Years
2019 2018
OSM Wind Bands Gala Concert
2018-04-14

14 April 2018

Odeion

18:00

The Odeion School of Music (OSM) will present the OSM Wind Bands Gala Concert at the Odeion Auditorium on Saturday 14 April as a culmination of their Wind Bands Festival and Conductor’s Workshop. The Free State Youth Wind Ensemble, conducted by main workshop presenter Gerben Grooten, will première Noel Stockton’s Marche Amusant as the concert overture. Thereafter each conductor will have the opportunity to conduct their specific works. The conductors include Anton Esterhuyse, Hatting Davel, Itumeleng Pooe, Joseph Carlo, Joseph Moilwa, Joas Erasmus, Heinrich Lategan, Eslon Hindundu, Tuhafeni Michael and Renier de Bruin.

Some of the works that will be conducted include Majestia (James Swearingen), Ammerland (Jacob De Haan), Whirlwind (James Curnow), March from the Second Suite in F (Gustav Holst), Acclamations (Ed Huckeby), and Sinatra in Concert (Jerry Nowak). After interval, the Johannesburg Youth Wind Band, under the baton of Etienne Mecloen, will thrill audiences with The Light Eternal (Swearingen), Dam Busters March (Eric Coates), Florentiner March (Julius Fucik) and The Mask of Zorro (James Horner).

ADMISSION: R50

Tickets available at Computicket, at the doors or online at http://online.computicket.com/web/

ENQUIRIES

Ninette Pretorius (tel. 051 401 2504)


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My plaas se naam is Vergenoeg

Director: Pieter venter

Writer:  George Weideman
Venue: Wynand Mouton Theatre

Dates & times:

14 May at 19:30

15 May at 19:30

16 May at 19:30

17 May at 19:30

R 30.00 per person & R 20.00 per person (students, scholars & pensioners)

Bookings:   Computicket (Mimosa Mall en Checkers) 

“My plaas se naam is Vergenoeg”, written by George Weideman was the winner of the Sanlam Theatre price for best script for Afrikaans theatre.  This play is more than a classic farm story.  The multi- layered, storie is situated in Namakwaland, during the time of commission sittings. Grace Boois wants to bury her son on the farm Vergenoeg, but who own the farm?  Were the Bushmans there first or the animals?  The Bushmans used rocks to indicate that the land belongs to them, and the farmer bought the land.

A Greek chorus or in this case the animals comment about the happenings on and off the stage.  Tsoei-Goab’s son/daughter, together with the all-knowing narrators, the jesters and morphing characters join the animals to create magical realism on stage.

Comments by the actors on the play suggest that it is different, epic and extraordinary, but still relevant to issues that must be addressed today.  The play hint towards Pieter Fourie’s “Die Koggelaars”.

The production, which promise to be an epic visual experience, will play at the Wynand Mouton Theatre from 14 – 17 May at 19:30. Pieter Venter is the director and the players are third year students from the department of Drama and Theatre Arts at the University of the Free State.

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