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Quartet For The End Of Time
2018-10-25

Quartet For The End Of Time

By Olivier Messiaen (1908 – 1992)

25 October 2018

Odeion

19:30

“THE IDEA OF THE END OF TIME AS THE END OF PAST AND FUTURE AND THE BEGINNING OF ETERNITY”

Anmari van der Westhuizen and Samson Diamond (members of the renowned Odeion String Quartet), will join with the award-winning soloists Grethe Nöthling and Danrè Strydom to perform one of the 20th century’s most compelling chamber music works, Olivier Messiaen’s Quartet for the End of Time. These musicians need no introduction to Bloemfontein audiences.

Composed while he was a prisoner of war, Messiaen's Quartet has continually wowed audiences since its creation. The oppressive conditions within which the work was conceived - set against the backdrop of wartime conditions in Nazi Germany - contribute to the work’s inner narrative. In this unsettling time of global political and social uncertainty, we aim to reframe this work from the past in order to contemplate the present. Music woven together with other art forms elicit and explain a range of emotions where words often fail.

A selection of striking WWII photos will be projected behind the musicians - reflecting the theme and history of the composition.

About the composition
Olivier Messiaen (1908 - 92)
Quatour pour le fin du temps (1940 - 41)

Olivier Messiaen’s Quartet for the End of Time was written in perhaps the most incongruous spot any great score has been composed in: an unheated barrack in Stalag VIII-A, a German prisoner-of-war camp, during the second winter of World War 2. Messiaen wrote this mystical quartet for the instruments available in the camp (clarinet, violin, cello, and piano) in a setting that is arguably among the least conducive for creative work.

The quartet is Messiaen's musical depiction of and rumination on Revelation 10:1-7, which the composer included as a heading to the score:

“I saw a mighty angel descending from heaven, clad in mist, having around his head a rainbow. His face was like the sun, his feet like pillars of fire. He placed his right foot on the sea, his left on the earth, and standing thus on the sea and the earth, he lifted his hand toward heaven and swore by Him who liveth forever and ever, saying: "There shall be time no longer, but at the day of the trumpet of the seventh angel the mystery of God shall be consummated."

ADMISSION

  • R120 (adults)
  • *R80 (pensioners)
  • *R70 (UFS staff)
  • *R50 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above-mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504)


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Lyle the Crocodile and the House on East 88th Street

 


Title of Production:  Lyle the Crocodile and the House on East 88th Street

Genre:  Theatre for young adults (musical)

Language:  English

Directed by:  DeBeer Cloete

Based on the Books by:  Bernard Waber

Adapted for the Stage by:  Kevin Kling

Music composed by:  Richard Gray

Choreography by:  Mark Antony Dobson

Featuring:  2nd Year Drama Students

Venue:  Rehearsal Room Theatre

Dates & times:

12 March at 17:00

13 March at 17:00

14 March at 12:00

15 March at 12:00

18 March at 17:00

Prices:  R 25.00 per person / R 20.00 per person for groups of 10 or more

Bookings:   Computicket (0861 915 8000)

Press Release

“Lyle the Crocodile” is the story of a friendly crocodile who turns up in a bathtub in an apartment in New York City’s Upper East Side. Lyle becomes good friends with the people in the building, except for Mr Grumps, who hates Lyle, parades, people, and pretty much everything. However, when Lyle rescues Mr Grumps and his cat Loretta from a fire, Mr Grumps has to apologize for the way he’s treated Lyle. In the end, Lyle helps those around him learn that they should not judge other by how different they appear to be, but to love people (and crocodiles) for what they are.

“Lyle the Crocodile” is based on the beloved character created by Bernard Waber.  The play was originally adapted by Kevin Kling in 1990 and since then has become a staple for children’s theatre production houses around the world including the United States and Britain.  The production is aimed at primary school learners, students and adults alike and the adaptation features eleven original songs composed by Richard Gray. 

This production opens the 2014 theatrical season at the Department of Drama and Theatre Arts at the University of the Free State and features second year drama students under the direction of DeBeer Cloete (The Monster Under my Bed).  Tickets are available through Computicket.  “Lyle the Crocodile” runs from 12 to 18 March at the Scaena Rehearsal Room on the University of the Free State Campus.  For bookings or further information, please contact the drama department on 051 401 2160 between 08:00 and 13:00 on weekdays.

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