Years
2019 2018
Symphony Concert
2018-09-22

FSSO’s 4th Symphony Concert presented in collaboration with the OSM:

International guest pianist and FSSO virtuosi promise an evening of musical poetics

Conductor: Alexander Fokkens
Soloists: Vitaly Pisarenko (piano),
Odeion String Quartet,
Paul van Zuilenburg (trumpet),
Kobus Malan (oboe),
Danrè Strydom (clarinet),
Brahm Henkins (bassoon) and
Shannon Armer (French horn)
Date: Saturday, 22 September 2018
Time: 19:30
Venue: Odeion, UFS

On Saturday 22 September 2018, the Free State Symphony Orchestra’s (FSSO’s) fourth symphony concert of the year brings to the stage international piano virtuoso, Vitaly Pisarenko, and places a spotlight on the local talent of the Odeion String Quartet as well as a number of the FSSO’s principal players.

Regarded as one of the finest young musicians of his generation, Pisarenko has been dubbed as a ‘poet at the piano’ and is performing as guest piano soloist with the FSSO as part of the South African leg of his current world tour. After performing in a series of recitals and concerts with local orchestras, he moves on to the UK, Belgium, Hong Kong and Argentina. The concert in Bloemfontein will be his second last performance in South Africa.

Described by the New York Times as an “immensely gifted pianist… with prodigious technique, myriad shadings and scrupulous accuracy”, the Russian-born pianist already had his first public recital at the age of six. After winning the 8th International Franz Liszt Piano Competition in 2008, he took his place in the musical world as a pianist “of unusually soft touch and captivating expressiveness”, rapidly gaining worldwide recognition. His style has prompted more than one critic to compare his playing to that of “a young Franz Liszt”.

This evocative pianist will perform Shostakovich’s Concerto for Piano, Trumpet and Strings, Opus 31 with the FSSO’s Paul van Zuilenburg as the trumpet soloist. Shostakovich originally composed the concerto as an experimentation with a neo-baroque combination of instruments. Despite the title, the work might more accurately be classified as a double concerto rather than a piano concerto in which the trumpet and piano command equal prominence. The trumpet parts frequently take the form of sardonic interjections, leavening the humour and wit of the piano passage work.

The Odeion String Quartet with Samson Diamond (violin), Sharon de Kock (violin), Jeanne-Louise Moolman (viola) and Anmari van der Westhuizen (cello) are the soloists in Elgar’s masterpiece, Introduction and Allegro for String Quartet and Strings. Scored for a string quartet and string orchestra, Elgar originally composed it to show off the players’ virtuosity. The score soon came to be recognised as a masterpiece and is likened to a multi-layered symphonic poem for string orchestra.

The programme concludes with Mozart’s Sinfonia Concertante for Four Winds in E-flat major which is scored for solo oboe, clarinet, horn and bassoon. The soloists for the Sinfonia Concertante will be four principal players of the FSSO: Kobus Malan (oboe), Danré Strydom (clarinet), Brahm Henkins (bassoon) and Shannon Armer (French horn).

When asked how he felt about joining the FSSO for this concert, Pisarenko responded by saying that this performance would represent a number of firsts for him: “Although this is my third visit to South Africa, it will be the first time that I perform in Bloemfontein. I’ve also always loved Shostakovich’s piano concerto and have wanted to play it for a long time. It is such a beautiful and expressive concerto, and I’ll be playing this fantastic piece for the very first time with the FSSO.”

Alexander Fokkens, CEO and Creative Director of the FSSO, concludes: “It’s very exciting to be able to showcase our immensely talented local orchestral musicians alongside a musician of Vitaly’s calibre. The programme for the evening will not only show off individual talent, but create an orchestral experience that will feel musically varied and poetically moving.”

Fokkens will also be conducting the concert on the evening. The FSSO’s fourth symphony concert for this year is presented in collaboration with the Odeion School of Music.


Admission:

Ticket prices are as follows:
Adults - R150; Pensioners and block bookings of 10 and more - R100; Children 3 to 18 years - R50.

Tickets are available at any Computicket outlet or online at online.computicket.com. For enquiries, contact Ella Kotze at the FSSO on 051 401 2342, Ninette Pretorius of the OSM on 051 401 2504, or visit the FSSO’s Facebook page (@ Free State Symphony Orchestra) for more information and regular updates.

For media enquiries and visuals, contact Daphney Teffo on 082 506 3551 or e-mail rdteffo@gmail.com


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Jollie Patrollie

Description: 2018 Jollie Patrollie Tags: 2018 Jollie PatrollieNAME OF PRODUCTION: JOLLIE PATROLLIE

SCRIPT BY: NICO LUWES

DIRECTED BY: NICO LUWES

VENUE: WYNAND MOUTON THEATRE, UFS-MAIN CAMPUS

LANGUAGE: AFKRIAANS

GENRE: COMEDY

Photo by Esté Strydom.
Juani Smith
Janco Pieterse
Claudia Herbst
Barend Kriel
Esmarie Booysen

Date and times:

  • 16 May @ 19:30
  • 17 May @ 19:30
  • 18 May @ 19:30

TICKETS:

  • R 40.00 PER PERSON
  • R 30.00 FOR STUDENTS, SCHOLARS,
  • R 25.00 FOR PENSIONERS

BOOKINGS: COMPUTICKET (0861 915 8000)

Nico Luwes new Afrikaans farce, Jollie Patrollie, was specially written for the talented, young third year drama students in 2018. Farce provides exceptional intellectual and physical challenges and artistic skills for actors. A typical farce depends on surprises and unexpected twists in the plot so to tell too much about the story beforehand, might give the fun away. In this crazy farce, a nerdy young bank official tries to convince his grumpy boss, Bidou von Brakel, and his prim and proper wife, Barabarossa, that he is a happily married man and the ideal husband. If he can convince them of his high morals, he might be promoted at work. His only problem is that he is not married and hired a young girl to play his so-called wife named, Jollie, for the evening. Due to various comical misunderstandings, the situation turns into a chaotic nightmare for the goodhearted Stephanus. One wonders if the grumpy old boss, Bidou, is as morally innocent as he pretends. Bidou’s wife, Barbarossa sits squarely on her poor husband’s head and does not trust Stephanus and his wife, Jollie, at all. Might Stephanus be a very kinky man with strange habits or not? She finds his wife, Jollie, is even more bizarre. Does she just play dumb or are the little pigs in her head just totally running in circles?

As in all the well-known previous farces by Luwes the comedy lies in the complex plot filled with comical characters caught up strange situations. The plot move at break-neck speed from one crisis to the other and the poor Stephanus must desperately put out fires to get out of trouble. In his typical farce style, double meanings in dialogue is driven further in that one of the characters does not understand one word of Afrikaans! Or do the characters just not have a clue about the situation they are caught in? The actors and the audience must keep their wits together to figure out who knows what, what the real situation and intentions of the characters are. The final test for a farce text and the production on stage depends on whether the audience can be convinced that this could have happened in real life. So beware! Who knows? Maybe you might one day find yourself in a similar situation! This hilarious farce can be enjoyed by the whole family and promises a good old belly laugh for all.

Performances in the Wynand Mouton Theatre take place at 7:30 on 16, 17 and 18 May. Booking at Computicket.

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