Years
2019 2018
Symphony Concert
2018-09-22

FSSO’s 4th Symphony Concert presented in collaboration with the OSM:

International guest pianist and FSSO virtuosi promise an evening of musical poetics

Conductor: Alexander Fokkens
Soloists: Vitaly Pisarenko (piano),
Odeion String Quartet,
Paul van Zuilenburg (trumpet),
Kobus Malan (oboe),
Danrè Strydom (clarinet),
Brahm Henkins (bassoon) and
Shannon Armer (French horn)
Date: Saturday, 22 September 2018
Time: 19:30
Venue: Odeion, UFS

On Saturday 22 September 2018, the Free State Symphony Orchestra’s (FSSO’s) fourth symphony concert of the year brings to the stage international piano virtuoso, Vitaly Pisarenko, and places a spotlight on the local talent of the Odeion String Quartet as well as a number of the FSSO’s principal players.

Regarded as one of the finest young musicians of his generation, Pisarenko has been dubbed as a ‘poet at the piano’ and is performing as guest piano soloist with the FSSO as part of the South African leg of his current world tour. After performing in a series of recitals and concerts with local orchestras, he moves on to the UK, Belgium, Hong Kong and Argentina. The concert in Bloemfontein will be his second last performance in South Africa.

Described by the New York Times as an “immensely gifted pianist… with prodigious technique, myriad shadings and scrupulous accuracy”, the Russian-born pianist already had his first public recital at the age of six. After winning the 8th International Franz Liszt Piano Competition in 2008, he took his place in the musical world as a pianist “of unusually soft touch and captivating expressiveness”, rapidly gaining worldwide recognition. His style has prompted more than one critic to compare his playing to that of “a young Franz Liszt”.

This evocative pianist will perform Shostakovich’s Concerto for Piano, Trumpet and Strings, Opus 31 with the FSSO’s Paul van Zuilenburg as the trumpet soloist. Shostakovich originally composed the concerto as an experimentation with a neo-baroque combination of instruments. Despite the title, the work might more accurately be classified as a double concerto rather than a piano concerto in which the trumpet and piano command equal prominence. The trumpet parts frequently take the form of sardonic interjections, leavening the humour and wit of the piano passage work.

The Odeion String Quartet with Samson Diamond (violin), Sharon de Kock (violin), Jeanne-Louise Moolman (viola) and Anmari van der Westhuizen (cello) are the soloists in Elgar’s masterpiece, Introduction and Allegro for String Quartet and Strings. Scored for a string quartet and string orchestra, Elgar originally composed it to show off the players’ virtuosity. The score soon came to be recognised as a masterpiece and is likened to a multi-layered symphonic poem for string orchestra.

The programme concludes with Mozart’s Sinfonia Concertante for Four Winds in E-flat major which is scored for solo oboe, clarinet, horn and bassoon. The soloists for the Sinfonia Concertante will be four principal players of the FSSO: Kobus Malan (oboe), Danré Strydom (clarinet), Brahm Henkins (bassoon) and Shannon Armer (French horn).

When asked how he felt about joining the FSSO for this concert, Pisarenko responded by saying that this performance would represent a number of firsts for him: “Although this is my third visit to South Africa, it will be the first time that I perform in Bloemfontein. I’ve also always loved Shostakovich’s piano concerto and have wanted to play it for a long time. It is such a beautiful and expressive concerto, and I’ll be playing this fantastic piece for the very first time with the FSSO.”

Alexander Fokkens, CEO and Creative Director of the FSSO, concludes: “It’s very exciting to be able to showcase our immensely talented local orchestral musicians alongside a musician of Vitaly’s calibre. The programme for the evening will not only show off individual talent, but create an orchestral experience that will feel musically varied and poetically moving.”

Fokkens will also be conducting the concert on the evening. The FSSO’s fourth symphony concert for this year is presented in collaboration with the Odeion School of Music.


Admission:

Ticket prices are as follows:
Adults - R150; Pensioners and block bookings of 10 and more - R100; Children 3 to 18 years - R50.

Tickets are available at any Computicket outlet or online at online.computicket.com. For enquiries, contact Ella Kotze at the FSSO on 051 401 2342, Ninette Pretorius of the OSM on 051 401 2504, or visit the FSSO’s Facebook page (@ Free State Symphony Orchestra) for more information and regular updates.

For media enquiries and visuals, contact Daphney Teffo on 082 506 3551 or e-mail rdteffo@gmail.com


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OSM Dean’s Concert

Wednesday, 18 September 2013
Odeion
19:30

The OSM annually hosts a special Dean’s Concert where top students of the OSM perform.

The first half of the programme will include performances by OSM students, the Odeion String Quartet together with the Junior Odeion String Quartet as well as the Odeion Choir.  The second half of the programme will consist of the OSM Camerata performing under the baton of conductor Jan Moritz Onken.  Jan Moritz Onken, has been appointed as chief conductor of the OSMC for the second season of 2013 and will  prepare the OSMC for their participation at the 13th International Conservatory Festival in St Petersburg in November this year.

ADMISSION:

R110 (adults)

R70 (pensioners)

R40 (students and learners

 R40 (group booking of 10+)

Tickets available at Computicket. 

All concert proceeds go towards the St Petersburg fund for the OSM Camerata’s visit to Russia.

ENQUIRIES:    

Ninette Pretorius (tel. 051 401 2504)

13th International Conservatory Festival

After  a  successful  audition  the  OSMC  received an  invitation  to  participate  in  the  13th International Conservatory Festival which  will  take place in St Petersburg Russia from the 1st to the 9th of November 2013. The festival is a yearly highlight on the concert calendar of the prestigious Rimsky Korsakov Conservatoire.  It is the first time in history that an orchestra from Africa is invited to partake in this festival.            

The artistic panel of the festival under the auspices of Prof Lydia Volchek annually selects ten  conservatories  internationally  (in  the  likes of the Tchaikovsky Conservatoire (Moscow), Conservatoire de Paris, Eastman School of Music NY and the Sibelius Academy in Helsinki Finland  to  name  but  a  few)  to  gather  in  St  Petersburg  for  the  festival.  The rector of the Rimsky Korsakov Conservatoire, Prof Mikhail Gantvarg stated that it will be the first school of music hailing from Africa to participate in the festival ever.  The OSMC was requested to give two recitals of 40 minutes each during the festival. Maestro Jan Moritz Onken will lead the ensemble to St Petersburg; OSMC members will have the opportunity to attend all concerts presented by fellow participants and master classes presented by the masters of St Petersburg Conservatoire.

The festival is usually opened and closed with a grand concert presented by the St. Petersburg Conservatoire Symphony Orchestra (70 plus members). Last year the opening concert was conducted by the celebrated master, Valery Gergiev (artistic director of the Mariinsky Opera and Symphony Orchestra) while the closing ceremony was conducted by Semyon Bychkov. Both Gergiev and Bychkov are alumni of the St Petersburg Conservatoire.

The OSMC will recite a programme of mainly South African composers, with two new works commissioned by the OSM New Music Initiative from the prolific South African composer, Hendrik Hofmeyr, entitled Notturno Elegiaco and Phantom Waltz.  Phantom Waltz is a challenging work where musicians simultaneously play, sing and speak. A reworked edition for chamber orchestra of the original string quartet for piano and soprano, Lieder op Boesmanverse, by revered South African composer, Stefans Grové will also be performed. To commemorate the centenary of composer Benjamin Britten this year, Cantus in Memoriam of Benjamin Britten by Arvo Pärt is also included in the programme.

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