Years
2019 2018
Douglas Masek Saxophone Recital
2018-07-31

with Neal Stulberg (piano)

31 July 2018

Odeion

19:30

The Los Angeles-based duo, in the country for the SANNSS, is touring the major South African cities. Both Masek and Stulberg, leaders in their respective fields, are internationally acclaimed soloists. The duo performs rarely heard selections from the concert saxophone repertoire in major cities around the country. Their program includes music by well-known composers such as Astor Piazzolla, David Heath, and even the South African composer, Allan Stephenson.

Internationally renowned saxophonist DOUGLAS MASEK, whose performances emphasize his versatility in a wide range of musical styles, from classical and contemporary to jazz, has consistently garnered critical acclaim. : The Los Angeles Times writes, (Masek’s) “...playing is smooth, sinuous, stunning, stylish, dazzling, and glowing with the requisite rich color.” In South Africa, The Argus describes “Masek’s tone: beautiful and pure” and the Cape Times adds “dynamic and magical.” With extensive concert touring in the United States, Europe, Asia, South Africa, and South America, he has also performed as a soloist at numerous festivals. He has performed with notable conductors, including Esa-Pekka Salonen, Kent Nagano, Placido Domingo, John Mauceri, Andre Previn, Michael-Tilson Thomas, James Conlan, Gustavo Dudamel, Valery Gergiev, Giselle Ben-Dor, Rachael Worby, JoAnn Falletta, Arthur Rubinstein, Grant Gershon, Carlo Franci, Hubert Soudant, Paul Freeman, Allan Stephenson and Bernhard Gueller. He has also worked on motion picture sounds tracks for John Williams, Randy Newman, David Newman and others, for Sony, Warner, Paramount, Universal, Disney and 20th Century, along with television and radio broadcasts. Masek's discography includes seven solo CD collections; Distant Memories, Windwood, Recrudescence, Saxvoir Faire, Saxtronic Soundscape, Saxophone Alternative, and EclectSax. He has recorded for Centaur, Albany, Cambria, Atlantic, Navona, Koch International, Stereophile, Summit and Philips Classics recording companies. Masek completed his academic education with a D.M.A. from the University of Southern California. Currently Professor of Saxophone at UCLA, Douglas is also a Vandoren Elite Artist and Conn-Selmer Artist.

www.dougmasek.com

Although an acclaimed pianist in his own right, it is as an orchestral conductor that NEAL STULBERG has been heralded by the Los Angeles Times as "…a shining example of podium authority and musical enlightenment," Stulberg has garnered consistent international acclaim for performances of clarity, insight, and conviction. Since 2005, he has served as Director of Orchestral Studies at the UCLA Herb Alpert School of Music and currently serves as both Professor and Chair of the UCLA Department of Music. Stulberg has already led numerous North American orchestras, and international engagements have included the St. Petersburg Symphony Orchestra, Moscow Chamber Orchestra, Hong Kong Philharmonic, Taipei Symphony Orchestra, Seoul Philharmonic, Korea Philharmonic (KBS), Queensland, Adelaide and West Australian Symphonies, to name but a few. Behind the keyboard, Stulberg appears as recitalist, chamber musician and with major orchestras and at international festivals as pianist/conductor. His performances of Mozart concertos conducted from the keyboard are uniformly praised for their buoyant virtuosity and interpretive vigour. He has recorded for West German Radio, Donemus, Yarlung Records, Sono Luminus and the Composers Voice label. Stulberg is a graduate of Harvard College, the University of Michigan and the Juilliard School. He studied conducting with Franco Ferrara at the Accademia Nazionale di Santa Cecilia (Rome), piano with Leonard Shure, Theodore Lettvin, William Masselos and Mischa Kottler, and viola with Ara Zerounia.

PROGRAMME:

  • Melvin Solomon (b.1947): ‘a la Mozart’
  • Astor Piazzolla (1921-1992): Café 1930 (arr. Isoda/Sugawa)
  • Maria Grenfell (b.1969): Time Transfixed
  • Allan Stephenson (b.1949): Introduction and Allegro
  • Maria Newman (b.1962): Parens (Ancestors)
  • Bill Cunliffe (b.1956): Bechet
  • David Heath (b. 1956): Coltrane (solo saxophone)
  • Pedro Iturralde (b.1929): Suite Hellenique
  • John Boswell (b.1960): Waterfall
  • John Boswell: Kindred Spirits

ADMISSION

  • R140 (adults)
  • *R100 (pensioners)
  • *R80 (UFS staff)
  • *R60 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above-mentioned discount.

ENQUIRIES

Ninette Pretorius (tel. 051 401 2504)


Back
Redfern & Pauna piano duo

with James Redfern and Laura Pauna

Thursday, 13 March 2014

ODEION

19:30

Press:

“The whole country deserves to hear the Redfern-Pauna duo.”

  Paul Boekkooi, Beeld newspaper, South Africa, 2013

“Probably the best duet I have yet been fortunate to hear”

J Holloway, Durban Friends of Music review, South Africa, 2011

The Redfern & Pauna Piano Duo has been described by Paul Badura-Skoda as “a piano duo of first class”. Their performances during 2013 of Stravinsky’s The Rite of Spring - to mark the work’s centenary - have been met with great critical acclaim.  Their performances of original masterworks for four hands have taken them across the globe.  They have appeared at festivals such as the 50th Anniversary Liszt Festival (Weimar), Piano Fortissimo Festival (Croatia), the Manchester Keyboard Festival and the UNISA Concert Series.

LAURA PAUNA

“… lavishly performed… frenziedly and brilliantly… Bravo” was written in a Carnegie Hall review in 2007

Laura Pauna was born in Bucharest (Romania), starting her studies at the Dinu Lipatti- and George Enescu music schools. She completed her KA degree at the Hochschule für Musik und Theater (Hannover) with the highest distinction.

Laura performed with orchestras including the Deutsche Kammerakademie Neuss am Rhein; Cape Town Philharmonic Orchestra, KwaZulu-Natal Philharmonic Orchestra, Pro Musica, the International Mahler Orchestra and more.  Opening the 2008 Mozarteum International Summer Academy, Laura’s performance was described as “inspired… perfectly synchronised brilliance” (Horst Reischenbroek, Drehpunkt Kultur, Salzburg).  During her time in Germany, Laura was the recipient of many scholarships and awards, including the Ottilie-Selbach award and the Ritter Foundation, in addition to winning internal scholarships.

Her numerous competition prizes include being the overall winner in 2006 of the IBLA Grand Prize,  winning the Valentino Bucchi competition (Rome, 2006), the Mozarteum Prize (Salzburg, 2009) and 1st prize at the Grieg International Piano Competition (2009).

As a soloist and chamber musician, Laura has performed all over the world, including tours of the United States, Europe and Africa.  She has performed at such prestigious venues as Carnegie Hall, Salzburg Grosse Saal, Concertgebouw (Amsterdam), Jerusalem Theatre (Israel), George Enescu Piazza (Bucharest) and St Martin-in-the-Field (London).

JAMES REDFERN

“A solo pianist of the highest calibre” – Paul Badura-Skoda (2013)

James Redfern is a leading young English pianist. He began his studies in the UK at Chetham’s School of Music and the Purcell School, with Tessa Nicholson at the Royal Academy of Music. James continued his study under the tutorship of Paul Badura-Skoda.

James performed Mozart’s Jeunhomme concerto at St John’s Smith Square (London) at the inaugural concert of the International Mahler Orchestra, under the baton of Yoel Gamzou. He subsequently toured the Ukraine performing Brahms Concerto no. 1. Other prestigious appearances include the Purcell Room, South Bank Centre, St. Martin-in-the-Fields (London), the Bucharest Festival (Romania), the Deutsche National Theater and Stadskapelle Weimar (Germany), ZK Matthews Hall (Pretoria) and more.

In 2005 he won the first prize and chamber music prize at the Franz Liszt Competition (Weimar) and in 2010 he was the overall winner of the EPTA Competition (London). In 2011 James won fourth prize at the Dudley International Piano Competition.

ADMISSION:

R130 (adults), R90 (pensioners), R70 (UFS staff), R50 (students & learners)

R50 (block booking of 10+)

PROGRAMME:

Mendelssohn: A Midsummer Night’s Dream

Beethoven: Grosse Fugue, Op. 134

Ravel: Spanish Rhapsody (1. Prelude a la nuit; 2. Malaguena; 3. Habanera & 4. Feria)

We use cookies to make interactions with our websites and services easy and meaningful, to better understand how they are used and to tailor advertising. You can read more and make your cookie choices here. By continuing to use this site you are giving us your consent to do this.

Accept