Years
2019 2018
Months
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Mariangela Vacatello Piano Recital
2019-01-29

…dazzling, virtuosic Italian pianist in concert…

Mariangela Vacatello 
PIANO RECITAL 
8 February 2019 
Odeion 
19:30

"... and even when Ginastera gives you one piece with a close family likeness to another, you listen with a sense of renewal thanks to performances by Mariangela Vacatello of a superb zest, brio and imaginative scope... she has technique in spades, making her a front-runner with Argerich's legendary live Three Argentinian Dances... no praise could be high enough for Vacatello's achievement." (Gramophone 2016)

Mariangela Vacatello is recognised worldwide as an exceptionally gifted artist, reflected in the numerous awards and effusive reviews she received. Her performances have regularly been broadcasted by prestigious radio stations worldwide. The Second Prize at the Franz Liszt International Piano Competition in 1999, at the age of 17, catapulted her towards an international career as a soloist, performing at Wigmore Hall, Bridgewater Hall (Manchester), Walt Disney Hall, Montpellier Festival, Weill Hall (NYC) and the Oriental Centre (Shanghaj). She has appeared with such prominent orchestras as the Philharmonic of Teatro alla Scala, National Orchestra Santa Cecilia (Rome), RAI in Turin, Lithuanian Symphony, Stuttgarter Philharmonics, Prague Chamber Orchestra and has performed with renowned conductors such as Andris Nelsons, Krystof Penderecky, Andrès Orozco-Estrada, Gábor Takács-Nagy and Alain Lombard. Amongst her numerous top awards the following deserve special mention: the Solti Foundation Award, XVII Venice Prize, Finalist and Worldwide Audience Award at the 2009 Van Cliburn International Piano Competition, 1st Prize Top of the World International Piano Competition 2009 and the Ferruccio Busoni International Piano Competition in 2005. Mariangela Vacatello was born in Naples (Italy) and studied at the Imola Piano Academy, Milan Conservatory and Royal Academy of Music (London).

ADMISSION

  • R150 (adults)
  • *R80 (pensioners)
  • *R80 (UFS staff)
  • *R60 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above-mentioned discount.

ENQUIRIES 
Ninette Pretorius (tel. 051 401 2504)



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Caesar

Original Script By Shakespeare (Julius Caesar)

Adapted By: Thys Heydenrych

Directed By: Thys Heydenrych

Venue:  Wynand Mouton Theatre, UFS-Main Campus

Language: English & Afrikaans

Genre: Drama

 

Caesar adapted and directed by Thys Heydenrych, is a modern re-telling of Shakespeare’s Julius Caesar. The production is in Afrikaans and English, with the title character portrayed by a woman.

 

Shakespeare’s Julius Caesar is unique due to the lack of both villains and heroes. This adapted political thriller tells the story of the conspiracy against Caesar, her assassination and the defeat of her conspirators. The adaptation explores the ideas of women and leadership, political turmoil, fear and betrayal.

 

In the Roman Republic, political decisions were made through public debates and persuasive arguments, and in theory, the ideas that would be best for Rome would prevail rather than the will of one ruler; very similar to most countries’ political systems. Imagine a Trump, Malema, Zuma, Putin or Mugabe becoming king?

 

However, what happens when a nation purges their leader and replace him/her with a new leader? Does it not create new problems? Look at our current political environment. In Caesar, the assassination for the sake of democracy, as Brutus blindly believes, leads to civil war, mass slaughter, multiple executions and the installation of an emperor.

 

Brutus struggles with these issues; should he murder Caesar before she even does anything wrong? In his mind, it's better to sacrifice an innocent ruler than risk her becoming a dictator.

 

Upon Caesar’s triumphant return to Rome from the war against Pompeii, the Roman republic prepares to crown her king, which causes concern and dismay among some senators who fear that she will have too much power. Caius Cassius plots a conspiracy to murder Caesar, enlisting the support of Brutus, who is also concerned about Caesar becoming king. At Caesar's funeral, Brutus addresses the people and successfully explains the conspirators' motives. However, Antony speaks next and turns the mob against the conspirators, who are forced to flee from Rome. Antony with Caesar's niece, Octavia, take command of Rome and lead an army against the conspirators. At Philippi, Brutus and Cassius are defeated, and they kill themselves rather than to be captured.

 

Caesar, performed by 2nd-year drama students of the University of the Free State, is playing in the Wynand Mouton theatre, 21 – 23 November at 19h30. Tickets available at Computicket.

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