Years
2019 2018
Anmari & Albie in concert
2018-02-22

Anmari & Albie in concert

22 February 2018

Odeion

19:30

Anmari van der Westhuizen is Adjunct Professor and Head of the Odeion String Quartet at the UFS. She graduated from the University of Stellenbosch (BMusHons, cum laude), from the Mozarteum, Salzburg (Grosses Diplom, cum laude), and from the Hochschule für Musik (Cologne). She performed as a chamber musician and soloist in Australia, Austria, Belgium, Faroe Islands, Germany, Hungary, Italy, Japan, Poland, South Africa, Spain, Switzerland, Turkey, United Kingdom, USA, Zambia and Zimbabwe. In 2015 she received the Vryfees award for the Best Classical performer of the Arts Festival and the Rose award from Radio Rosestad for her remarkable contribution towards arts and culture.

Albie van Schalkwyk is not only a solo performer in his own right, but is also one of the leading chamber musicians and vocal accompanists in South Africa. Besides performing as a piano soloist and with orchestras, he has given masterclasses for singers and accompanists. In 2009 he was appointed Associate Professor in piano and chamber music at the South African College of Music (University of Cape Town).

Programme:

  • Shostakovich: Sonata for violoncello and piano, Op. 40 (1934)
  • Tribute to Gaspar Cassadó (1897 - 1966):
    • a) Toccata: Frescobaldi - Cassadó
    • b) Intermezzo from the opera Goyescas: Granados - Cassadó
    • c) Pastorale: Couperin - Cassadó
    • d) Solo suite for cello: Prelude- Fantasia: Cassadó
    • e) Requiebros: Cassadó
  • Brahms: Sonata for violoncello and piano, Op. 99

Admission

  • R120 (adults)
  • *R80 (pensioners)
  • *R70 (UFS staff)
  • *R50 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above mentioned discount.

Enquiries

Ninette Pretorius (tel. 051 401 2504)


Back
Pillars of Society

Production: Pillars of Society
Text: Henrik Ibsen
Director: Thys Heydenrych

Venue:
Scaena theatre

Dates and times:
17 March 2010 19h30
18 March 2010 19h30
19 March 2010 19h30

Bookings:
Computicket (Mimosa Mall and Checkers)

Bookings for block bookings of 10 or more people can be done with Thys Heydenrych (072 235 3191)


Pillars of Society is seen as one of Henrik Ibsen’s inferior plays, but it does show his concern for social and moral problems. It is Ibsen’s first social drama and the plot of the play follows earlier conventions of play writing of the time. In Pillars of Society Ibsen devotes more attention to making the piece logically consistent than to rendering it psychologically true.

Karsten Bernick is at the height of his career with interests in shipping and shipbuilding in a long-established family firm. The richest, most powerful and respected citizen of the community, he is held up as the model of an ideal husband and devoted father. In short, a worthy pillar of society. He is now backing a railway line which is his most ambitious project yet. The railway line will connect the town to the main line and open a fertile valley which he has been secretly buying up. But he began his career with a terrible lie.

As his new project is in the planning stage his past explodes on him. Johan Tønnesen, his wife"s younger brother comes back from America with his half-sister Lona, who once loved and was loved by Bernick. Johan left town 15 years ago to take the blame for Bernick, who was having an affair and was nearly caught with an actress. It was also rumoured that Johan stole money from the Bernicks, but there was no money to take since at the time the Bernick firm had been almost bankrupt.

It was for just this reason that Bernick rejected Lona, and married her sister Betty for money, so that he could rebuild the family business. In the years since Johan left, the town built ever greater rumours of his wickedness, helped by Bernick"s diligent refusal to give any indication of the truth.

This mixture only needs a spark to explode and it gets one when Johan Tønnesen falls in love with Dina Dorf, the young girl who is the daughter of the actress involved in the scandal of 15 years ago and who now lives as a charity case in the Bernick household.

The final line of the play embodies Ibsen’s main theme: The “Pillars of Society” are Truth and Freedom, not any one individual.

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