Years
2019 2018
Douglas Masek Saxophone Recital
2018-07-31

with Neal Stulberg (piano)

31 July 2018

Odeion

19:30

The Los Angeles-based duo, in the country for the SANNSS, is touring the major South African cities. Both Masek and Stulberg, leaders in their respective fields, are internationally acclaimed soloists. The duo performs rarely heard selections from the concert saxophone repertoire in major cities around the country. Their program includes music by well-known composers such as Astor Piazzolla, David Heath, and even the South African composer, Allan Stephenson.

Internationally renowned saxophonist DOUGLAS MASEK, whose performances emphasize his versatility in a wide range of musical styles, from classical and contemporary to jazz, has consistently garnered critical acclaim. : The Los Angeles Times writes, (Masek’s) “...playing is smooth, sinuous, stunning, stylish, dazzling, and glowing with the requisite rich color.” In South Africa, The Argus describes “Masek’s tone: beautiful and pure” and the Cape Times adds “dynamic and magical.” With extensive concert touring in the United States, Europe, Asia, South Africa, and South America, he has also performed as a soloist at numerous festivals. He has performed with notable conductors, including Esa-Pekka Salonen, Kent Nagano, Placido Domingo, John Mauceri, Andre Previn, Michael-Tilson Thomas, James Conlan, Gustavo Dudamel, Valery Gergiev, Giselle Ben-Dor, Rachael Worby, JoAnn Falletta, Arthur Rubinstein, Grant Gershon, Carlo Franci, Hubert Soudant, Paul Freeman, Allan Stephenson and Bernhard Gueller. He has also worked on motion picture sounds tracks for John Williams, Randy Newman, David Newman and others, for Sony, Warner, Paramount, Universal, Disney and 20th Century, along with television and radio broadcasts. Masek's discography includes seven solo CD collections; Distant Memories, Windwood, Recrudescence, Saxvoir Faire, Saxtronic Soundscape, Saxophone Alternative, and EclectSax. He has recorded for Centaur, Albany, Cambria, Atlantic, Navona, Koch International, Stereophile, Summit and Philips Classics recording companies. Masek completed his academic education with a D.M.A. from the University of Southern California. Currently Professor of Saxophone at UCLA, Douglas is also a Vandoren Elite Artist and Conn-Selmer Artist.

www.dougmasek.com

Although an acclaimed pianist in his own right, it is as an orchestral conductor that NEAL STULBERG has been heralded by the Los Angeles Times as "…a shining example of podium authority and musical enlightenment," Stulberg has garnered consistent international acclaim for performances of clarity, insight, and conviction. Since 2005, he has served as Director of Orchestral Studies at the UCLA Herb Alpert School of Music and currently serves as both Professor and Chair of the UCLA Department of Music. Stulberg has already led numerous North American orchestras, and international engagements have included the St. Petersburg Symphony Orchestra, Moscow Chamber Orchestra, Hong Kong Philharmonic, Taipei Symphony Orchestra, Seoul Philharmonic, Korea Philharmonic (KBS), Queensland, Adelaide and West Australian Symphonies, to name but a few. Behind the keyboard, Stulberg appears as recitalist, chamber musician and with major orchestras and at international festivals as pianist/conductor. His performances of Mozart concertos conducted from the keyboard are uniformly praised for their buoyant virtuosity and interpretive vigour. He has recorded for West German Radio, Donemus, Yarlung Records, Sono Luminus and the Composers Voice label. Stulberg is a graduate of Harvard College, the University of Michigan and the Juilliard School. He studied conducting with Franco Ferrara at the Accademia Nazionale di Santa Cecilia (Rome), piano with Leonard Shure, Theodore Lettvin, William Masselos and Mischa Kottler, and viola with Ara Zerounia.

PROGRAMME:

  • Melvin Solomon (b.1947): ‘a la Mozart’
  • Astor Piazzolla (1921-1992): Café 1930 (arr. Isoda/Sugawa)
  • Maria Grenfell (b.1969): Time Transfixed
  • Allan Stephenson (b.1949): Introduction and Allegro
  • Maria Newman (b.1962): Parens (Ancestors)
  • Bill Cunliffe (b.1956): Bechet
  • David Heath (b. 1956): Coltrane (solo saxophone)
  • Pedro Iturralde (b.1929): Suite Hellenique
  • John Boswell (b.1960): Waterfall
  • John Boswell: Kindred Spirits

ADMISSION

  • R140 (adults)
  • *R100 (pensioners)
  • *R80 (UFS staff)
  • *R60 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above-mentioned discount.

ENQUIRIES

Ninette Pretorius (tel. 051 401 2504)


Back
FSSO Symphony Concert: Soldier’s Tale & Van Hunks and the Devil

Free State Symphony Orchestra conducted by Alexander Fokkens
Narrators: Tim Thabethe & Marelize Visagie
Friday 11 May 2012
Odeion
19:30

The next concert of the Free State Symphony Orchestra (FSSO) will be an unusual one with seven musicians, a well-known radio personality, a drama student and a conductor on the stage. The programme consists of Stravinsky’s L'histoire du soldat (Soldier’s Tale) and the premiere of Martin Watt’s Van Hunks and the Devil with tongue in the cheek texts by Philip de Vos.

The story of Soldier’s Tale is based on an old Russian folk tale about a soldier who makes a deal with the devil, trading his fiddle for a book that predicts the future. Stravinsky scored the work for only seven players (violin, double bass, clarinet, bassoon, trumpet, trombone and percussion) and four speaking parts (the Devil, the Soldier, a Princess and an unseen Reader). The musicians for this production are principal members of the FSSO: Denise Sutton (violin), Peter Guy (double bass), Chrisna Smit (clarinet), Marni van der Westhuizen (bassoon), Paul Loep van Zuilenburg (trumpet), Hendri Liebenberg (trombone) and Ian Roos (percussion). The speaking parts will be narrated by well-known OFM presenter Tim Thabethe and Kovsie drama student Marelize Visagie and the production will be conducted by Alexander Fokkens.

Van Hunks and the Devil is the legend of van Hunks, a retired sea captain and prodigious pipe smoker who lived at the foot of the mountain circa 1700. He was forced by his wife to leave the house whenever he smoked his pipe. One day, while smoking on the slopes of the peak, he met a mysterious stranger who also smoked. They each bragged of how much they smoked and so they fell into a pipe-smoking contest. The stranger turned out to be the Devil and Van Hunks eventually won the contest, but not before the smoke that they had made had covered the mountain, forming the table cloth cloud.

This is the tale of Hans van Hunks and of his friend named Nick;
Of rum and tobacco and things that make one sick.
Four hundred years or so ago: was a time of pomp and show.
Ladies dressed in frills and laces; lots of perfume; painted faces –
Near the mountain by the sea – What a jolly place to be!
The mountain top was flat, flat, flat. Mighty flat – and that was that!

Philip de Vos.


Admission

R120 (adults)
R80 (pensioners)
R50 (students / scholars / groups of 10 and more)

Tickets are available from Computicket (Shoprite / Checkers, Mimosa Mall)
Book online at www.computicket.com

Enquiries:
Ella Kotze (FSSO), tel. (051) 401-2342 (08:00 – 13:00)
www.fsso.org.za
 

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