Years
2019 2018
Douglas Masek Saxophone Recital
2018-07-31

with Neal Stulberg (piano)

31 July 2018

Odeion

19:30

The Los Angeles-based duo, in the country for the SANNSS, is touring the major South African cities. Both Masek and Stulberg, leaders in their respective fields, are internationally acclaimed soloists. The duo performs rarely heard selections from the concert saxophone repertoire in major cities around the country. Their program includes music by well-known composers such as Astor Piazzolla, David Heath, and even the South African composer, Allan Stephenson.

Internationally renowned saxophonist DOUGLAS MASEK, whose performances emphasize his versatility in a wide range of musical styles, from classical and contemporary to jazz, has consistently garnered critical acclaim. : The Los Angeles Times writes, (Masek’s) “...playing is smooth, sinuous, stunning, stylish, dazzling, and glowing with the requisite rich color.” In South Africa, The Argus describes “Masek’s tone: beautiful and pure” and the Cape Times adds “dynamic and magical.” With extensive concert touring in the United States, Europe, Asia, South Africa, and South America, he has also performed as a soloist at numerous festivals. He has performed with notable conductors, including Esa-Pekka Salonen, Kent Nagano, Placido Domingo, John Mauceri, Andre Previn, Michael-Tilson Thomas, James Conlan, Gustavo Dudamel, Valery Gergiev, Giselle Ben-Dor, Rachael Worby, JoAnn Falletta, Arthur Rubinstein, Grant Gershon, Carlo Franci, Hubert Soudant, Paul Freeman, Allan Stephenson and Bernhard Gueller. He has also worked on motion picture sounds tracks for John Williams, Randy Newman, David Newman and others, for Sony, Warner, Paramount, Universal, Disney and 20th Century, along with television and radio broadcasts. Masek's discography includes seven solo CD collections; Distant Memories, Windwood, Recrudescence, Saxvoir Faire, Saxtronic Soundscape, Saxophone Alternative, and EclectSax. He has recorded for Centaur, Albany, Cambria, Atlantic, Navona, Koch International, Stereophile, Summit and Philips Classics recording companies. Masek completed his academic education with a D.M.A. from the University of Southern California. Currently Professor of Saxophone at UCLA, Douglas is also a Vandoren Elite Artist and Conn-Selmer Artist.

www.dougmasek.com

Although an acclaimed pianist in his own right, it is as an orchestral conductor that NEAL STULBERG has been heralded by the Los Angeles Times as "…a shining example of podium authority and musical enlightenment," Stulberg has garnered consistent international acclaim for performances of clarity, insight, and conviction. Since 2005, he has served as Director of Orchestral Studies at the UCLA Herb Alpert School of Music and currently serves as both Professor and Chair of the UCLA Department of Music. Stulberg has already led numerous North American orchestras, and international engagements have included the St. Petersburg Symphony Orchestra, Moscow Chamber Orchestra, Hong Kong Philharmonic, Taipei Symphony Orchestra, Seoul Philharmonic, Korea Philharmonic (KBS), Queensland, Adelaide and West Australian Symphonies, to name but a few. Behind the keyboard, Stulberg appears as recitalist, chamber musician and with major orchestras and at international festivals as pianist/conductor. His performances of Mozart concertos conducted from the keyboard are uniformly praised for their buoyant virtuosity and interpretive vigour. He has recorded for West German Radio, Donemus, Yarlung Records, Sono Luminus and the Composers Voice label. Stulberg is a graduate of Harvard College, the University of Michigan and the Juilliard School. He studied conducting with Franco Ferrara at the Accademia Nazionale di Santa Cecilia (Rome), piano with Leonard Shure, Theodore Lettvin, William Masselos and Mischa Kottler, and viola with Ara Zerounia.

PROGRAMME:

  • Melvin Solomon (b.1947): ‘a la Mozart’
  • Astor Piazzolla (1921-1992): Café 1930 (arr. Isoda/Sugawa)
  • Maria Grenfell (b.1969): Time Transfixed
  • Allan Stephenson (b.1949): Introduction and Allegro
  • Maria Newman (b.1962): Parens (Ancestors)
  • Bill Cunliffe (b.1956): Bechet
  • David Heath (b. 1956): Coltrane (solo saxophone)
  • Pedro Iturralde (b.1929): Suite Hellenique
  • John Boswell (b.1960): Waterfall
  • John Boswell: Kindred Spirits

ADMISSION

  • R140 (adults)
  • *R100 (pensioners)
  • *R80 (UFS staff)
  • *R60 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above-mentioned discount.

ENQUIRIES

Ninette Pretorius (tel. 051 401 2504)


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Lamont & Friends

In “All Beethoven”

16 May 2019 ~ Odeion ~ 19:30

The Odeion School of Music invites you to “Lamont & Friends” with a special all Beethoven programme.

Anneke Lamont started her career at the age of twelve years and was a pupil of Josias van der Merwe. She won the UNISA Overseas Scholarship and continued her studies in Hannover (Germany) under Arie Vardi. She was also taught by Lamar Crowson, Joseph Stanford, Albie van Schalkwyk and Madeleine Buffler. She received a PhD from the UFS in 2006. Anneke is an active performing artist, and Head of Piano studies at the OSM since July 2018. She has served on screening panels for UNISA Piano International Competitions. She has made several recordings and in collaboration with various artists; she has also performed on the national and international stage. Anneke invited the following guest musicians to join in this all Beethoven programme: Albertus Engelbrecht (tenor), Anmari van der Westhuizen (cello), Pieter Joubert (violin), Matthew Eshun (violin) and Danrè Strydom (clarinet).

Albertus Engelbrecht was appointed in opera houses of Nürnberg and Passau (Germany) for a total of seventeen years where he sang a diversity of leading roles such as Orfeo in Monteverdi's L'Orfeo, Ulisse in Monteverdi’s Il Ritorno d’Ulisse in Patria, Nerone in Monteverdi’s L’incorronazione di Poppea (all three operas under direction of Kobie van Rensburg), Ramiro in Rossini's La Cenerentola, Duca in Verdi's Rigoletto, Belmonte in Mozart's Die Entführung aus dem Serail. Guest contracts have taken him to Luzern (Switzerland) and Los Angeles (USA). As concert singer, he performed regularly in Berlin, Frankfurt, Mainz and Vienna. A highlight of his career was concerts of Medelssohn's Walpurgisnacht in the Teatro San Carlo (Naples, Italy). Since 2016 Mr Albertus Engelbrecht is lecturer in singing at the OSM.

Danrè Strydom has established herself as one of South Africa’s premier solo, chamber and orchestral musicians through her global concert experience. She began her musical training in Namibia and after attending the Interlochen Arts Camp (USA), she began her formal studies with Heinrich Armer (UFS). She furthered her studies at Indiana University’s Jacobs School of Music, where she worked with renowned clarinetists Eli Eban and Eric Hoeprich. She holds two master’s degrees in Clarinet and Bass Clarinet Performance from the Royal Conservatory (Ghent University) and recently completed her PhD at the OSM. Danrè studied conducting with various established conductors, including the late Chris Dowdeswell and Dirk Brosse. After playing clarinet/bass clarinet for the award-winning Brussels Philharmonic from 2009 to 2013, she accepted a position as woodwind lecturer at the OSM.

Pieter Joubert is a Gr. 11 learner at Sentraal High School and receives lessons from Francois Henkins. In 2017-8 he was chosen as the best senior string player at the Bloemfontein Eisteddfod. In 2017 he performed as soloist with the FSSO during their concerto festival. He is concertmaster of the FSYO and regularly performs with the SMA Sinfonietta. During the 2017-8 Stellenbosch International Chamber Music Festival, he was selected as member of the Festival Orchestra. He also took part in the Gauteng and Franschhoek Chamber Music Festivals.

Matthew Eshun is a student from Ghana studying towards a BMusHons degree in violin performance with Samson Diamond as well as Cultural Musicology at the OSM. He is currently the principal second in both the OSM Camerata and and FSYO and has received masterclasses from David Bester. He is also a research assistant at the OSM.

Anmari van der Westhuizen graduated from the University of Stellenbosch (BMusHons), from the Mozarteum, Salzburg (Grosses Diplom), and from the Hochschule für Musik (Cologne) with Maria Kliegel (Konzertexamen). In 2013 Anmari received her PhD from the University of Pretoria. She has won prestigious competitions including the ATKV Forte Competition, the SABC Competition and the Oude Meester Competition. Anmari has performed in Australia, Austria, Belgium, Faroe Islands, Germany, Hungary, Italy, Japan, Poland, South Africa, Spain, Switzerland, Turkey, United Kingdom, USA, Zambia and Zimbabwe.

PROGRAMME

  • Ludwig van Beethoven (1770 – 1827)
    • Adelaide, Op. 46
    • Sonata in F major (Spring Sonata), Op. 24 No. 5
    • Sonata in A minor, Op. 23 No. 4
    • Sonata No. 3 in A major, Op. 69
    • Clarinet Trio in B flat major, Op. 11
    • Rondo e capriccio Op. 129 for piano

ADMISSION

  • R130 (adults)
  • *R70 (pensioners)
  • *R70 (UFS staff)
  • *R50 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504)

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