Years
2019 2018
Symphony Concert
2018-08-18

Presented by the FSSO in collaboration with the OSM

Conductor: Daniel Boico
Soloist: Alissa Margulis (violin)

Saturday, 18 August 2018
Odeion
19:30

The Free State Symphony Orchestra and the OSM invites you to the third symphony concert of the year featuring international guests Daniel Boico (conductor) and the graceful Alissa Margulis (violinist). The long-awaited symphony will take place August 18, 2018 at 19:30 in the Odeion. This concert is presented in collaboration with the Odeion School of Music.

Due to circumstances beyond control, the promised Violin Concerto in D minor by Beethoven was replaced by the gloriously lyrical Violin Concerto in G minor by Bruch. The powerful and dramatic Egmont Overture by Beethoven and Schubert’s Symphony No 6 in C, will round off the programme.

Daniel Boico was born in Israel to musician parents and raised in both Paris and the US, as his father Fima Boico, was concertmaster of Orchestra de Paris and the second violinist of the Fine Arts Quartet. Boico was initially trained as a singer before joining the class of legendary Russian conducting professor Ilya Musin at the Saint Petersburg Conservatory, Russia. He has extensive experience in music administration, planning and programming, having worked as Manager of Artistic Administration of the New York Philharmonic and as executive assistant to Daniel Barenboim at the Chicago Symphony and West-Eastern Divan Orchestra as well as for Chicago Symphony.

Alissa Margulis was born in Freiburg (Germany), into a family of Russian musicians. At the age of four, she started to learn the violin and the piano with Prof. Wolfgang Marschner. She made her first public appearance at the age of seven with the Budapest Soloists. At the age of ten, she won the first prize at the Spohr Youth Competition and at the German national competition Jugend Musiziert within the same year. She is a regular guest at international classical music festivals, and a privileged chamber music player who performs with a Guadagnini Violin dated 1754, a private loan from Jonathan Moulds.

Alissa is an accomplished musician with numerous awards like the Pro Europa Prize awarded by Daniel Barenboim (Berlin, 2002) and the Nouveau Laureat du Festival Juventus (Cambrai, 2004).


Tickets are available from Computicket outlets and online:

  • R150 Adults
  • R100 Pensioners, UFS staff and block bookings of 10 and more people
  • R50 Children 3 to 18 years

ENQUIRIES:

Contact Ninette Pretorius (051 401 2504) or Ella Kotze (051 401 2342).

www.fsso.org.za / www.facebook.com/OdeionSchoolofMusic


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Die Avonture van Alice in Wonderland (A)

Translation and adaptation: Thys Heydenrych
Original storie: Lewis Carol
Directed by: Thys Heydenrych & Walter Strydom
Venue: Wynand Mouton Theatre

Dates and times:
13 September 2011 at 11h00
14 September 2011 at 11h00 and 15h00
15 September 2011 at 11h00
16 September 2011 at 11h00 and 18h00
17 September 2011 at 11h00

Tickets: R20.00 per person & R15.00 per person for blockbooking of 10+

Bookings: Computicket (Mimosa Mall and Checkers)

Bookings for block bookings of 10 or more people can be done with Thys Heydenrych (072 235 3191)


Die Avonture van Alice in Wonderland tell the story of Alice who unwittingly follows the White rabbit down the rabbit hole and finds herself in the magical word of Wonderland. During her adventure she meets a number of strange and wonderful creatures with human like characteristics. The tale plays with logical, though the characters are not, not that they have to be. Come and join Alice on her wonderful journey through Wonderland and meet the Chesirecat, Humpty Dumpty, the Queen of Hearts, Tweedle Dum and Tweedle Dee and of course the Caterpillar. Who can ever forget the tea party with the March Hare and the Mad Hatter? New characters also emerge like the White Queen, the White Knight and the Duchess. This is a must see for all ages.

Die Avonture van Alice in Wonderland is an Afrikaans translation and adaptation of Lewis Carol’s “Álice in Wonderland” and “Alice Through the Looking Glass”
 

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