Years
2019 2018
Quartet For The End Of Time
2018-10-25

Quartet For The End Of Time

By Olivier Messiaen (1908 – 1992)

25 October 2018

Odeion

19:30

“THE IDEA OF THE END OF TIME AS THE END OF PAST AND FUTURE AND THE BEGINNING OF ETERNITY”

Anmari van der Westhuizen and Samson Diamond (members of the renowned Odeion String Quartet), will join with the award-winning soloists Grethe Nöthling and Danrè Strydom to perform one of the 20th century’s most compelling chamber music works, Olivier Messiaen’s Quartet for the End of Time. These musicians need no introduction to Bloemfontein audiences.

Composed while he was a prisoner of war, Messiaen's Quartet has continually wowed audiences since its creation. The oppressive conditions within which the work was conceived - set against the backdrop of wartime conditions in Nazi Germany - contribute to the work’s inner narrative. In this unsettling time of global political and social uncertainty, we aim to reframe this work from the past in order to contemplate the present. Music woven together with other art forms elicit and explain a range of emotions where words often fail.

A selection of striking WWII photos will be projected behind the musicians - reflecting the theme and history of the composition.

About the composition
Olivier Messiaen (1908 - 92)
Quatour pour le fin du temps (1940 - 41)

Olivier Messiaen’s Quartet for the End of Time was written in perhaps the most incongruous spot any great score has been composed in: an unheated barrack in Stalag VIII-A, a German prisoner-of-war camp, during the second winter of World War 2. Messiaen wrote this mystical quartet for the instruments available in the camp (clarinet, violin, cello, and piano) in a setting that is arguably among the least conducive for creative work.

The quartet is Messiaen's musical depiction of and rumination on Revelation 10:1-7, which the composer included as a heading to the score:

“I saw a mighty angel descending from heaven, clad in mist, having around his head a rainbow. His face was like the sun, his feet like pillars of fire. He placed his right foot on the sea, his left on the earth, and standing thus on the sea and the earth, he lifted his hand toward heaven and swore by Him who liveth forever and ever, saying: "There shall be time no longer, but at the day of the trumpet of the seventh angel the mystery of God shall be consummated."

ADMISSION

  • R120 (adults)
  • *R80 (pensioners)
  • *R70 (UFS staff)
  • *R50 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above-mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504)


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Romeo & Juliet (in modern English)

Adaptation: Thys Heydenrych
Original texts: William Shakespeare

Directed by: Thys Heydenrych
Venue: Wynand Mouton Theatre

 

Dates and times:

15 September 2015 at 19h30

16 September 2013 at 17h30

17 September 2013 at 20h00

18 September 2013 at 19h30

 

 

 

The Department Drama and Theatre Arts presents William Shakespeare's first great tragedy and one of his most beloved works, "Romeo & Juliet": A tale of young love thwarted by circumstance. It’s a timeless story of young passion caught between the feuding families of Capulet and Montague.

 

"Romeo & Juliet", written around 1594, has been capturing the imaginations of audiences for over 400 years. Two young lovers, caught in their families’ feud, take fate into their own hands and pursue their love. Missed chances, poor timing and mistakes prevent the lovers from finding happiness and this ensures a tragic end. Finally their families unite, in sorrow. Haunted by the sacrifice of their children they are reminded of the powerful force of love.

 

The drama department will present a fresh twist on Shakespeare's classic tale of star-crossed lovers. Set in a dystopian South Africa, “Romeo & Juliet” subtly comments on South Africa’s future: ESKOM is no more, society is divided into classes and ruled by a single leader. Is there room for forgiveness or, to use Romeo’s words, “What will it take to get over what happened in the past?”

 

This is the third Shakespeare production adapted and directed by Thys Heydenrych. “Romeo & Juliet” – this time in modern English – will be performed in the Wynand Mouton Theatre, 15 - 18 September 2015. Tickets are available at Computicket.   

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