Years
2019 2018
Symphony Concert
2018-09-22

FSSO’s 4th Symphony Concert presented in collaboration with the OSM:

International guest pianist and FSSO virtuosi promise an evening of musical poetics

Conductor: Alexander Fokkens
Soloists: Vitaly Pisarenko (piano),
Odeion String Quartet,
Paul van Zuilenburg (trumpet),
Kobus Malan (oboe),
Danrè Strydom (clarinet),
Brahm Henkins (bassoon) and
Shannon Armer (French horn)
Date: Saturday, 22 September 2018
Time: 19:30
Venue: Odeion, UFS

On Saturday 22 September 2018, the Free State Symphony Orchestra’s (FSSO’s) fourth symphony concert of the year brings to the stage international piano virtuoso, Vitaly Pisarenko, and places a spotlight on the local talent of the Odeion String Quartet as well as a number of the FSSO’s principal players.

Regarded as one of the finest young musicians of his generation, Pisarenko has been dubbed as a ‘poet at the piano’ and is performing as guest piano soloist with the FSSO as part of the South African leg of his current world tour. After performing in a series of recitals and concerts with local orchestras, he moves on to the UK, Belgium, Hong Kong and Argentina. The concert in Bloemfontein will be his second last performance in South Africa.

Described by the New York Times as an “immensely gifted pianist… with prodigious technique, myriad shadings and scrupulous accuracy”, the Russian-born pianist already had his first public recital at the age of six. After winning the 8th International Franz Liszt Piano Competition in 2008, he took his place in the musical world as a pianist “of unusually soft touch and captivating expressiveness”, rapidly gaining worldwide recognition. His style has prompted more than one critic to compare his playing to that of “a young Franz Liszt”.

This evocative pianist will perform Shostakovich’s Concerto for Piano, Trumpet and Strings, Opus 31 with the FSSO’s Paul van Zuilenburg as the trumpet soloist. Shostakovich originally composed the concerto as an experimentation with a neo-baroque combination of instruments. Despite the title, the work might more accurately be classified as a double concerto rather than a piano concerto in which the trumpet and piano command equal prominence. The trumpet parts frequently take the form of sardonic interjections, leavening the humour and wit of the piano passage work.

The Odeion String Quartet with Samson Diamond (violin), Sharon de Kock (violin), Jeanne-Louise Moolman (viola) and Anmari van der Westhuizen (cello) are the soloists in Elgar’s masterpiece, Introduction and Allegro for String Quartet and Strings. Scored for a string quartet and string orchestra, Elgar originally composed it to show off the players’ virtuosity. The score soon came to be recognised as a masterpiece and is likened to a multi-layered symphonic poem for string orchestra.

The programme concludes with Mozart’s Sinfonia Concertante for Four Winds in E-flat major which is scored for solo oboe, clarinet, horn and bassoon. The soloists for the Sinfonia Concertante will be four principal players of the FSSO: Kobus Malan (oboe), Danré Strydom (clarinet), Brahm Henkins (bassoon) and Shannon Armer (French horn).

When asked how he felt about joining the FSSO for this concert, Pisarenko responded by saying that this performance would represent a number of firsts for him: “Although this is my third visit to South Africa, it will be the first time that I perform in Bloemfontein. I’ve also always loved Shostakovich’s piano concerto and have wanted to play it for a long time. It is such a beautiful and expressive concerto, and I’ll be playing this fantastic piece for the very first time with the FSSO.”

Alexander Fokkens, CEO and Creative Director of the FSSO, concludes: “It’s very exciting to be able to showcase our immensely talented local orchestral musicians alongside a musician of Vitaly’s calibre. The programme for the evening will not only show off individual talent, but create an orchestral experience that will feel musically varied and poetically moving.”

Fokkens will also be conducting the concert on the evening. The FSSO’s fourth symphony concert for this year is presented in collaboration with the Odeion School of Music.


Admission:

Ticket prices are as follows:
Adults - R150; Pensioners and block bookings of 10 and more - R100; Children 3 to 18 years - R50.

Tickets are available at any Computicket outlet or online at online.computicket.com. For enquiries, contact Ella Kotze at the FSSO on 051 401 2342, Ninette Pretorius of the OSM on 051 401 2504, or visit the FSSO’s Facebook page (@ Free State Symphony Orchestra) for more information and regular updates.

For media enquiries and visuals, contact Daphney Teffo on 082 506 3551 or e-mail rdteffo@gmail.com


Back
White Horse Project
JESS OLIVIERI AND THE PARACHUTES FOR LADIES

You are invited to the opening event of the Vrystaat Kunstefees on Sunday 12 July 2015. Join over 200 fellow Bloemfonteiners in a parade of song, dance and costume down Raymond Mhlaba Street (formally Andries Pretorius Street), to celebrate the White Horse of Bloemfontein, a mysterious rock formation on the side of Naval Hill.

The White Horse has several historical narratives attached to it. Some believe is was created in the image of the horse Thabure (Destroyer of the Enemies), which belonged to Chief Lerotholi, a grandson of King Moshoeshoe, the founder of the Basotho Nation; others believe the British Garrison that was stationed at Naval Hill during the South African War (Anglo-Boer War) of 1899 to 1902 built it because they where restless and wanted something to remind them of home. In addition it was thought that the White Horse served as a landmark and indicator of a hospital for horses injured during the South African War. It is also said that every time a couple kisses at Naval Hill the White Horse moves one step forward and that on a Saturday night you can hear him galloping!

The White Horse Project is about allowing space for the sharing of multiple narratives and celebrating difference of opinion. Given the current debate on statues and symbols in South Africa, the White Horse offers an opportunity to re-purpose and re-imagine symbols in South Africa. For the last two years the project team has been collecting stories for the work and since May 2015 workshops with artists, scholars and community members have been held in order to create performances for the parade.

Join the parade at 3pm at Two Tower Church (Tweetoringkerk), Charles Street Bloemfontein on 12 July 2015. There will be spare instruments and costumes for those who join in. A braai/chesen yama will take place at ‘Nice Place’ 92 Raymond Mhlaba Street (formally Andries Pretorius Street) at the end of the parade.

For more information visit www.facebook.com/TheWhiteHorseProject

Concept: Jess Olivieri
Dramaturge: Gali Malebo
Curatorial advisor: Angela De Jesus
Production Manager: Mandi Bezuidenhout
Production Assistants: Charne Visser, Sandy Little
SituateArt in Festivals Media: Tiani Chilemi
SituateArt in Festivals Executive Director: Kelli Alred
Director Salamanca Arts Centre: Rosemary Miller
Videographer: Louis Kruger (documentary), Luis Herholdt (Elysium Productions)
Lights: Creative Kilowatt Productions
The Parachutes for Ladies (performers): The wonderful artists of Bloemfontein; Soprano Zanne Stapelberg; Hodisa Choir; Navalsig High School; Smiley Kids Association; Bloemspruit School; Sisonke Theatre Production.

The White Horse Project is part of the Programme for Innovation in Artform Development (PIAD/PIKO), an initiative by the University of the Free State and Vrystaat Arts Festival and supported by the Australia Council for the Arts, Free State Department of Sport, Arts, Culture & Recreation, SituateART in Festivals, Salamanca Arts Centre, Arts NSW, NAVA, Creative Partnerships Australia and the University of Sydney.

Secure parking at Two Tower Church and shuttle service will be available.

For further inquiries contact:
Roxanne Konco
Marketing Manager
Tel: +27 (0)51 404 7947 roxanne.konco@volksblad.com

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