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Maria Kliegel & Albie van Schalkwyk
2018-09-28

CELLO RECITAL

28 September 2018

Odeion

19:30


WORLD-RENOWNED GERMAN VIRTUOSO CELLIST!

“She has at her disposal all the necessary attributes: a fantastically light, yet not perfectionistically moribund technique, entrancing intensity, glamorous and nonetheless endearing charisma.”- Der Tagesspiegel / Berlin

After studying with Janos Starker at Indiana University in Bloomington (USA), Maria Kliegel won, amongst others, the First Grand Prix of the Concours Rostropowitsch Paris (1981). Mstislav Rostropowitsch thereupon engaged the services of his prize winner as a soloist with the Orchestre National de France for several tours through France and invited her to his orchestra in Washington D.C. He became one of her most important mentors.

Maria Kliegel – La Cellissima – since then an artist in demand throughout the world - started an unusually successful record career on the Naxos label in 1991 alongside her stage triumphs. In this way, her recording of Dvorak's and Elgar's cello concerts with the Royal Philharmonic Orchestra London has been maintaining its success as a bestseller for many years now. Frequent honours followed, including two Grammy nominations. In the meantime, Maria Kliegel leads the market in cello literature with some one million CDs sold throughout the world.

In her multimedia book and DVD project Schott Masterclass – Cello: Mit Technik und Fantasie zum künstlerischen Ausdruck about cello techniques and “famous – infamous” passages (played and analysed) published in 2006, she pursues completely new paths. This was the starting point for the production of the English version Cello – Masterclass Using Technique and Imagination to achieve Artistic Expression, released on the Naxos label in 2010.

Contemporary composers like to dedicate their works to the cellist. Wilhelm Kaiser Lindemann, for example, composed on her request Hommage á Nelson Mandela for cello and percussion. After the première of this work in Cape Town (1997), President Mandela reacted profoundly emotionally by inviting the artist to a private concert in his residence.

Since 1986 she has been professor at the Cologne Academy of Music and in 2001 established with Ida Bieler (violin) and Nina Tichman (piano) the Xyrion Trio, which undertook the artistic supervision of the Andernach Music Festival at Namedy Castle in 2007.

Maria Kliegel plays a cello made by Carlo Tononi, Venice ca. 1730.

Albie van Schalkwyk is not only a solo performer in his own right, but is also one of the leading chamber musicians and vocal accompanists in South Africa. In his distinguished career, he won both the UNISA Overseas Scholarship and first prize in the SABC Piano Competition. Besides performing as a piano soloist and with orchestras, he has given masterclasses for singers and accompanists and served as music producer and official accompanist for the SABC. In 2009 he was appointed Associate Professor in Piano and Chamber Music at the College of Music, University of Cape Town. In the same year, the South African Academy of Arts and Science awarded him the Huberte Rupert Prize for his contribution to ensemble playing and teaching. He has also been a member of several well-known SA ensembles, notably the Songmakers Guild which gives younger performers opportunities to appear in song recitals.

PROGRAMME

  • Respighi – Adagio con variazioni
  • Beethoven – Sonata for violoncello and piano No. 4 in C major, Op. 102, No. 1
  • Debussy – Sonata in D minor (1915)
  • Chopin – Sonata for violoncello and piano in G minor, Op. 65

ADMISSION

  • R140 (adults)
  • *R100 (pensioners)
  • *R80 (UFS staff)
  • *R60 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above-mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504)


Back
Brahms love waltzes

Sunday, 25 May 2014

Odeion

16:00

A group of outstanding South African musicians – four singers and two pianists – have teamed up to perform both the Op. 52 and Op. 65 of Johannes Brahms’ exquisite Liebeslieder Waltzer for vocal quartet and piano duet.

Eighteen Liebeslieder form part of the Op. 52 set and a further fifteen Lieder (Op. 65) followed five years after Op. 52.  These Lieder are delectable specimens of their kind: pithy, roguish, and written in Viennese waltz-time with none of the soul-searching that went into so many of his serious songs.  The performers include Linelle Wimbles (soprano), Tina Tshupane (mezzo-soprano), Sandile Mabaso (tenor), Hendrè van Zyl (baritone) with pianists Ilse Myburgh and Peter Cartwright.

Soprano Linelle Wimbles studied for a BMusHons degree with Prof Werner Nel after which she continued her studies in München at the Hochschule für Musik und Theater.  She won several bursaries and competitions like the SABC Singing Competition and the International Belvedere Singing Competition.  Linelle has already sung opera roles such as Papagena (Mozart: Die Zauberflöte), Oscar (Verdi: Un Ballo in Maschera), Susanna (Mozart: Le nozze di Figaro) and Monica (Menotti: The Medium). She regularly performs in oratoria and at several arts festivals.  She is currently studying with Emma Renzi.    

Mezzo-soprano Tina Tshupane received her vocal training from Prof Werner Nel.  She completed her BMus degree and is currently working as freelance singer in Johannesburg.  She performs as soloist with the Chamber Choir of South Africa (under the leadership op Michael Dingaan) and regularly performs in oratoria countrywide.     

Tenor Sandile Mabaso completed his BMus degree in 2005 (UP).  His first professional performances were with Opera Africa in 2006.  In July of 2006 he was appointed member of the Cape Town Vocal Ensemble which toured to Germany, France and Sweden.  In 2008 he was accepted as student of renowned soprano Elizabeth Connell.  In 2009 he started with private lessons with Prof Werner Nel and was chosen to take part in the International Baroque Symposium.  In 2010 he sang the role of Acis (Handel: Acis and Galatea), in 2012 he sang the role of Puck (Purcell: The Faery Queen), in 2007 he sang in the Messiah (Handel) and in 2009 in Stabat Mater (Rossini).

Bariton Hendré van Zyl studied under prof Werner Nel.  Since he made his debut in May 2002 with works by Bach and Mozart he has given recitals in concert halls throughout South Africa.  He has already worked with various local and international conductors such as Richard Cock, Petru Grabe, Gerben Grooten, Kåre Hanken and Peter-Louis van Dijk.  Highlights of 2013 include an Easter Concert of Baroque Music with an ensemble under the leadership of Antoinette Lohmann, performances of Bach’s Cantata (BWV140) and Lamentation No 1, ZWC53 (for Maundy Thursday) by Jan Dismas Zelenka, Brahms’ Ein deutsches Requiem, as well as performances of his Liebeslieder, Op. 52 and Neue Liebeslieder, Op. 65.

Pianist Ilse Myburgh merges het talents as accompanist and piano teacher with an entrepreneurial spirit.  Influences of masterclasses with Fabio Bidini, Vladimir Viardo, Dorian Leljak, Svein Børkøy, Albie van Schalkwyk, Jill Richards and Peggy Haddon, has shaped her stylistic technique and interpretation of classical music.  Pauline Nossel and Prof Malcolm Nay were her mentors in achieving an MMus in chamber music.  As inspirational director and project manager of the Beka Bantwana Foundation, Ilse invests in a spectrum of pupils and colleagues who seek to showcase their talents, thus reaching out to young children through enjoyment of music. 

Peter Cartwright completed his BMus degree with distinction at Rhodes University, studying piano with Muriel Ilusorio.  Since then Peter has established himself as one of South Africa’s leading young pianists, performing in major venues across South Africa, as well as in Botswana, Zimbabwe and the USA.  He has attended masterclasses by various international pianists in Israel and England. He is currently studying towards an MMus in piano performance and also works as an accompanist, piano teacher and concert organizer.

PROGRAMME:

Brahms: Liebeslieder Waltzer, Op. 52

Brahms: Neue Liebeslieder, Op. 65

ADMISSION:

R110 (adults)

R70 (pensioners, students and learners)

R60 (UFS staff)

R40 (group booking of 10+)

Tickets available at Computicket.

ENQUIRIES:  

Ninette Pretorius (tel. 051 – 401 2504)

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