Prof Anmari van der Westhuizen, Head of the Odeion String Quartet at the University of the Free State (UFS), is set to make her London debut as a soloist in Brahms' Double Concerto on 9 January 2026 at Blackheath Halls.
The performance will feature members of the London Mozart Players and the Trinity Laban Symphony Orchestra under the baton of renowned conductor Jonathan Tilbrook. Reflecting on the opportunity, Prof Van der Westhuizen describes the moment as a long-awaited milestone:
“It feels like a beautiful milestone after years of dedication, and I’m deeply honoured to share the stage with such wonderful musicians.”
She adds that the experience is not only a professional highlight, but also an opportunity to grow, celebrate, and reconnect with her passion for music.
Preparing for the stage
With just over a month before the performance, Prof Van der Westhuizen continues an intensive preparation schedule. She notes that Brahms' Double Concerto is rich with emotional depth, technical complexity, and interpretive nuance:
“I’m working on every detail, and I am also trying to stay mentally centred so that I can bring fresh energy and joy to the stage,” she explains.
A highlight of the event for her is the opportunity to perform alongside South African Violinist and Concertmaster of the London Philharmonic Orchestra, Pieter Schoeman. She describes Schoeman as a long-time friend and musical collaborator with whom she shares a deep artistic connection.
Sharing expertise through international masterclasses
In addition to her performance, Prof Van der Westhuizen will present a series of masterclasses for Cello students at the Trinity Laban Conservatoire of Music and Dance. Hosted in the King Charles Court, these masterclasses provide students with a rare opportunity to engage with an international specialist.
She describes the sessions as: “A pedagogical forum for students to perform any repertoire and receive expert guidance on interpretation, stylistic understanding, technical execution, and broader musical insight.”
Beyond teaching, she views the masterclasses as a vital platform for artistic exchange, an opportunity to engage with international performance standards, and a meaningful contribution to the professional development of participants.
Prof Van der Westhuizen adds that the trip holds value not only for her as an artist but also for the UFS:
“This opportunity strengthens connections with the Trinity Laban Conservatoire of Music and Dance, fostering future artistic and academic collaboration.”