Years
2019 2018
Public Examination Recital: George Foster (PhD - tuba)
2018-02-08

Public Examination Recital: George Foster (PhD - tuba)

  • Tuesday 6 February 2018
  • Thursday 8 February 2018

George Foster, a PhD student at the Odeion School of Music, presents one of his doctoral examination recitals. He will be accompanied by Eljee du Plooy (organ) and Lesley-Ann Mathews (piano).

PROGRAMME:

  • Jan Koetsier: Choralfantasie über "Est ein Schnitter, Der Heisst Tod" Op. 93
  • Dmitri Shostakovich - transcribed by Harri Miettunen: Adagio from "Limpid Stream" Op. 39
  • Johann Sebastian Bach: Partita in A minor BWV1013 - transcribed by Floyd Cooley
  • Robert Schumann - transcribed by Floyd Cooley: Adagio and Allegro Op. 70
  • Alec Wilder: Sonata No. 1 for tuba and piano (1959)
  • Alexei Lebedev: Concert Allegro (1949)
  • 8 February 2018
  • 19:30
  • Odeion
  • Admission FREE

Bookings / information at
Ninette Pretorius (051 401 2504 / pretoriusn@ufs.ac.za


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Tom Waits for No Man

The Johannes Stegmann Art Gallery cordially invites you to the exhibition

Tom Waits for No Man

Gordon FroudCurator of the exhibition, Artist and Senior Lecturerat the Dept. of Visual Arts, UJ will open the exhibition on

Wednesday
2 October
at 19:00

The exhibition closes on 25 October 2013 American singer, songwriter, composer and actor, Thomas Alan Waits (1949 - ), has been a major inspiration to artists, musicians, poets, writers and thinkers for almost 40 years. He is considered as one of the godfathers of grunge and poetic rock and is a master of contemporary narrative - able to weave emotion and intrigue into his stories of urban grit and rural abandonment. His sometimes jaundiced view of the underbelly of society serves as a rich source of visual imagery. Based on the success of the Leonard Cohen Altarpiece exhibition called "Altered Pieces" that Gordon Froud curated and toured in 2011 and 2012, Froud decided to extend his curative activities in the direction of Tom Waits.

This exhibition is based on a roughly LP sized circular format (30cm in diameter). Most works hang on the wall but some artists that wanted to work in 3d, made use of the disc as a base or platform on which to build. There was no restriction on materials or approach. There was no process in selection of songs and each artist was free to use whichever lyric or section of lyrics that they choose (even if someone else had selected this too – artists seldom come up with the same solutions). The exhibition was launched at the ABSA KKNK in April 2013 and has travelled to the UJ Art Gallery and Grande Provence Wine Estate for the Literary Festival. 

Gallery hours:  Mon - Fri 08:30 - 16:30
Enquiries: 051 401 2706 | dejesusav@ufs.ac.za

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