Years
2019 2018
Douglas Masek Saxophone Recital
2018-07-31

with Neal Stulberg (piano)

31 July 2018

Odeion

19:30

The Los Angeles-based duo, in the country for the SANNSS, is touring the major South African cities. Both Masek and Stulberg, leaders in their respective fields, are internationally acclaimed soloists. The duo performs rarely heard selections from the concert saxophone repertoire in major cities around the country. Their program includes music by well-known composers such as Astor Piazzolla, David Heath, and even the South African composer, Allan Stephenson.

Internationally renowned saxophonist DOUGLAS MASEK, whose performances emphasize his versatility in a wide range of musical styles, from classical and contemporary to jazz, has consistently garnered critical acclaim. : The Los Angeles Times writes, (Masek’s) “...playing is smooth, sinuous, stunning, stylish, dazzling, and glowing with the requisite rich color.” In South Africa, The Argus describes “Masek’s tone: beautiful and pure” and the Cape Times adds “dynamic and magical.” With extensive concert touring in the United States, Europe, Asia, South Africa, and South America, he has also performed as a soloist at numerous festivals. He has performed with notable conductors, including Esa-Pekka Salonen, Kent Nagano, Placido Domingo, John Mauceri, Andre Previn, Michael-Tilson Thomas, James Conlan, Gustavo Dudamel, Valery Gergiev, Giselle Ben-Dor, Rachael Worby, JoAnn Falletta, Arthur Rubinstein, Grant Gershon, Carlo Franci, Hubert Soudant, Paul Freeman, Allan Stephenson and Bernhard Gueller. He has also worked on motion picture sounds tracks for John Williams, Randy Newman, David Newman and others, for Sony, Warner, Paramount, Universal, Disney and 20th Century, along with television and radio broadcasts. Masek's discography includes seven solo CD collections; Distant Memories, Windwood, Recrudescence, Saxvoir Faire, Saxtronic Soundscape, Saxophone Alternative, and EclectSax. He has recorded for Centaur, Albany, Cambria, Atlantic, Navona, Koch International, Stereophile, Summit and Philips Classics recording companies. Masek completed his academic education with a D.M.A. from the University of Southern California. Currently Professor of Saxophone at UCLA, Douglas is also a Vandoren Elite Artist and Conn-Selmer Artist.

www.dougmasek.com

Although an acclaimed pianist in his own right, it is as an orchestral conductor that NEAL STULBERG has been heralded by the Los Angeles Times as "…a shining example of podium authority and musical enlightenment," Stulberg has garnered consistent international acclaim for performances of clarity, insight, and conviction. Since 2005, he has served as Director of Orchestral Studies at the UCLA Herb Alpert School of Music and currently serves as both Professor and Chair of the UCLA Department of Music. Stulberg has already led numerous North American orchestras, and international engagements have included the St. Petersburg Symphony Orchestra, Moscow Chamber Orchestra, Hong Kong Philharmonic, Taipei Symphony Orchestra, Seoul Philharmonic, Korea Philharmonic (KBS), Queensland, Adelaide and West Australian Symphonies, to name but a few. Behind the keyboard, Stulberg appears as recitalist, chamber musician and with major orchestras and at international festivals as pianist/conductor. His performances of Mozart concertos conducted from the keyboard are uniformly praised for their buoyant virtuosity and interpretive vigour. He has recorded for West German Radio, Donemus, Yarlung Records, Sono Luminus and the Composers Voice label. Stulberg is a graduate of Harvard College, the University of Michigan and the Juilliard School. He studied conducting with Franco Ferrara at the Accademia Nazionale di Santa Cecilia (Rome), piano with Leonard Shure, Theodore Lettvin, William Masselos and Mischa Kottler, and viola with Ara Zerounia.

PROGRAMME:

  • Melvin Solomon (b.1947): ‘a la Mozart’
  • Astor Piazzolla (1921-1992): Café 1930 (arr. Isoda/Sugawa)
  • Maria Grenfell (b.1969): Time Transfixed
  • Allan Stephenson (b.1949): Introduction and Allegro
  • Maria Newman (b.1962): Parens (Ancestors)
  • Bill Cunliffe (b.1956): Bechet
  • David Heath (b. 1956): Coltrane (solo saxophone)
  • Pedro Iturralde (b.1929): Suite Hellenique
  • John Boswell (b.1960): Waterfall
  • John Boswell: Kindred Spirits

ADMISSION

  • R140 (adults)
  • *R100 (pensioners)
  • *R80 (UFS staff)
  • *R60 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above-mentioned discount.

ENQUIRIES

Ninette Pretorius (tel. 051 401 2504)


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Deon Lamprecht Organ Recital

Wednesday, 12 September 2012
Odeion
19:30

Deon Lamprecht has been associated with the UFS Department of Music (now Odeion School of Music) from 1974 until 2005. In 1994 he was promoted to professor. He was Head of the Department of Music for the last 11 years of his academic career.

During his long career as concert organist he has performed as soloist with orchestra at various events with works by Handel, Michael Haydn, Poulenc and Saint-Saëns. He also gave numerous solo recitals. Performances after his retirement include two concerts in British Columbia (Canada), two concerts in the Odeion, the Dutch Reformed Church Berg-en-Dal, the Veremarksentrum (Port Elizabeth), the Dutch Reformed Church Universiteitsoord (Pretoria) and three concerts in the southern Cape. As student he received lessons from proff. Chris Swanepoel, Jakobus Kloppers and Stephen Zondagh. In 1980 he won the first prize in the organ competition during the Third South African Organ Festival (Cape Town), the first prize in the organ category and the SAMRO Prize of the Music Prize Competition of the SABC.

During further studies abroad het took part in organ courses presented by Harald Vogel (Germany) and Jean-Claude Zehnder (Switzerland). During the International Organ Course in Oudle (England), he presented a paper titled Fundamental aspects of keyboard technique, followed by masterclasses by Ludger Lohmann (Germany), Julian Weir (England) and Hans Fagius (Sweden).

Programme:
Dupré – Five of the 79 Chorales, Op. 28
Bruhns - Praeludium in E minor, No. 1
Bach – Variation No. 10 from Partita on Sei gegrüsset, Jesu gütig (BWV 768)
Bach - Prelude and fugue in G major (BWV 541)
Andriessen - Toccata
Fasch - Trio in C minor
Mozart - Fantasia No. 2 in F minor, K.608
Guilmant - Pastorale from Sonata No. 1 in D minor, Op. 42
Duruflé - Prelude & Fugue on the name ALAIN, Op. 7

Admission:
R100 (adults), R60 (pensioners, students and learners)
R40 (group bookings of 10+)
Tickets available at Computicket.

Enquiries:
Ninette Pretorius (tel. 051 401 2504)
 

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