Years
2019 2018
Douglas Masek Saxophone Recital
2018-07-31

with Neal Stulberg (piano)

31 July 2018

Odeion

19:30

The Los Angeles-based duo, in the country for the SANNSS, is touring the major South African cities. Both Masek and Stulberg, leaders in their respective fields, are internationally acclaimed soloists. The duo performs rarely heard selections from the concert saxophone repertoire in major cities around the country. Their program includes music by well-known composers such as Astor Piazzolla, David Heath, and even the South African composer, Allan Stephenson.

Internationally renowned saxophonist DOUGLAS MASEK, whose performances emphasize his versatility in a wide range of musical styles, from classical and contemporary to jazz, has consistently garnered critical acclaim. : The Los Angeles Times writes, (Masek’s) “...playing is smooth, sinuous, stunning, stylish, dazzling, and glowing with the requisite rich color.” In South Africa, The Argus describes “Masek’s tone: beautiful and pure” and the Cape Times adds “dynamic and magical.” With extensive concert touring in the United States, Europe, Asia, South Africa, and South America, he has also performed as a soloist at numerous festivals. He has performed with notable conductors, including Esa-Pekka Salonen, Kent Nagano, Placido Domingo, John Mauceri, Andre Previn, Michael-Tilson Thomas, James Conlan, Gustavo Dudamel, Valery Gergiev, Giselle Ben-Dor, Rachael Worby, JoAnn Falletta, Arthur Rubinstein, Grant Gershon, Carlo Franci, Hubert Soudant, Paul Freeman, Allan Stephenson and Bernhard Gueller. He has also worked on motion picture sounds tracks for John Williams, Randy Newman, David Newman and others, for Sony, Warner, Paramount, Universal, Disney and 20th Century, along with television and radio broadcasts. Masek's discography includes seven solo CD collections; Distant Memories, Windwood, Recrudescence, Saxvoir Faire, Saxtronic Soundscape, Saxophone Alternative, and EclectSax. He has recorded for Centaur, Albany, Cambria, Atlantic, Navona, Koch International, Stereophile, Summit and Philips Classics recording companies. Masek completed his academic education with a D.M.A. from the University of Southern California. Currently Professor of Saxophone at UCLA, Douglas is also a Vandoren Elite Artist and Conn-Selmer Artist.

www.dougmasek.com

Although an acclaimed pianist in his own right, it is as an orchestral conductor that NEAL STULBERG has been heralded by the Los Angeles Times as "…a shining example of podium authority and musical enlightenment," Stulberg has garnered consistent international acclaim for performances of clarity, insight, and conviction. Since 2005, he has served as Director of Orchestral Studies at the UCLA Herb Alpert School of Music and currently serves as both Professor and Chair of the UCLA Department of Music. Stulberg has already led numerous North American orchestras, and international engagements have included the St. Petersburg Symphony Orchestra, Moscow Chamber Orchestra, Hong Kong Philharmonic, Taipei Symphony Orchestra, Seoul Philharmonic, Korea Philharmonic (KBS), Queensland, Adelaide and West Australian Symphonies, to name but a few. Behind the keyboard, Stulberg appears as recitalist, chamber musician and with major orchestras and at international festivals as pianist/conductor. His performances of Mozart concertos conducted from the keyboard are uniformly praised for their buoyant virtuosity and interpretive vigour. He has recorded for West German Radio, Donemus, Yarlung Records, Sono Luminus and the Composers Voice label. Stulberg is a graduate of Harvard College, the University of Michigan and the Juilliard School. He studied conducting with Franco Ferrara at the Accademia Nazionale di Santa Cecilia (Rome), piano with Leonard Shure, Theodore Lettvin, William Masselos and Mischa Kottler, and viola with Ara Zerounia.

PROGRAMME:

  • Melvin Solomon (b.1947): ‘a la Mozart’
  • Astor Piazzolla (1921-1992): Café 1930 (arr. Isoda/Sugawa)
  • Maria Grenfell (b.1969): Time Transfixed
  • Allan Stephenson (b.1949): Introduction and Allegro
  • Maria Newman (b.1962): Parens (Ancestors)
  • Bill Cunliffe (b.1956): Bechet
  • David Heath (b. 1956): Coltrane (solo saxophone)
  • Pedro Iturralde (b.1929): Suite Hellenique
  • John Boswell (b.1960): Waterfall
  • John Boswell: Kindred Spirits

ADMISSION

  • R140 (adults)
  • *R100 (pensioners)
  • *R80 (UFS staff)
  • *R60 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above-mentioned discount.

ENQUIRIES

Ninette Pretorius (tel. 051 401 2504)


Back
Mozart Gala Evening

Soloists:          Caroline Nkwe, Annemarie Steenkamp, Bongani Makhanya, Phenye Modiane, Christopher Vale and members of the BTE VO1SS Academy

Conductor:       Alexander Fokkens

Date:                Saturday 20 April 2013

Venue:             Odeion

Time:                19:30

After the success of the Verdi Gala Concert last year, the Free State Symphony Orchestra decided to join forces with the Black Tie Ensemble & Voice Opera One Stop Shop (BTE VO1SS) again to present a concert with excerpts from operas. This year the focus will be on music by Mozart. Five soloists of BTE Vo1ss - Caroline Nkwe (soprano), Annemarie Steenkamp (mezzo-soprano), Phenye Modiane (tenor), Kagiso Boroko (tenor) and Christopher Vale (baritone) - members of the BTE Vo1ss Academy and the local choir Voices will perform with the FSSO conducted by Alexander Fokkens.

Wolfgang Amadeus Mozart's operas comprise 22 musical dramas in a variety of genres. They range from the small-scale, derivative works of his youth to the full-fledged operas of his maturity. Three of the works were abandoned before completion and were not performed until many years after the composer's death. His mature works are all considered classics and have never been out of the repertory of the world's opera houses.

The comic opera Le Nozze di Figaro (Marriage of Figaro) was composed when Mozart was 30 and is often regarded (with Cosi fan tutte) as one of the best examples of opera buffa. The following excerpts will be performed:

  • Cherubino’s aria “Non so piu cosa son, cosa faccio” will be sung by Annemarie Steenkamp;
  • The finale from the second act “Esci omai garzon malnato”;
  • Figaro’s exciting aria “Hai gia vinta la causa” will be sung by Christopher Vale;
  • The whole company will join in for the beautiful finale of the opera.

Although the opera Don Giovanni is sometimes classified as comic, it blends comedy, melodrama and supernatural elements and can be better described as dramma giocoso. One of the most beautiful duets that can be found in any opera, “La ci darem la mano” will be sung by Annemarie Steenkamp and Christopher Vale.

Cosi fan tutte
was written when Mozart was 34. The virtuoso soprano aria, “Come scoglio” will be sung by Caroline Nkwe. Also included in the programme are two trios from the opera: “Soave sia il vento” for 2 sopranos and baritone and “La mia Dorabella capace non è” for tenor, baritone and bass.

A Singspiel is a form of German-language music drama, now regarded as a genre of opera. Mozart wrote four Singspiele. Excerpts from 3 of these will be on the programme: the Overture of Der Schauspieldirektor (Impressario), the duet “Vivat Bacchus, Bacchus liebe” and the finale “Nie werd' ich deine” from Die Entführung aus dem Serail and the male chorus “O Isis und Osiris” from Die Zauberflöte. The latter will be performed by Vo1ss Academy and the local Voices choir.

Mozart has already started work on Die Zauberflöte (The Magic Flute) when he was commissioned to write a new work to celebrate the coronation of Leopold II, Holy Roman Emperor as King of Bohemia. The result was La Clemenza di Tito which he completed within about a month. The Overture and the tenor aria “Ah Se fosse intorno al trono” are on the programme.

The evening will end with the Benedictus from the big Mass in c minor, K427.

Admission

R120 (adults)

R80 (pensioners)

R50 (students / scholars / groups of 10 and more)

Tickets are available from Computicket (Shoprite / Checkers, Mimosa Mall)

Book online at www.computicket.com

Enquiries:

Ella Kotze (FSSO), tel. (051) 401-2342

www.fsso.org.za

 

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