Years
2019 2018
Douglas Masek Saxophone Recital
2018-07-31

with Neal Stulberg (piano)

31 July 2018

Odeion

19:30

The Los Angeles-based duo, in the country for the SANNSS, is touring the major South African cities. Both Masek and Stulberg, leaders in their respective fields, are internationally acclaimed soloists. The duo performs rarely heard selections from the concert saxophone repertoire in major cities around the country. Their program includes music by well-known composers such as Astor Piazzolla, David Heath, and even the South African composer, Allan Stephenson.

Internationally renowned saxophonist DOUGLAS MASEK, whose performances emphasize his versatility in a wide range of musical styles, from classical and contemporary to jazz, has consistently garnered critical acclaim. : The Los Angeles Times writes, (Masek’s) “...playing is smooth, sinuous, stunning, stylish, dazzling, and glowing with the requisite rich color.” In South Africa, The Argus describes “Masek’s tone: beautiful and pure” and the Cape Times adds “dynamic and magical.” With extensive concert touring in the United States, Europe, Asia, South Africa, and South America, he has also performed as a soloist at numerous festivals. He has performed with notable conductors, including Esa-Pekka Salonen, Kent Nagano, Placido Domingo, John Mauceri, Andre Previn, Michael-Tilson Thomas, James Conlan, Gustavo Dudamel, Valery Gergiev, Giselle Ben-Dor, Rachael Worby, JoAnn Falletta, Arthur Rubinstein, Grant Gershon, Carlo Franci, Hubert Soudant, Paul Freeman, Allan Stephenson and Bernhard Gueller. He has also worked on motion picture sounds tracks for John Williams, Randy Newman, David Newman and others, for Sony, Warner, Paramount, Universal, Disney and 20th Century, along with television and radio broadcasts. Masek's discography includes seven solo CD collections; Distant Memories, Windwood, Recrudescence, Saxvoir Faire, Saxtronic Soundscape, Saxophone Alternative, and EclectSax. He has recorded for Centaur, Albany, Cambria, Atlantic, Navona, Koch International, Stereophile, Summit and Philips Classics recording companies. Masek completed his academic education with a D.M.A. from the University of Southern California. Currently Professor of Saxophone at UCLA, Douglas is also a Vandoren Elite Artist and Conn-Selmer Artist.

www.dougmasek.com

Although an acclaimed pianist in his own right, it is as an orchestral conductor that NEAL STULBERG has been heralded by the Los Angeles Times as "…a shining example of podium authority and musical enlightenment," Stulberg has garnered consistent international acclaim for performances of clarity, insight, and conviction. Since 2005, he has served as Director of Orchestral Studies at the UCLA Herb Alpert School of Music and currently serves as both Professor and Chair of the UCLA Department of Music. Stulberg has already led numerous North American orchestras, and international engagements have included the St. Petersburg Symphony Orchestra, Moscow Chamber Orchestra, Hong Kong Philharmonic, Taipei Symphony Orchestra, Seoul Philharmonic, Korea Philharmonic (KBS), Queensland, Adelaide and West Australian Symphonies, to name but a few. Behind the keyboard, Stulberg appears as recitalist, chamber musician and with major orchestras and at international festivals as pianist/conductor. His performances of Mozart concertos conducted from the keyboard are uniformly praised for their buoyant virtuosity and interpretive vigour. He has recorded for West German Radio, Donemus, Yarlung Records, Sono Luminus and the Composers Voice label. Stulberg is a graduate of Harvard College, the University of Michigan and the Juilliard School. He studied conducting with Franco Ferrara at the Accademia Nazionale di Santa Cecilia (Rome), piano with Leonard Shure, Theodore Lettvin, William Masselos and Mischa Kottler, and viola with Ara Zerounia.

PROGRAMME:

  • Melvin Solomon (b.1947): ‘a la Mozart’
  • Astor Piazzolla (1921-1992): Café 1930 (arr. Isoda/Sugawa)
  • Maria Grenfell (b.1969): Time Transfixed
  • Allan Stephenson (b.1949): Introduction and Allegro
  • Maria Newman (b.1962): Parens (Ancestors)
  • Bill Cunliffe (b.1956): Bechet
  • David Heath (b. 1956): Coltrane (solo saxophone)
  • Pedro Iturralde (b.1929): Suite Hellenique
  • John Boswell (b.1960): Waterfall
  • John Boswell: Kindred Spirits

ADMISSION

  • R140 (adults)
  • *R100 (pensioners)
  • *R80 (UFS staff)
  • *R60 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above-mentioned discount.

ENQUIRIES

Ninette Pretorius (tel. 051 401 2504)


Back
International Clarinet Extravaganza

The second INTERNATIONAL CLARINET EXTRAVAGANZA will take place from 28 January until 1 February 2020 at the UFS ODEION SCHOOL OF MUSIC (OSM) in Bloemfontein under the curatorship of Dr Danré Strydom.

The international mentors and soloists for the Extravaganza will be performing in several concerts during the festival:

Concert 1

International soloists with piano
30 January 2020
19:30
Odeion
Entrance: Free
Program: Mendelssohn, Mangani, Weber, Hanssens
Soloists: Eddy Vanoosthuyse (Belgium), Danré Strydom (South Africa), Danielle Roussouw (South Africa), Severine Sierens (Belgium), Bence Szepesi (Hungary)
Collaborative pianists: Anneke Lamont, Cèzarre Strydom, Lesley-Ann Botha, Jana Mathee

Concert 2

Clarinet, String Quartet & Canapés
31 January 2020
19:00
Warmkaroo
Entrance R295.00 (includes canapés/bowl food)
Book by 25/01/2020 – www.warmkaroo.com
Program: Weber, Mozart, Brahms, Grign
Clarinet Soloists with the Odeion String Quartet

Concert 3

Gala concert with the Free State Symphony Orchestra
1 February 2020
19:30
Odeion
Entrance: Free
Program: Molter, Bach, Schreiner, Frost, Weber
The program will include a performance of Bach’s Concerto for four pianos (Anneke Lamont, Cezarre Strydom, Lesley-Ann Botha, Jana Mathee).
The festival clarinet choir will also be part of the programme, celebrating Beethoven.

Danré Strydom, the clarinet and saxophone lecturer at the OSM, stated the main objectives of the festival is to expose South African clarinet players, from beginners to advanced, as well as teachers and lecturers, to international clarinet trends and excellent artistry. Apart from the artistic events and masterclasses, workshops will also be presented regarding technical aspects with reference to mouthpieces, instruments, reeds and other equipment.

Further information re the soloists:

The official accompanists for the extravaganza will be Dr Anneke Lamont and Lesley-Ann Botha of the OSM, Dr Jana Mathee of the North-West University School of Music as well as Cézarre Strydom from the Paul Roos Gymnasium (Stellenbosch).

Detailed information about the complete programme and all the international artists and mentors can be acquired from the official Facebook Page Za-International-Clarinet-Extravaganza.

(email: clarinetextravaganza@gmail.com)

The official partners for the event are the OSM, FSSO, Odeion String Quartet, OSM Camerata, Buffet Crampon, RZ instruments, Arts Trust, Rupert Foundation, and the International Clarinet Association.

We use cookies to make interactions with our websites and services easy and meaningful, to better understand how they are used and to tailor advertising. You can read more and make your cookie choices here. By continuing to use this site you are giving us your consent to do this.

Accept