Years
2019 2018
Douglas Masek Saxophone Recital
2018-07-31

with Neal Stulberg (piano)

31 July 2018

Odeion

19:30

The Los Angeles-based duo, in the country for the SANNSS, is touring the major South African cities. Both Masek and Stulberg, leaders in their respective fields, are internationally acclaimed soloists. The duo performs rarely heard selections from the concert saxophone repertoire in major cities around the country. Their program includes music by well-known composers such as Astor Piazzolla, David Heath, and even the South African composer, Allan Stephenson.

Internationally renowned saxophonist DOUGLAS MASEK, whose performances emphasize his versatility in a wide range of musical styles, from classical and contemporary to jazz, has consistently garnered critical acclaim. : The Los Angeles Times writes, (Masek’s) “...playing is smooth, sinuous, stunning, stylish, dazzling, and glowing with the requisite rich color.” In South Africa, The Argus describes “Masek’s tone: beautiful and pure” and the Cape Times adds “dynamic and magical.” With extensive concert touring in the United States, Europe, Asia, South Africa, and South America, he has also performed as a soloist at numerous festivals. He has performed with notable conductors, including Esa-Pekka Salonen, Kent Nagano, Placido Domingo, John Mauceri, Andre Previn, Michael-Tilson Thomas, James Conlan, Gustavo Dudamel, Valery Gergiev, Giselle Ben-Dor, Rachael Worby, JoAnn Falletta, Arthur Rubinstein, Grant Gershon, Carlo Franci, Hubert Soudant, Paul Freeman, Allan Stephenson and Bernhard Gueller. He has also worked on motion picture sounds tracks for John Williams, Randy Newman, David Newman and others, for Sony, Warner, Paramount, Universal, Disney and 20th Century, along with television and radio broadcasts. Masek's discography includes seven solo CD collections; Distant Memories, Windwood, Recrudescence, Saxvoir Faire, Saxtronic Soundscape, Saxophone Alternative, and EclectSax. He has recorded for Centaur, Albany, Cambria, Atlantic, Navona, Koch International, Stereophile, Summit and Philips Classics recording companies. Masek completed his academic education with a D.M.A. from the University of Southern California. Currently Professor of Saxophone at UCLA, Douglas is also a Vandoren Elite Artist and Conn-Selmer Artist.

www.dougmasek.com

Although an acclaimed pianist in his own right, it is as an orchestral conductor that NEAL STULBERG has been heralded by the Los Angeles Times as "…a shining example of podium authority and musical enlightenment," Stulberg has garnered consistent international acclaim for performances of clarity, insight, and conviction. Since 2005, he has served as Director of Orchestral Studies at the UCLA Herb Alpert School of Music and currently serves as both Professor and Chair of the UCLA Department of Music. Stulberg has already led numerous North American orchestras, and international engagements have included the St. Petersburg Symphony Orchestra, Moscow Chamber Orchestra, Hong Kong Philharmonic, Taipei Symphony Orchestra, Seoul Philharmonic, Korea Philharmonic (KBS), Queensland, Adelaide and West Australian Symphonies, to name but a few. Behind the keyboard, Stulberg appears as recitalist, chamber musician and with major orchestras and at international festivals as pianist/conductor. His performances of Mozart concertos conducted from the keyboard are uniformly praised for their buoyant virtuosity and interpretive vigour. He has recorded for West German Radio, Donemus, Yarlung Records, Sono Luminus and the Composers Voice label. Stulberg is a graduate of Harvard College, the University of Michigan and the Juilliard School. He studied conducting with Franco Ferrara at the Accademia Nazionale di Santa Cecilia (Rome), piano with Leonard Shure, Theodore Lettvin, William Masselos and Mischa Kottler, and viola with Ara Zerounia.

PROGRAMME:

  • Melvin Solomon (b.1947): ‘a la Mozart’
  • Astor Piazzolla (1921-1992): Café 1930 (arr. Isoda/Sugawa)
  • Maria Grenfell (b.1969): Time Transfixed
  • Allan Stephenson (b.1949): Introduction and Allegro
  • Maria Newman (b.1962): Parens (Ancestors)
  • Bill Cunliffe (b.1956): Bechet
  • David Heath (b. 1956): Coltrane (solo saxophone)
  • Pedro Iturralde (b.1929): Suite Hellenique
  • John Boswell (b.1960): Waterfall
  • John Boswell: Kindred Spirits

ADMISSION

  • R140 (adults)
  • *R100 (pensioners)
  • *R80 (UFS staff)
  • *R60 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above-mentioned discount.

ENQUIRIES

Ninette Pretorius (tel. 051 401 2504)


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Cantate Domino

Description: Cantate Domino Tags: Cantate Dominowith      Alumni Voices (conducted by Leona Geldenhuys)

            Odeion Vocal Consort (conducted by Lance Phillip)

            OSM CAMERATA (under the baton of Xavier Cloete)

ODEION

28 Mei 2016

19:30

 

The OSM Camerata and two choirs, the Alumni Voices and the Odeion Vocal Consort (Lance Phillip) are joining forces to produce a concert entitled Cantate Domino (Sing to the Lord). 

 

The original idea was initiated by the conductor of Alumni Voices, Leona Geldenhuys, who wanted to curate a programme consisting mainly of early church music with instrumental accompaniment. Within that context the Odeion Vocal Concort was invited to join the project. Main items on the programme will include the Beatus Vir by Monteverdi and Lauda Jerusalem by Vivaldi with mezzo-sopranos Teresa de Wit and Matildie Thom Wium serving as the soloists. Organist Jan Beukes and pianist Cézarre Strydom will be responsible for the continuo parts to be performed respectively on the organ and harpsichord. The Odeion Vocal Consort will recite Herr wenn Ich nur Dich Hab by Dietrich Buxtehude.

 

Violist Elmarie van der Vyver who, in recent years, has focused exponentially on the fach of Historically Informed Practice (HIP) was contracted to serve as instructor to members the OSM Camerata. In addition Van der Vyver also had coaching sessions with the conductors of the three ensembles.

 

Apart from the component of old music two other contributions were added to the programme from the high Romantic period as well as a piece of music from our times. The Stabat Mater of Rheinberger will be recited by the Alumni Voices with organ accompaniment and the OSM Camerata will perform the Lux Aurumque by acclaimed contemporary composer, Eric Whitacre, arranged for string orchestra by South African composer Keith Moss.

 

ADMISSION:

R110 (adults), R70 (pensioners, students and learners), R60 (UFS staff), R40 (group bookings of 10+)

Tickets available at Computicket or at the door.

 

ENQUIRIES:   

Ninette Pretorius (tel. 051 401 2504)

 

 

 

 

 

 

 

 

 

 

 

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