Years
2019 2018
Douglas Masek Saxophone Recital
2018-07-31

with Neal Stulberg (piano)

31 July 2018

Odeion

19:30

The Los Angeles-based duo, in the country for the SANNSS, is touring the major South African cities. Both Masek and Stulberg, leaders in their respective fields, are internationally acclaimed soloists. The duo performs rarely heard selections from the concert saxophone repertoire in major cities around the country. Their program includes music by well-known composers such as Astor Piazzolla, David Heath, and even the South African composer, Allan Stephenson.

Internationally renowned saxophonist DOUGLAS MASEK, whose performances emphasize his versatility in a wide range of musical styles, from classical and contemporary to jazz, has consistently garnered critical acclaim. : The Los Angeles Times writes, (Masek’s) “...playing is smooth, sinuous, stunning, stylish, dazzling, and glowing with the requisite rich color.” In South Africa, The Argus describes “Masek’s tone: beautiful and pure” and the Cape Times adds “dynamic and magical.” With extensive concert touring in the United States, Europe, Asia, South Africa, and South America, he has also performed as a soloist at numerous festivals. He has performed with notable conductors, including Esa-Pekka Salonen, Kent Nagano, Placido Domingo, John Mauceri, Andre Previn, Michael-Tilson Thomas, James Conlan, Gustavo Dudamel, Valery Gergiev, Giselle Ben-Dor, Rachael Worby, JoAnn Falletta, Arthur Rubinstein, Grant Gershon, Carlo Franci, Hubert Soudant, Paul Freeman, Allan Stephenson and Bernhard Gueller. He has also worked on motion picture sounds tracks for John Williams, Randy Newman, David Newman and others, for Sony, Warner, Paramount, Universal, Disney and 20th Century, along with television and radio broadcasts. Masek's discography includes seven solo CD collections; Distant Memories, Windwood, Recrudescence, Saxvoir Faire, Saxtronic Soundscape, Saxophone Alternative, and EclectSax. He has recorded for Centaur, Albany, Cambria, Atlantic, Navona, Koch International, Stereophile, Summit and Philips Classics recording companies. Masek completed his academic education with a D.M.A. from the University of Southern California. Currently Professor of Saxophone at UCLA, Douglas is also a Vandoren Elite Artist and Conn-Selmer Artist.

www.dougmasek.com

Although an acclaimed pianist in his own right, it is as an orchestral conductor that NEAL STULBERG has been heralded by the Los Angeles Times as "…a shining example of podium authority and musical enlightenment," Stulberg has garnered consistent international acclaim for performances of clarity, insight, and conviction. Since 2005, he has served as Director of Orchestral Studies at the UCLA Herb Alpert School of Music and currently serves as both Professor and Chair of the UCLA Department of Music. Stulberg has already led numerous North American orchestras, and international engagements have included the St. Petersburg Symphony Orchestra, Moscow Chamber Orchestra, Hong Kong Philharmonic, Taipei Symphony Orchestra, Seoul Philharmonic, Korea Philharmonic (KBS), Queensland, Adelaide and West Australian Symphonies, to name but a few. Behind the keyboard, Stulberg appears as recitalist, chamber musician and with major orchestras and at international festivals as pianist/conductor. His performances of Mozart concertos conducted from the keyboard are uniformly praised for their buoyant virtuosity and interpretive vigour. He has recorded for West German Radio, Donemus, Yarlung Records, Sono Luminus and the Composers Voice label. Stulberg is a graduate of Harvard College, the University of Michigan and the Juilliard School. He studied conducting with Franco Ferrara at the Accademia Nazionale di Santa Cecilia (Rome), piano with Leonard Shure, Theodore Lettvin, William Masselos and Mischa Kottler, and viola with Ara Zerounia.

PROGRAMME:

  • Melvin Solomon (b.1947): ‘a la Mozart’
  • Astor Piazzolla (1921-1992): Café 1930 (arr. Isoda/Sugawa)
  • Maria Grenfell (b.1969): Time Transfixed
  • Allan Stephenson (b.1949): Introduction and Allegro
  • Maria Newman (b.1962): Parens (Ancestors)
  • Bill Cunliffe (b.1956): Bechet
  • David Heath (b. 1956): Coltrane (solo saxophone)
  • Pedro Iturralde (b.1929): Suite Hellenique
  • John Boswell (b.1960): Waterfall
  • John Boswell: Kindred Spirits

ADMISSION

  • R140 (adults)
  • *R100 (pensioners)
  • *R80 (UFS staff)
  • *R60 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above-mentioned discount.

ENQUIRIES

Ninette Pretorius (tel. 051 401 2504)


Back
Dis ek, Anna

Produksie: Dis ek, Anna                                         
Skrywer: Elbie Lotter (skuilnaam)
Dramaturg: Anelle Bester
Regisseur: Pieter Venter
Venue: Scaena-teater, UV
Datum: 25-27 Maart 2009
Tyd: 19:30
Besprekings: Computicket (Mimosa Mall en Checkers)
Ouderdomsbeperking: 14 jaar
Kaartjies: R50 vir  volwassenes en R35 vir studente en leerders.

Dis ek, Anna, weer in Scaena te sien
Dis ek, Anna, geskryf deur die geheimsinnige Elbie Lötter (‘n skuilnaam), is suksesvol deur Anelle Bester vir die verhoog verwerk.  Die produksie het in 2008 by die Volksbladfees groot sukses behaal. Die produksie vind plaas op 25 tot 27 Maart, 19:30, in die Scaena Teater op die UV kampus. Kaartjies is te koop by Computicket (Alle Checkers supermarket en Mimosa Mall). Bespreek nou om teleurstelling te voorkom.
Dis ek, Anna, is ‘n verhaal van seksuele misbruik en verkragting en ‘n verhaal van ‘n vrou se oorlewing. Elbie het gesê dat, net wanneer die stilswye gebreek is, kan genesing begin. 
R50 vir  Volwassenes.
R35 vir Studente en Kinders.

Dis ek, Anna, vertoon Kovsie talent
Dis ek, Anna is met groot sukses op Volksbladkunstefees in 2008 aangebied. Vier vertonings was totaal uitverkoop en terugvoer na die produksie was baie positief. Die produksie is ook een van die min produksies uit die Vrystaatstreek wat hierdie jaar vir die KKNK gekeur is.
Die novelle Dis ek, Anna, geskryf deur Elbie Lötter (‘n skuilnaam), is suksesvol deur Anelle Bester vir die verhoog verwerk.  Dis ek, Anna, is ‘n verhaal van seksuele misbruik, verkragting en ‘n verhaal van ‘n vrou se oorlewing, wat die produksie as sosiale kommentaar op die voorgrond plaas. Elbie noem dat, net wanneer die stilswye gebreek is, kan genesing begin.
Na aanleiding van navrae vir die her-opvoer van die produksie en as voorbereiding vir die KKNK word hierdie produksie weer in Bloemfontein aangebied. Die produksie vind plaas op 25 tot 27 Maart, 19:30, in die Scaena Teater op die UV kampus. Kaartjies is te koop by Computicket (Alle Checkers supermarket en Mimosa Mall). Bespreek nou om teleurstelling te voorkom.

Spelers soos Antoinette Louw (oudstudent), ander huidge en oudstudente van KOVSIES en Peter Taljaard is weer deel van die produksie, onder die regie van Pieter Venter.

EJ (Emmie) van Wyk
THEATER MANAGER
Wynand Mouton Theater
Department Drama & Theater Arts IB26
University of the Free State
PO Box 339
Bloemfontein
9300
Ph +27 51 401 2759
Mobile +27 72 207 7226

 

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