Books:
2023. What Film is Good For: On the Values of Spectatorship (co-edited with Julian Hanich). Oakland, CA: University of California Press, 2023.
2021. Transformational Ethics of Film: Thinking the Cinemakeover in the Film-Philosophy Debate [Open Access]. Leiden: Brill. Value Inquiry Book Series.
Book Chapters:
2024. Rear Window: Intermedialities of peeping in the plural. In Melanie Robson and Luke Robinson (eds.), One Shot Hitchcock: A Contemporary Approach to the Screen. Oxford: Oxford University Press: 141–161.
2023. Spiritual exercises before a screen: On ‘film as philosophy’ and its transformational ethics. In Julian Hanich and Martin P. Rossouw (eds.), What Film Is Good For: On the Values of Spectatorship. Oakland, CA: University of California Press: 221–233.
2023. Introduction: Film ethics as delivering the goods (co-authored with Julian Hanich). In Julian Hanich and Martin P. Rossouw (eds.), What Film Is Good For: On the Values of Spectatorship. Oakland, CA: University of California Press: 1–10.
2023. m??Re tH@n WorD$: Aspects and appeals of the lyric video (co-authored with Carol Vernallis, Laura McLaren, Virginia Kuhn. In Holly Rogers, Joana Freitas, and João Francisco Porfírio (eds.), YouTube and Music: Online Culture and Everyday Life. London: Bloomsbury: 149–166.
Journal Publications:
2024. Reflexive Wonderings: Prospects and Parameters of a Heideggerian Approach to Film as Philosophy. Film-Philosophy 28 (1): 47–61.
2023. ‘Compression Makes Every Movie a Melodrama’: A Conversation with Laura U. Marks on the Small File Media Festival. Short Film Studies 13 (1): 11–20.
2021. Watchmen, From Co-Mix to Remix. Literature/Film Quarterly 49 (4): online.
2021. (with Johanet Kriel-de Klerk) ‘Strangely comforted’: The rhetoric of sincerity in Kirsten Lepore’s Hi Stranger. Short Film Studies 11 (2): 199-209.
2021. The Lyric Video as Moving Concrete Poetry, Or: The Pleasures of Eye-Tennis with Tay-Tay. In Media Res, April 28 [online].
2021. Mr K meets Modern Times: Intertextual Closure in La Vis. Short Film Studies 11 (1): 31-35.
2020. Adaptation and Audio-Visual Apophasis in Bullet in the Brain. Short Film Studies 10 (2): 215-218.
2019. From Wander to Wonder: Walking – and ‘Walking-With’ – in Terrence Malick’s Contemplative Cinema. Akademisk Kvarter | Academic Quarter, 18: 41-55.
2019. Left-Right Dynamics of Staging and Composition in Class 15. Short Film Studies 9 (1): 101-104.
2018. Zepo as Metapicture of Its Making. Short Film Studies 8 (1): 29-32.
2017. There’s Something About Malick: Film-Philosophy, Contemplative Style, and Ethics of Transformation. New Review of Film and Television Studies, 15 (3): 279-298.
2017. Of Metaphor and Machine: Some Nuts and Bolts Behind Modern Times as Philosophy. Image & Text, 30: 38-72.
2013. Loyalty, Women and ‘Business’: Ideological Hyper-Values in Quentin Tarantino’s Pulp Fiction. Acta Academica, 45(4): 84-118.