe the creation theory as it is written in the Bible? In this funny allegory, some-one will have to make the final decision, and you, the audience will be the Judge! The play was written with the support of the National Arts Council of South Africa and Nico Luwes directs the play. See you at The Wynand Mouton Theatre. Sparks will fly!
 

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