Years
2019 2018
Douglas Masek Saxophone Recital
2018-07-31

with Neal Stulberg (piano)

31 July 2018

Odeion

19:30

The Los Angeles-based duo, in the country for the SANNSS, is touring the major South African cities. Both Masek and Stulberg, leaders in their respective fields, are internationally acclaimed soloists. The duo performs rarely heard selections from the concert saxophone repertoire in major cities around the country. Their program includes music by well-known composers such as Astor Piazzolla, David Heath, and even the South African composer, Allan Stephenson.

Internationally renowned saxophonist DOUGLAS MASEK, whose performances emphasize his versatility in a wide range of musical styles, from classical and contemporary to jazz, has consistently garnered critical acclaim. : The Los Angeles Times writes, (Masek’s) “...playing is smooth, sinuous, stunning, stylish, dazzling, and glowing with the requisite rich color.” In South Africa, The Argus describes “Masek’s tone: beautiful and pure” and the Cape Times adds “dynamic and magical.” With extensive concert touring in the United States, Europe, Asia, South Africa, and South America, he has also performed as a soloist at numerous festivals. He has performed with notable conductors, including Esa-Pekka Salonen, Kent Nagano, Placido Domingo, John Mauceri, Andre Previn, Michael-Tilson Thomas, James Conlan, Gustavo Dudamel, Valery Gergiev, Giselle Ben-Dor, Rachael Worby, JoAnn Falletta, Arthur Rubinstein, Grant Gershon, Carlo Franci, Hubert Soudant, Paul Freeman, Allan Stephenson and Bernhard Gueller. He has also worked on motion picture sounds tracks for John Williams, Randy Newman, David Newman and others, for Sony, Warner, Paramount, Universal, Disney and 20th Century, along with television and radio broadcasts. Masek's discography includes seven solo CD collections; Distant Memories, Windwood, Recrudescence, Saxvoir Faire, Saxtronic Soundscape, Saxophone Alternative, and EclectSax. He has recorded for Centaur, Albany, Cambria, Atlantic, Navona, Koch International, Stereophile, Summit and Philips Classics recording companies. Masek completed his academic education with a D.M.A. from the University of Southern California. Currently Professor of Saxophone at UCLA, Douglas is also a Vandoren Elite Artist and Conn-Selmer Artist.

www.dougmasek.com

Although an acclaimed pianist in his own right, it is as an orchestral conductor that NEAL STULBERG has been heralded by the Los Angeles Times as "…a shining example of podium authority and musical enlightenment," Stulberg has garnered consistent international acclaim for performances of clarity, insight, and conviction. Since 2005, he has served as Director of Orchestral Studies at the UCLA Herb Alpert School of Music and currently serves as both Professor and Chair of the UCLA Department of Music. Stulberg has already led numerous North American orchestras, and international engagements have included the St. Petersburg Symphony Orchestra, Moscow Chamber Orchestra, Hong Kong Philharmonic, Taipei Symphony Orchestra, Seoul Philharmonic, Korea Philharmonic (KBS), Queensland, Adelaide and West Australian Symphonies, to name but a few. Behind the keyboard, Stulberg appears as recitalist, chamber musician and with major orchestras and at international festivals as pianist/conductor. His performances of Mozart concertos conducted from the keyboard are uniformly praised for their buoyant virtuosity and interpretive vigour. He has recorded for West German Radio, Donemus, Yarlung Records, Sono Luminus and the Composers Voice label. Stulberg is a graduate of Harvard College, the University of Michigan and the Juilliard School. He studied conducting with Franco Ferrara at the Accademia Nazionale di Santa Cecilia (Rome), piano with Leonard Shure, Theodore Lettvin, William Masselos and Mischa Kottler, and viola with Ara Zerounia.

PROGRAMME:

  • Melvin Solomon (b.1947): ‘a la Mozart’
  • Astor Piazzolla (1921-1992): Café 1930 (arr. Isoda/Sugawa)
  • Maria Grenfell (b.1969): Time Transfixed
  • Allan Stephenson (b.1949): Introduction and Allegro
  • Maria Newman (b.1962): Parens (Ancestors)
  • Bill Cunliffe (b.1956): Bechet
  • David Heath (b. 1956): Coltrane (solo saxophone)
  • Pedro Iturralde (b.1929): Suite Hellenique
  • John Boswell (b.1960): Waterfall
  • John Boswell: Kindred Spirits

ADMISSION

  • R140 (adults)
  • *R100 (pensioners)
  • *R80 (UFS staff)
  • *R60 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above-mentioned discount.

ENQUIRIES

Ninette Pretorius (tel. 051 401 2504)


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Odeion Sinfonia under the leadership of Anmari van der Westhuizen

Odeion Sinfonia under the leadership of Anmari van der Westhuizen

Soloists:

Eljee du Plooy (organ)

Lourie Coetzee (organ)

Lebogang Ledwaba (violin)

Sunday, 14 April 2013 

Odeion

16:00

The Odeion Sinfonia is a string orchestra housed in the Odeion School of Music at the University of the Free State and comprising string students studying at the school. The principle aims of the orchestra are to provide excellent training and valuable experience in string and ensemble playing, to adequately prepare string students for orchestral playing, to present them with numerous ensemble and orchestral concert playing opportunities and to generally promote quality string and ensemble playing. Under the direction of the highly acclaimed cellist and chamber musician, Anmari van der Westhuizen (cellist of the Odeion String Quartet) who has more than thirty years of experience, students are receiving experienced and expert musical guidance and direction, and, together with their participation in the orchestra, are enabled to shape and develop their playing and ensemble skills to full potential.

The orchestra was founded by Anmari during her first year of residence at the UFS and the OSQ in 2009.  It was first known as the Kovsie String Ensemble, but a year later (2010), it became the Odeion Sinfonia, replacing a previous semi-professional string ensemble by the same name under the direction of Derek Ochse. Since then, the new Odeion Sinfonia has become a vibrant, quality student string orchestra, attracting much attention through well received concerts of a high standard, as well as by being a successful draw card for aspiring young string students. The orchestra’s repertoire includes well known works for string orchestra, as well as contemporary compositions.

An important mission of the Odeion Sinfonia is that of outreach concerts. The Odeion Sinfonia is giving regular concerts every year and has weekly rehearsals throughout the two academic semesters of the year. With this concert the Odeion Sinfonia will perform well known compositions by Albinoni, Piazzolla as well as the popular Organ Concerto by Poulenc.

Programme:

Tomaso Albinoni – Adagio in G minor for violin, organ continuo and string orchestra

Francis Poulenc – Organ Concerto in G minor

Astor Piazzolla – Oblivion (with William Earl – piano)

Admission:

Free (no booking necessary).

Enquiries:   

Ninette Pretorius (tel. 051 401 2504)

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