Years
2019 2018
Symphony Concert
2018-09-22

FSSO’s 4th Symphony Concert presented in collaboration with the OSM:

International guest pianist and FSSO virtuosi promise an evening of musical poetics

Conductor: Alexander Fokkens
Soloists: Vitaly Pisarenko (piano),
Odeion String Quartet,
Paul van Zuilenburg (trumpet),
Kobus Malan (oboe),
Danrè Strydom (clarinet),
Brahm Henkins (bassoon) and
Shannon Armer (French horn)
Date: Saturday, 22 September 2018
Time: 19:30
Venue: Odeion, UFS

On Saturday 22 September 2018, the Free State Symphony Orchestra’s (FSSO’s) fourth symphony concert of the year brings to the stage international piano virtuoso, Vitaly Pisarenko, and places a spotlight on the local talent of the Odeion String Quartet as well as a number of the FSSO’s principal players.

Regarded as one of the finest young musicians of his generation, Pisarenko has been dubbed as a ‘poet at the piano’ and is performing as guest piano soloist with the FSSO as part of the South African leg of his current world tour. After performing in a series of recitals and concerts with local orchestras, he moves on to the UK, Belgium, Hong Kong and Argentina. The concert in Bloemfontein will be his second last performance in South Africa.

Described by the New York Times as an “immensely gifted pianist… with prodigious technique, myriad shadings and scrupulous accuracy”, the Russian-born pianist already had his first public recital at the age of six. After winning the 8th International Franz Liszt Piano Competition in 2008, he took his place in the musical world as a pianist “of unusually soft touch and captivating expressiveness”, rapidly gaining worldwide recognition. His style has prompted more than one critic to compare his playing to that of “a young Franz Liszt”.

This evocative pianist will perform Shostakovich’s Concerto for Piano, Trumpet and Strings, Opus 31 with the FSSO’s Paul van Zuilenburg as the trumpet soloist. Shostakovich originally composed the concerto as an experimentation with a neo-baroque combination of instruments. Despite the title, the work might more accurately be classified as a double concerto rather than a piano concerto in which the trumpet and piano command equal prominence. The trumpet parts frequently take the form of sardonic interjections, leavening the humour and wit of the piano passage work.

The Odeion String Quartet with Samson Diamond (violin), Sharon de Kock (violin), Jeanne-Louise Moolman (viola) and Anmari van der Westhuizen (cello) are the soloists in Elgar’s masterpiece, Introduction and Allegro for String Quartet and Strings. Scored for a string quartet and string orchestra, Elgar originally composed it to show off the players’ virtuosity. The score soon came to be recognised as a masterpiece and is likened to a multi-layered symphonic poem for string orchestra.

The programme concludes with Mozart’s Sinfonia Concertante for Four Winds in E-flat major which is scored for solo oboe, clarinet, horn and bassoon. The soloists for the Sinfonia Concertante will be four principal players of the FSSO: Kobus Malan (oboe), Danré Strydom (clarinet), Brahm Henkins (bassoon) and Shannon Armer (French horn).

When asked how he felt about joining the FSSO for this concert, Pisarenko responded by saying that this performance would represent a number of firsts for him: “Although this is my third visit to South Africa, it will be the first time that I perform in Bloemfontein. I’ve also always loved Shostakovich’s piano concerto and have wanted to play it for a long time. It is such a beautiful and expressive concerto, and I’ll be playing this fantastic piece for the very first time with the FSSO.”

Alexander Fokkens, CEO and Creative Director of the FSSO, concludes: “It’s very exciting to be able to showcase our immensely talented local orchestral musicians alongside a musician of Vitaly’s calibre. The programme for the evening will not only show off individual talent, but create an orchestral experience that will feel musically varied and poetically moving.”

Fokkens will also be conducting the concert on the evening. The FSSO’s fourth symphony concert for this year is presented in collaboration with the Odeion School of Music.


Admission:

Ticket prices are as follows:
Adults - R150; Pensioners and block bookings of 10 and more - R100; Children 3 to 18 years - R50.

Tickets are available at any Computicket outlet or online at online.computicket.com. For enquiries, contact Ella Kotze at the FSSO on 051 401 2342, Ninette Pretorius of the OSM on 051 401 2504, or visit the FSSO’s Facebook page (@ Free State Symphony Orchestra) for more information and regular updates.

For media enquiries and visuals, contact Daphney Teffo on 082 506 3551 or e-mail rdteffo@gmail.com


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UNREST: Hasan and Husain Essop
 

 

UNREST

Hasan and Husain Essop

Standard Bank Young Artist 2014

Opening: Wednesday 4 March at 7pm

Speaker: Prof Lucius Botes, Dean of the Faculty of the Humanities, UFS

Walkabout with the artists: Thursday 5 March at 10am

Twenty eight year old twin brothers Hasan and Husain Essop are the winners of the 2014 Standard Bank Young Artist Award for Visual Art. 

Born and raised in Cape Town, the twins have been collaborating since their graduation from the Michaelis School of Fine Art in 2007. They both completed a Bachelor of Fine Arts and Postgraduate Diploma in Art at Michaelis, and subsequently Postgraduate Certificates in Education, at the University of Cape Town.

The twins graduated with individual bodies of work, but when they were approached by the Goodman Gallery in 2007, they proposed the idea of collaborating and making art together - the first time they ever worked together. “Growing up, Husain and I were close but also apart,” explains Hasan. “We went to school together, and lived in the same house but we had different friends, likes and interests, and developed different identities and skills which we then brought together when working together.” Husain specialised in Photography and makes all the important technical decisions when setting up a shoot. Hasan specialised in Printmaking and therefore has a lot more freedom in the post-production and printing of the work. They both contribute to the subject matter and editing of the photographs, always discussing new ideas and locations to shoot. They speak very visually to each other and many ideas are born from their conversations; using popular culture, the media and Hollywood as inspiration because those are the things that interest the youth and forming the next generation.

“There are many things that drive, motivate and inspire me. My religion and spiritual belief - in my opinion - is the most important, as this guides my life, creative process and subject matter. I love art and everything that comes with it. At times it is extremely controversial and challenges my beliefs, but I am motivated to find a balance between religion and art. My community and culture, traditions and religion are subjects that I feel that have not been explored and this provides an opportunity to portray ideas to people that have not encountered them before.” says Hasan.

“Our series of work highlights a multi-cultural clash between religion and popular cultures,” say the Essops. “We explore the dominating influence of Western theatrics and those narratives that are constructed to depict a certain reality. Inspired by Hollywood’s visual language and tactics, we create our own narratives. Each photograph reflects us in a battle of moral, religious and cultural conflicts. Two dominant personalities appear, East and West with all their stereotypes. Environments are chosen as stages on which to perform and define our behaviours.”

Over the past few years the brothers have been establishing themselves in various parts of the world. During 2009 they completed a residency in Cuba (coinciding with the inclusion of their work on Integration and Resistance in the Global Age at the Havana Biennale) and facilitated a workshop on invitation from the University of Hamburg, Germany. They were selected for the Dakar Biennale in 2010, and credit the recognition they received from taking part in the Spier Contemporary exhibition (2007 and 2010) as big boosts for their career. Their work has appeared in several group shows, including the ABSA L’Atelier in Johannesburg, Power Play at Goodman Gallery Cape, Peekaboo Current South Africa at The Helsinki Museum in Finland, and Figures & Fictions: Contemporary South African Photography at the Victoria and Albert Museum in London. The brothers took part in a residency at the Thami Mneyele Foundation in Amsterdam in 2011, holding their first solo exhibition in the Middle East at the Isabelle van den Eynde Gallery, in Dubai, titled Indelible Marks, in the same year.

The Essops’ work has been included in various private and public collections, including the Spier Collection, the Durban Art Gallery and the South African National Gallery. The Goodman Gallery has hosted two solo exhibitions of their work – Halaal Art (2010, Johannesburg) and Remembrance (2012, Cape Town).

“Becoming an artist has been a dream come true, but at the same time extremely difficult. To have a twin brother who shares your experiences and qualifications, and that is driven, is in my opinion the leading factor in our success.” says Hasan.

There have been many proud moments in their career, including a visit from Sir Elton John to their parents’ home in Rylands to buy some of their work; and being selected by Puma to create a design for the national soccer team jersey, which Bafana Bafana have been wearing since 2011; but the twins remain, foremost, committed to their families and community.

Both working full time as educators in boys’ schools in Cape Town, they focus a lot of energy on developing and maintaining their skills. “I believe that in order to share knowledge you need to have it, and therefore teaching has made me a better person and artist” explains Hasan. “I love being kept busy and my mind busy as it keeps me sharp and ready to embrace new challenges and obstacles,” he says.  

They look forward to their first trip to the National Arts Festival, and compiling their first print catalogue, as offshoots of winning the Standard Bank Young Artist Award. Motivated by the influence of significant teachers in their own lives, they hope to inspire others, especially the youth through education, and thus leave a positive legacy in South African Art.

For more on their work, please see: www.goodman-gallery.com/artists/hasanhusainessop

The other recipients of the 2014 Standard Bank Young Artist Award are Jahmil XT Qubeka for Film, Nicola Elliott for Dance, Kyle Shepherd for Jazz, Njabulo Madlala for Music, Donna Kukama for Performance Art, and Greg Homann for Theatre.

About The Standard Bank Young Artist Awards:

The Young Artist Awards were started in 1981 by the National Arts Festival to acknowledge emerging, relatively young South African artists who have displayed an outstanding talent in their artistic endeavours. These prestigious awards are presented annually to deserving artists in different disciplines, affording them national exposure and acclaim. Standard Bank took over the sponsorship of the awards in 1984 and has presented Young Artist Awards in all the major arts disciplines over their 30-year sponsorship, as well as posthumous and special recognition awards. The winners feature on the main programme of the National Arts Festival, Grahamstown and receive financial support for their Festival participation, as well as a cash prize.

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