Years
2019 2018
OSM Wind Bands Gala Concert
2018-04-14

14 April 2018

Odeion

18:00

The Odeion School of Music (OSM) will present the OSM Wind Bands Gala Concert at the Odeion Auditorium on Saturday 14 April as a culmination of their Wind Bands Festival and Conductor’s Workshop. The Free State Youth Wind Ensemble, conducted by main workshop presenter Gerben Grooten, will première Noel Stockton’s Marche Amusant as the concert overture. Thereafter each conductor will have the opportunity to conduct their specific works. The conductors include Anton Esterhuyse, Hatting Davel, Itumeleng Pooe, Joseph Carlo, Joseph Moilwa, Joas Erasmus, Heinrich Lategan, Eslon Hindundu, Tuhafeni Michael and Renier de Bruin.

Some of the works that will be conducted include Majestia (James Swearingen), Ammerland (Jacob De Haan), Whirlwind (James Curnow), March from the Second Suite in F (Gustav Holst), Acclamations (Ed Huckeby), and Sinatra in Concert (Jerry Nowak). After interval, the Johannesburg Youth Wind Band, under the baton of Etienne Mecloen, will thrill audiences with The Light Eternal (Swearingen), Dam Busters March (Eric Coates), Florentiner March (Julius Fucik) and The Mask of Zorro (James Horner).

ADMISSION: R50

Tickets available at Computicket, at the doors or online at http://online.computicket.com/web/

ENQUIRIES

Ninette Pretorius (tel. 051 401 2504)


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Structures of Dominion and Democracy

By David Goldblatt

Image: David Goldblatt, Sculpted by Kagiso Pat Mautloa, a memorial to those who died while in the detention of the Security Police in this building formerly known as John Vorster Square, now Johannesburg Central Police Station. 27 February 2012, Silver gelatin print on fibre based paper, 98 x 120cm

Until 7 August

Johannes Stegmann Art Gallery, Sasol Library, UFS

Monday to Friday: 08:30 – 16:30

This exhibition is dedicated to the series “Structures”, one of the major bodies of works by renowned South African photographer David Goldblatt.  For over three decades Goldblatt has travelled South Africa photographing sites and structures weighted with historical narrative: monuments, private, religious and secular, that reveal something about the people who built them.  These sites allow us a glimpse into the everyday. Each place is a repository, a landscape containing an epic story that has involved whole communities: the experience sometimes told through the memorialising of remarkable individuals.

The exhibition Structures of Dominion and Democracy traverses two distinct eras in South Africa history. As Goldblatt explains "over the years I have photographed South African structures which I found eloquent of the dominion which Whites gradually came to exert over all of South Africa and its peoples.  That time of domination began in 1660 when Jan van Riebeeck ordered a cordon to be erected of blockhouses and barriers that would exclude the indigenous population from access to the first European settlement in South Africa and its herds, lands, water and grazing.  The time of domination ended on the 2nd of February 1990, when, on behalf of the government and the Whites of South Africa, President FW de Klerk effectively abdicated from power.  Beginning in 1999 and continuing to the present, I have photographed some structures that are eloquent of our still nascent democracy.  In the belief that in what we build we express much about what we value, I have looked at South African structures as declarations of our value systems, our ethos."

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