Years
2019 2018
Douglas Masek Saxophone Recital
2018-07-31

with Neal Stulberg (piano)

31 July 2018

Odeion

19:30

The Los Angeles-based duo, in the country for the SANNSS, is touring the major South African cities. Both Masek and Stulberg, leaders in their respective fields, are internationally acclaimed soloists. The duo performs rarely heard selections from the concert saxophone repertoire in major cities around the country. Their program includes music by well-known composers such as Astor Piazzolla, David Heath, and even the South African composer, Allan Stephenson.

Internationally renowned saxophonist DOUGLAS MASEK, whose performances emphasize his versatility in a wide range of musical styles, from classical and contemporary to jazz, has consistently garnered critical acclaim. : The Los Angeles Times writes, (Masek’s) “...playing is smooth, sinuous, stunning, stylish, dazzling, and glowing with the requisite rich color.” In South Africa, The Argus describes “Masek’s tone: beautiful and pure” and the Cape Times adds “dynamic and magical.” With extensive concert touring in the United States, Europe, Asia, South Africa, and South America, he has also performed as a soloist at numerous festivals. He has performed with notable conductors, including Esa-Pekka Salonen, Kent Nagano, Placido Domingo, John Mauceri, Andre Previn, Michael-Tilson Thomas, James Conlan, Gustavo Dudamel, Valery Gergiev, Giselle Ben-Dor, Rachael Worby, JoAnn Falletta, Arthur Rubinstein, Grant Gershon, Carlo Franci, Hubert Soudant, Paul Freeman, Allan Stephenson and Bernhard Gueller. He has also worked on motion picture sounds tracks for John Williams, Randy Newman, David Newman and others, for Sony, Warner, Paramount, Universal, Disney and 20th Century, along with television and radio broadcasts. Masek's discography includes seven solo CD collections; Distant Memories, Windwood, Recrudescence, Saxvoir Faire, Saxtronic Soundscape, Saxophone Alternative, and EclectSax. He has recorded for Centaur, Albany, Cambria, Atlantic, Navona, Koch International, Stereophile, Summit and Philips Classics recording companies. Masek completed his academic education with a D.M.A. from the University of Southern California. Currently Professor of Saxophone at UCLA, Douglas is also a Vandoren Elite Artist and Conn-Selmer Artist.

www.dougmasek.com

Although an acclaimed pianist in his own right, it is as an orchestral conductor that NEAL STULBERG has been heralded by the Los Angeles Times as "…a shining example of podium authority and musical enlightenment," Stulberg has garnered consistent international acclaim for performances of clarity, insight, and conviction. Since 2005, he has served as Director of Orchestral Studies at the UCLA Herb Alpert School of Music and currently serves as both Professor and Chair of the UCLA Department of Music. Stulberg has already led numerous North American orchestras, and international engagements have included the St. Petersburg Symphony Orchestra, Moscow Chamber Orchestra, Hong Kong Philharmonic, Taipei Symphony Orchestra, Seoul Philharmonic, Korea Philharmonic (KBS), Queensland, Adelaide and West Australian Symphonies, to name but a few. Behind the keyboard, Stulberg appears as recitalist, chamber musician and with major orchestras and at international festivals as pianist/conductor. His performances of Mozart concertos conducted from the keyboard are uniformly praised for their buoyant virtuosity and interpretive vigour. He has recorded for West German Radio, Donemus, Yarlung Records, Sono Luminus and the Composers Voice label. Stulberg is a graduate of Harvard College, the University of Michigan and the Juilliard School. He studied conducting with Franco Ferrara at the Accademia Nazionale di Santa Cecilia (Rome), piano with Leonard Shure, Theodore Lettvin, William Masselos and Mischa Kottler, and viola with Ara Zerounia.

PROGRAMME:

  • Melvin Solomon (b.1947): ‘a la Mozart’
  • Astor Piazzolla (1921-1992): Café 1930 (arr. Isoda/Sugawa)
  • Maria Grenfell (b.1969): Time Transfixed
  • Allan Stephenson (b.1949): Introduction and Allegro
  • Maria Newman (b.1962): Parens (Ancestors)
  • Bill Cunliffe (b.1956): Bechet
  • David Heath (b. 1956): Coltrane (solo saxophone)
  • Pedro Iturralde (b.1929): Suite Hellenique
  • John Boswell (b.1960): Waterfall
  • John Boswell: Kindred Spirits

ADMISSION

  • R140 (adults)
  • *R100 (pensioners)
  • *R80 (UFS staff)
  • *R60 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above-mentioned discount.

ENQUIRIES

Ninette Pretorius (tel. 051 401 2504)


Back
Jean-Pierre Calitz: Former Kovsie music student gives piano recital

23 Junie 2011
Odeion
19:30

Jean-Pierre Calitz was the first prizewinner of the MUSICON National Piano competition (Now Arts Trust Competition) in 2001 and 2002 as well as the MUSICON Soloists Competition in 2003. He was a member of the winning ensemble at the Stellenbosch Chamber Music Competition in 2002 where he was the only pianist to receive a prize for outstanding ensemble playing.

During his undergraduate university career Jean-Pierre was awarded merit scholarships by the University of the Free State and Music study scholarships by the South African Music Rights Organization. He was a participant in master classes with Niel Immelman (Royal College of Music - London), Andrea Bonnata (Italy), Petronel Malan (USA), Dana Cilliers and Nina Schumann. In 2006, Jean-Pierre was invited to perform the Mozart Quintet for Winds and Piano with the University Wind Quintet for the Stellenbosch University’s annual International Chamber Music Festival. In the same year, as a member of the South African National Youth Orchestra, he toured to Germany to perform at the well-known Beethovenfest.

His main teachers in South Africa were Nettie Immelman, Ella Fourie and Albie van Schalkwyk. He furthered his studies at the Western Michigan University in the United States where he studied with Silvia Roederer. He was named a Gilmore International Keyboard Festival Fellow - which included a master class performance for André Watts.

He recently graduated with a Masters degree in Piano performance. In the summer of 2009/10 he studied with Bachauer Gold Medalist, Lori Sims, at the Bayview Music festival. Jean-Pierre is a candidate for the Doctorate in Music (piano performance) at the Université de Montréal under Paul Stewart. His research is focused on the "Fairytales" by Nikolai Medtner.

Jean-Pierre was selected as a competitor of the UNISA National Piano Competition in Pretoria from 9 – 16 July 2011.

Programme:
Messiaen: Vingt Regards sur l'enfant Jésus: XI Première communion de la Vierge "The Virgin's first communion"
Bach: Partita in C minor, BWV 826
Medtner: Fairytales, Op. 20
Prokofiev: Sonata in A major, Op 82.

Admission:
Free

Enquiries:
Odeion School of Music (051 – 401 2810).

 

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