Years
2019 2018
Quartet For The End Of Time
2018-10-25

Quartet For The End Of Time

By Olivier Messiaen (1908 – 1992)

25 October 2018

Odeion

19:30

“THE IDEA OF THE END OF TIME AS THE END OF PAST AND FUTURE AND THE BEGINNING OF ETERNITY”

Anmari van der Westhuizen and Samson Diamond (members of the renowned Odeion String Quartet), will join with the award-winning soloists Grethe Nöthling and Danrè Strydom to perform one of the 20th century’s most compelling chamber music works, Olivier Messiaen’s Quartet for the End of Time. These musicians need no introduction to Bloemfontein audiences.

Composed while he was a prisoner of war, Messiaen's Quartet has continually wowed audiences since its creation. The oppressive conditions within which the work was conceived - set against the backdrop of wartime conditions in Nazi Germany - contribute to the work’s inner narrative. In this unsettling time of global political and social uncertainty, we aim to reframe this work from the past in order to contemplate the present. Music woven together with other art forms elicit and explain a range of emotions where words often fail.

A selection of striking WWII photos will be projected behind the musicians - reflecting the theme and history of the composition.

About the composition
Olivier Messiaen (1908 - 92)
Quatour pour le fin du temps (1940 - 41)

Olivier Messiaen’s Quartet for the End of Time was written in perhaps the most incongruous spot any great score has been composed in: an unheated barrack in Stalag VIII-A, a German prisoner-of-war camp, during the second winter of World War 2. Messiaen wrote this mystical quartet for the instruments available in the camp (clarinet, violin, cello, and piano) in a setting that is arguably among the least conducive for creative work.

The quartet is Messiaen's musical depiction of and rumination on Revelation 10:1-7, which the composer included as a heading to the score:

“I saw a mighty angel descending from heaven, clad in mist, having around his head a rainbow. His face was like the sun, his feet like pillars of fire. He placed his right foot on the sea, his left on the earth, and standing thus on the sea and the earth, he lifted his hand toward heaven and swore by Him who liveth forever and ever, saying: "There shall be time no longer, but at the day of the trumpet of the seventh angel the mystery of God shall be consummated."

ADMISSION

  • R120 (adults)
  • *R80 (pensioners)
  • *R70 (UFS staff)
  • *R50 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above-mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504)


Back
The Creation
 
 
 

The Creation

Symphony Choir of Johannesburg  and the Free State Symphony Orchestra conducted by Alexander Fokkens

Soloists:          Magdalene Minnaar (soprano)

         Kgaugelo Mpyane (tenor)

         Aubrey Lodewyk (baritone)

Date:                Sunday 7 September 2014

Venue:             NG Kerk Heuwelsig

Time:               15:00

 

Haydn’s masterpiece, The Creation will be performed at the NG Kerk Heuwelsig on Sunday 7 September by the Symphony Choir of Johannesburg and the Free State Symphony Orchestra conducted by Alexander Fokkens. The soloists are Magadalene Minnaar (soprano), Kgaugelo Mpyane (tenor) and Aubrey Lodewyk (baritone).

Magdalene Minnaar has entertained audiences across the globe with her versatile voice and enigmatic stage presence, evident in her acclaimed performances of the female lead in the international touring production Show Boat and The Phantom of the Opera. Since completing her two years at the Cape Town Opera Studio, highlights include performing as soloist at the opening of the Cape Town Stadium with the Cape Philharmonic Orchestra, Richard Cock and the 20Tenors, as well as the annual RMB Starlight Classics, Last Night at the Proms, Sean Bovim’s spectacular tribute show Queen at the Ballet and Deon Opperman’s multi-media oratorio Die Skepping.

Kgaugelo Mpyane is a final year BMus student at the Odeion School of Music at the University of the Free State majoring in both viola performance and voice. He won the Musicon Solo singing competition in 2010 and 2011 and the UNISA festival, this time in the advanced category, where he won both the classical and non-classical categories, and won the overall prize for the festival. Since 2010 Kgaugelo has sung as a soloist with various leading choirs in South Africa. In 2011 he sang in Handel’s Messiah with Bel Canto Voices. In 2012 he sang as a soloist in Nabucco and Wagner’s Lohengrin as Lohengrin  with The Voices of the Nation Choir (Pretoria).

Aubrey Lodewyk was a huge favourite with the audience at the Rodgers & Hammerstein tribute concert at the Vryfees in July. In 2011 he performed the role of Mandela in the world premiere of Mandela Trilogy and again in its European debut in Cardiff. Aubrey made his debut as Silvio in I Pagliacci at the New Israeli Opera in Tel Aviv, sang the role of William in Jan Meyerowitz opera Il Mulatto in Marseille for the Festival Musique Interdites and was a soloist at the Mandela Day celebration concert in Paris. In 2014 Aubrey performed the role of Guglielmo in Cosi fan Tutte and made his debut in Munich in the title role in Mandela Trilogy (June 2014).

The Symphony Choir of Johannesburg was established in 1947 by Edgar Cree as the SABC Choral Society.  Since 1980, the choir has grown and evolved under the leadership of Richard Cock, and has become the leading choir of its type in South Africa.  Its concerts are regularly broadcast nationwide on SAFM.  The choir has gone from strength to strength under the creative and disciplined directorship of Richard Cock.  Their repertoire is varied and wide: they have sung most of the major well-known oratorios, Mendelssohn’s Elijah, Haydn’s Creation and Nelson Mass, Vivaldi’s Gloria and the Requiems of Brahms, Mozart, Verdi, Fauré and Duruflé – to name a few. 

Admission:

R120 (adults)

R80 (pensioners)

R50 (students/learners/group bookings of 10+)

 

Tickets are available from Computicket outlets or book online at www.computicket.com

 

Enquiries:

Ella Kotze (FSSO), tel. (051) 401-2342 (office hours)

www.fsso.org.za

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