Years
2019 2018
Douglas Masek Saxophone Recital
2018-07-31

with Neal Stulberg (piano)

31 July 2018

Odeion

19:30

The Los Angeles-based duo, in the country for the SANNSS, is touring the major South African cities. Both Masek and Stulberg, leaders in their respective fields, are internationally acclaimed soloists. The duo performs rarely heard selections from the concert saxophone repertoire in major cities around the country. Their program includes music by well-known composers such as Astor Piazzolla, David Heath, and even the South African composer, Allan Stephenson.

Internationally renowned saxophonist DOUGLAS MASEK, whose performances emphasize his versatility in a wide range of musical styles, from classical and contemporary to jazz, has consistently garnered critical acclaim. : The Los Angeles Times writes, (Masek’s) “...playing is smooth, sinuous, stunning, stylish, dazzling, and glowing with the requisite rich color.” In South Africa, The Argus describes “Masek’s tone: beautiful and pure” and the Cape Times adds “dynamic and magical.” With extensive concert touring in the United States, Europe, Asia, South Africa, and South America, he has also performed as a soloist at numerous festivals. He has performed with notable conductors, including Esa-Pekka Salonen, Kent Nagano, Placido Domingo, John Mauceri, Andre Previn, Michael-Tilson Thomas, James Conlan, Gustavo Dudamel, Valery Gergiev, Giselle Ben-Dor, Rachael Worby, JoAnn Falletta, Arthur Rubinstein, Grant Gershon, Carlo Franci, Hubert Soudant, Paul Freeman, Allan Stephenson and Bernhard Gueller. He has also worked on motion picture sounds tracks for John Williams, Randy Newman, David Newman and others, for Sony, Warner, Paramount, Universal, Disney and 20th Century, along with television and radio broadcasts. Masek's discography includes seven solo CD collections; Distant Memories, Windwood, Recrudescence, Saxvoir Faire, Saxtronic Soundscape, Saxophone Alternative, and EclectSax. He has recorded for Centaur, Albany, Cambria, Atlantic, Navona, Koch International, Stereophile, Summit and Philips Classics recording companies. Masek completed his academic education with a D.M.A. from the University of Southern California. Currently Professor of Saxophone at UCLA, Douglas is also a Vandoren Elite Artist and Conn-Selmer Artist.

www.dougmasek.com

Although an acclaimed pianist in his own right, it is as an orchestral conductor that NEAL STULBERG has been heralded by the Los Angeles Times as "…a shining example of podium authority and musical enlightenment," Stulberg has garnered consistent international acclaim for performances of clarity, insight, and conviction. Since 2005, he has served as Director of Orchestral Studies at the UCLA Herb Alpert School of Music and currently serves as both Professor and Chair of the UCLA Department of Music. Stulberg has already led numerous North American orchestras, and international engagements have included the St. Petersburg Symphony Orchestra, Moscow Chamber Orchestra, Hong Kong Philharmonic, Taipei Symphony Orchestra, Seoul Philharmonic, Korea Philharmonic (KBS), Queensland, Adelaide and West Australian Symphonies, to name but a few. Behind the keyboard, Stulberg appears as recitalist, chamber musician and with major orchestras and at international festivals as pianist/conductor. His performances of Mozart concertos conducted from the keyboard are uniformly praised for their buoyant virtuosity and interpretive vigour. He has recorded for West German Radio, Donemus, Yarlung Records, Sono Luminus and the Composers Voice label. Stulberg is a graduate of Harvard College, the University of Michigan and the Juilliard School. He studied conducting with Franco Ferrara at the Accademia Nazionale di Santa Cecilia (Rome), piano with Leonard Shure, Theodore Lettvin, William Masselos and Mischa Kottler, and viola with Ara Zerounia.

PROGRAMME:

  • Melvin Solomon (b.1947): ‘a la Mozart’
  • Astor Piazzolla (1921-1992): Café 1930 (arr. Isoda/Sugawa)
  • Maria Grenfell (b.1969): Time Transfixed
  • Allan Stephenson (b.1949): Introduction and Allegro
  • Maria Newman (b.1962): Parens (Ancestors)
  • Bill Cunliffe (b.1956): Bechet
  • David Heath (b. 1956): Coltrane (solo saxophone)
  • Pedro Iturralde (b.1929): Suite Hellenique
  • John Boswell (b.1960): Waterfall
  • John Boswell: Kindred Spirits

ADMISSION

  • R140 (adults)
  • *R100 (pensioners)
  • *R80 (UFS staff)
  • *R60 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above-mentioned discount.

ENQUIRIES

Ninette Pretorius (tel. 051 401 2504)


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Kinkels inni Kabel (Afrikaans)

Production: Kinkels inni Kabel (Afrikaans)
Text: André P. Brink
Director: Nico Luwes
Venue: Scaena theatre
Dates and times:
19 May 2010 19h30
20 May 2010 19h30
21 May 2010 19h30

Bookings: Computicket (Mimosa Mall and Checkers)


Bookings for block bookings of 10 or more people can be done with Thys Heydenrych (072 235 3191)

“January, February, March, April...” It’s a jolly New Year’s Day at the Scaena Theatre in May month, held at the University of the Free State!

The “Klopse” are busy practicing for the Carnival taking place the next day, and all the action takes place in a small town called “Witbaai”. “Sollie”, is the group leader of the “Klopse”. “Apools-van-die Pêrel” an along with his best friend “Drommel-van-die-Pêrel” arrive in Witbaai to spy on the “Klopse”. Each of them individually has a twin brother, from which they were separated during a shipping accident, named “Apools-van-die-Kaap” and “Drommel-van-die-Kaap” (they form part of the “Klopse”). The two pair of twins gets mistaken for one another by the local residents. “Adriana” a toothless old woman, her virgin sister “Lucy”, “Jessie” a floosy or cheap girl, “Aikona” an ice-cream salesman from Johannesburg, his long-lost wife “Emily”, “Knippie”a Malay, “Kuite” a wizard, “Magriet” a “hippy-Klops”, along with the group of “Klopse” all form part of the fun! What a farce!

A mixture of mistaken identity, dramatic irony, love triangles and absolute CHAOS can be expected! The production shows great discretion with its inherent political tone. André P. Brink wanted the issue of Apartheid to be touched on a very suggestive manner with the goal to act as a humoristic figure in the play.

“Kinkels innie kabel” written by André P. Brink is a farce based on Shakespeare’s play “Comedy of Errors”. The play is performed by third year Drama students of the University, directed by Professor Nico Luwes. The performance will take place from 19 May to 21 May 2010. Tickets are available at Computicket.

Thanks to the excellent directing of Professor Nico Luwes, there is no need to drive all the way to Cape Town; we bring Cape Town to Bloemfontein!

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