Years
2019 2018
Quartet For The End Of Time
2018-10-25

Quartet For The End Of Time

By Olivier Messiaen (1908 – 1992)

25 October 2018

Odeion

19:30

“THE IDEA OF THE END OF TIME AS THE END OF PAST AND FUTURE AND THE BEGINNING OF ETERNITY”

Anmari van der Westhuizen and Samson Diamond (members of the renowned Odeion String Quartet), will join with the award-winning soloists Grethe Nöthling and Danrè Strydom to perform one of the 20th century’s most compelling chamber music works, Olivier Messiaen’s Quartet for the End of Time. These musicians need no introduction to Bloemfontein audiences.

Composed while he was a prisoner of war, Messiaen's Quartet has continually wowed audiences since its creation. The oppressive conditions within which the work was conceived - set against the backdrop of wartime conditions in Nazi Germany - contribute to the work’s inner narrative. In this unsettling time of global political and social uncertainty, we aim to reframe this work from the past in order to contemplate the present. Music woven together with other art forms elicit and explain a range of emotions where words often fail.

A selection of striking WWII photos will be projected behind the musicians - reflecting the theme and history of the composition.

About the composition
Olivier Messiaen (1908 - 92)
Quatour pour le fin du temps (1940 - 41)

Olivier Messiaen’s Quartet for the End of Time was written in perhaps the most incongruous spot any great score has been composed in: an unheated barrack in Stalag VIII-A, a German prisoner-of-war camp, during the second winter of World War 2. Messiaen wrote this mystical quartet for the instruments available in the camp (clarinet, violin, cello, and piano) in a setting that is arguably among the least conducive for creative work.

The quartet is Messiaen's musical depiction of and rumination on Revelation 10:1-7, which the composer included as a heading to the score:

“I saw a mighty angel descending from heaven, clad in mist, having around his head a rainbow. His face was like the sun, his feet like pillars of fire. He placed his right foot on the sea, his left on the earth, and standing thus on the sea and the earth, he lifted his hand toward heaven and swore by Him who liveth forever and ever, saying: "There shall be time no longer, but at the day of the trumpet of the seventh angel the mystery of God shall be consummated."

ADMISSION

  • R120 (adults)
  • *R80 (pensioners)
  • *R70 (UFS staff)
  • *R50 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above-mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504)


Back
Redfern & Pauna piano duo

with James Redfern and Laura Pauna

Thursday, 13 March 2014

ODEION

19:30

Press:

“The whole country deserves to hear the Redfern-Pauna duo.”

  Paul Boekkooi, Beeld newspaper, South Africa, 2013

“Probably the best duet I have yet been fortunate to hear”

J Holloway, Durban Friends of Music review, South Africa, 2011

The Redfern & Pauna Piano Duo has been described by Paul Badura-Skoda as “a piano duo of first class”. Their performances during 2013 of Stravinsky’s The Rite of Spring - to mark the work’s centenary - have been met with great critical acclaim.  Their performances of original masterworks for four hands have taken them across the globe.  They have appeared at festivals such as the 50th Anniversary Liszt Festival (Weimar), Piano Fortissimo Festival (Croatia), the Manchester Keyboard Festival and the UNISA Concert Series.

LAURA PAUNA

“… lavishly performed… frenziedly and brilliantly… Bravo” was written in a Carnegie Hall review in 2007

Laura Pauna was born in Bucharest (Romania), starting her studies at the Dinu Lipatti- and George Enescu music schools. She completed her KA degree at the Hochschule für Musik und Theater (Hannover) with the highest distinction.

Laura performed with orchestras including the Deutsche Kammerakademie Neuss am Rhein; Cape Town Philharmonic Orchestra, KwaZulu-Natal Philharmonic Orchestra, Pro Musica, the International Mahler Orchestra and more.  Opening the 2008 Mozarteum International Summer Academy, Laura’s performance was described as “inspired… perfectly synchronised brilliance” (Horst Reischenbroek, Drehpunkt Kultur, Salzburg).  During her time in Germany, Laura was the recipient of many scholarships and awards, including the Ottilie-Selbach award and the Ritter Foundation, in addition to winning internal scholarships.

Her numerous competition prizes include being the overall winner in 2006 of the IBLA Grand Prize,  winning the Valentino Bucchi competition (Rome, 2006), the Mozarteum Prize (Salzburg, 2009) and 1st prize at the Grieg International Piano Competition (2009).

As a soloist and chamber musician, Laura has performed all over the world, including tours of the United States, Europe and Africa.  She has performed at such prestigious venues as Carnegie Hall, Salzburg Grosse Saal, Concertgebouw (Amsterdam), Jerusalem Theatre (Israel), George Enescu Piazza (Bucharest) and St Martin-in-the-Field (London).

JAMES REDFERN

“A solo pianist of the highest calibre” – Paul Badura-Skoda (2013)

James Redfern is a leading young English pianist. He began his studies in the UK at Chetham’s School of Music and the Purcell School, with Tessa Nicholson at the Royal Academy of Music. James continued his study under the tutorship of Paul Badura-Skoda.

James performed Mozart’s Jeunhomme concerto at St John’s Smith Square (London) at the inaugural concert of the International Mahler Orchestra, under the baton of Yoel Gamzou. He subsequently toured the Ukraine performing Brahms Concerto no. 1. Other prestigious appearances include the Purcell Room, South Bank Centre, St. Martin-in-the-Fields (London), the Bucharest Festival (Romania), the Deutsche National Theater and Stadskapelle Weimar (Germany), ZK Matthews Hall (Pretoria) and more.

In 2005 he won the first prize and chamber music prize at the Franz Liszt Competition (Weimar) and in 2010 he was the overall winner of the EPTA Competition (London). In 2011 James won fourth prize at the Dudley International Piano Competition.

ADMISSION:

R130 (adults), R90 (pensioners), R70 (UFS staff), R50 (students & learners)

R50 (block booking of 10+)

PROGRAMME:

Mendelssohn: A Midsummer Night’s Dream

Beethoven: Grosse Fugue, Op. 134

Ravel: Spanish Rhapsody (1. Prelude a la nuit; 2. Malaguena; 3. Habanera & 4. Feria)

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