Years
2019 2018
Symphony Concert
2018-09-22

FSSO’s 4th Symphony Concert presented in collaboration with the OSM:

International guest pianist and FSSO virtuosi promise an evening of musical poetics

Conductor: Alexander Fokkens
Soloists: Vitaly Pisarenko (piano),
Odeion String Quartet,
Paul van Zuilenburg (trumpet),
Kobus Malan (oboe),
Danrè Strydom (clarinet),
Brahm Henkins (bassoon) and
Shannon Armer (French horn)
Date: Saturday, 22 September 2018
Time: 19:30
Venue: Odeion, UFS

On Saturday 22 September 2018, the Free State Symphony Orchestra’s (FSSO’s) fourth symphony concert of the year brings to the stage international piano virtuoso, Vitaly Pisarenko, and places a spotlight on the local talent of the Odeion String Quartet as well as a number of the FSSO’s principal players.

Regarded as one of the finest young musicians of his generation, Pisarenko has been dubbed as a ‘poet at the piano’ and is performing as guest piano soloist with the FSSO as part of the South African leg of his current world tour. After performing in a series of recitals and concerts with local orchestras, he moves on to the UK, Belgium, Hong Kong and Argentina. The concert in Bloemfontein will be his second last performance in South Africa.

Described by the New York Times as an “immensely gifted pianist… with prodigious technique, myriad shadings and scrupulous accuracy”, the Russian-born pianist already had his first public recital at the age of six. After winning the 8th International Franz Liszt Piano Competition in 2008, he took his place in the musical world as a pianist “of unusually soft touch and captivating expressiveness”, rapidly gaining worldwide recognition. His style has prompted more than one critic to compare his playing to that of “a young Franz Liszt”.

This evocative pianist will perform Shostakovich’s Concerto for Piano, Trumpet and Strings, Opus 31 with the FSSO’s Paul van Zuilenburg as the trumpet soloist. Shostakovich originally composed the concerto as an experimentation with a neo-baroque combination of instruments. Despite the title, the work might more accurately be classified as a double concerto rather than a piano concerto in which the trumpet and piano command equal prominence. The trumpet parts frequently take the form of sardonic interjections, leavening the humour and wit of the piano passage work.

The Odeion String Quartet with Samson Diamond (violin), Sharon de Kock (violin), Jeanne-Louise Moolman (viola) and Anmari van der Westhuizen (cello) are the soloists in Elgar’s masterpiece, Introduction and Allegro for String Quartet and Strings. Scored for a string quartet and string orchestra, Elgar originally composed it to show off the players’ virtuosity. The score soon came to be recognised as a masterpiece and is likened to a multi-layered symphonic poem for string orchestra.

The programme concludes with Mozart’s Sinfonia Concertante for Four Winds in E-flat major which is scored for solo oboe, clarinet, horn and bassoon. The soloists for the Sinfonia Concertante will be four principal players of the FSSO: Kobus Malan (oboe), Danré Strydom (clarinet), Brahm Henkins (bassoon) and Shannon Armer (French horn).

When asked how he felt about joining the FSSO for this concert, Pisarenko responded by saying that this performance would represent a number of firsts for him: “Although this is my third visit to South Africa, it will be the first time that I perform in Bloemfontein. I’ve also always loved Shostakovich’s piano concerto and have wanted to play it for a long time. It is such a beautiful and expressive concerto, and I’ll be playing this fantastic piece for the very first time with the FSSO.”

Alexander Fokkens, CEO and Creative Director of the FSSO, concludes: “It’s very exciting to be able to showcase our immensely talented local orchestral musicians alongside a musician of Vitaly’s calibre. The programme for the evening will not only show off individual talent, but create an orchestral experience that will feel musically varied and poetically moving.”

Fokkens will also be conducting the concert on the evening. The FSSO’s fourth symphony concert for this year is presented in collaboration with the Odeion School of Music.


Admission:

Ticket prices are as follows:
Adults - R150; Pensioners and block bookings of 10 and more - R100; Children 3 to 18 years - R50.

Tickets are available at any Computicket outlet or online at online.computicket.com. For enquiries, contact Ella Kotze at the FSSO on 051 401 2342, Ninette Pretorius of the OSM on 051 401 2504, or visit the FSSO’s Facebook page (@ Free State Symphony Orchestra) for more information and regular updates.

For media enquiries and visuals, contact Daphney Teffo on 082 506 3551 or e-mail rdteffo@gmail.com


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OSM Opening Concert 2013
 

 

Saturday, 23 February 2013 

Odeion

19:30

OSM Camerata (OSMC) honoured to perform under the baton of German conductor, Jan Moritz Onken

The conductor, Jan Moritz Onken, has been invited to conduct the OSM Camerata (flagship orchestra of the OSM) in the Odeion School of Music’s 2013 Opening Concert.  Top students of the OSM will also perform during this concert. 

Born in 1977 in Wuppertal (Germany), Jan Moritz Onken spent his formative years as a student in orchestral conducting at the Rimsky-Korsakov St. Petersburg State Conservatory under the tutelage of Prof Nikolai Alexeev.  Onken received high praise from notable masters such as Pierre Boulez, Valery Gergiev and Nelson Freire for his “exceptional talent” during internships at the Bayreuther Festspiele, the Mariinsky Theater and the Belcanto Festival in Dordrecht (Netherlands).

In 2003 he worked as assistant to acclaimed maestro Mariss Jansons, whilst gaining international experience by conducting orchestras worldwide.  A DAAD-grant has enabled him to lead the student symphony orchestras of the National Conservatoire of Almaty (Kazakhstan), St. Petersburg (Russia) and Tiblisi (Georgia).  His success with above mentioned ensembles gained him recognition in the New York Times, Verliner Tageszeitung, Spiegel, ZDF-Heute Journal, 3sat Kulturzeit, and Deutsche Welle.  Onken has also received an award at the 10th International Conducting Competition in Budapest (Hungary) in 2010.  Since 2010 Jan is residing in St. Petersburg where he is working as a musical coach and assistant for German repertoire at the Mariinsky Theater (Valery Gergiev).    In 2011 he was invited as a guest conductor at the Verbier Festival. Onken was elected adjudicator for the final round of the second National Len van Zyl Orchestral Conducting Competition to take place in Cape Town in February 2013.

AUDIO VISUAL MATERIAL:

Euromax Deutsche Welle (“50-4:30”)
Portrait: Der Dirigent Jan Moritz Onken
http://www.youtube.com/watch?v=UndJV11mSuY 
 
The Student Symphonic Orchestra of the Kurmangazy Kazakh National Conservatory  at the Konzerthaus Berlin
Brahms Concert for piano No.2, part 2.
http://www.youtube.com/watch?v=rRSuq-72HYk

PROGRAMME:

W.A. Mozart: Symphony No. 41 “Jupiter” (Allegro vivace)

F. Schubert: Lieder arrangements for chamber orchestra by Max Reger & Felix Weingartner

with OSM soloists Teresa de Wit (mezzo soprano) and Malefetsane Mofokeng (baritone) as soloists

H. Hofmeyr: Notturno Elegiaco (1996)  Arranged in 2012 for chamber orchestra by Hendrik Hofmeyr)

The arrangement for chamber orchestra has been commissioned by the OSM New Music Initiative.

ADMISSION:

R110 (adults), R70 (pensioners, students and learners)

Tickets available at Computicket or at the door.

ENQUIRIES:   

Ninette Pretorius (tel. 051 401 2504)

MASTER CLASSES:

Conducting master classes and mentor conversations will be presented by Jan Moritz Onken on 19 and 20 February (both days from 14:00 – 16:00) in the Haller Halle of the Odeion School of Music. It is recommended that students/persons planning to participate in or attend these master classes also attend the rehearsals of 18 February (18:00 – 20:00, Odeion) and 19 February (17:00 – 19:00, Haller Halle). Admission is R50 per master class.

OSM Camerata

In 2012 the OSM found it strategically fit to establish a new flagship chamber ensemble – the OSM Camerata (OSMC) – with the main objective to kindle and forge the talents of exceptionally gifted musicians and literally chasing after the highest artistic standards possible. Apart from competencies related to advanced musicianship, ensemble, mentorship, concert etiquette serious thought is given to the demands and roles of the professional orchestral player e.g. concert master, assistant concertmaster and principle player as well as professional procedures with regard to rehearsal procedures.  Another objective is to introduce students and audiences alike to exceptional repertoire hailing from diverse style periods not often heard on South African stages. In future it might also be wise to enlighten students on the practical aspects regarding the professional labour market like knowledge about contracts, taxation, as well as aspects with reference to human resources and labour law.

Special attention will be given to employ dynamic young conductors both internationally and locally. In context of the long term strategy of the OSM the idea is to erect an extended orchestral conducting chair. The OSMC and visiting conductors will be instrumental to facilitate the conducting modules and expose students to state of the art knowledge with regard to conducting technique, repertoire, rehearsal schedules programming and the application of progressive teaching methodologies.  The OSMC gave their first performance on 1 March 2012 as the Opening Concert of the OSM under the baton of Nicholas Nikolaidis. They performed works by Pergolesi, Rautavaara, Bartok, Hendrix and South African composer, Stefans Grové.  The OSMC is anticipated to serve as a feasible incubator to forge full rounded musicians thoroughly prepared for the demands of their trade as orchestral musicians and soloists. The aim for 2013 is to institutionalise the OSMC as a vehicle of excellence.

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