Years
2019 2018
Douglas Masek Saxophone Recital
2018-07-31

with Neal Stulberg (piano)

31 July 2018

Odeion

19:30

The Los Angeles-based duo, in the country for the SANNSS, is touring the major South African cities. Both Masek and Stulberg, leaders in their respective fields, are internationally acclaimed soloists. The duo performs rarely heard selections from the concert saxophone repertoire in major cities around the country. Their program includes music by well-known composers such as Astor Piazzolla, David Heath, and even the South African composer, Allan Stephenson.

Internationally renowned saxophonist DOUGLAS MASEK, whose performances emphasize his versatility in a wide range of musical styles, from classical and contemporary to jazz, has consistently garnered critical acclaim. : The Los Angeles Times writes, (Masek’s) “...playing is smooth, sinuous, stunning, stylish, dazzling, and glowing with the requisite rich color.” In South Africa, The Argus describes “Masek’s tone: beautiful and pure” and the Cape Times adds “dynamic and magical.” With extensive concert touring in the United States, Europe, Asia, South Africa, and South America, he has also performed as a soloist at numerous festivals. He has performed with notable conductors, including Esa-Pekka Salonen, Kent Nagano, Placido Domingo, John Mauceri, Andre Previn, Michael-Tilson Thomas, James Conlan, Gustavo Dudamel, Valery Gergiev, Giselle Ben-Dor, Rachael Worby, JoAnn Falletta, Arthur Rubinstein, Grant Gershon, Carlo Franci, Hubert Soudant, Paul Freeman, Allan Stephenson and Bernhard Gueller. He has also worked on motion picture sounds tracks for John Williams, Randy Newman, David Newman and others, for Sony, Warner, Paramount, Universal, Disney and 20th Century, along with television and radio broadcasts. Masek's discography includes seven solo CD collections; Distant Memories, Windwood, Recrudescence, Saxvoir Faire, Saxtronic Soundscape, Saxophone Alternative, and EclectSax. He has recorded for Centaur, Albany, Cambria, Atlantic, Navona, Koch International, Stereophile, Summit and Philips Classics recording companies. Masek completed his academic education with a D.M.A. from the University of Southern California. Currently Professor of Saxophone at UCLA, Douglas is also a Vandoren Elite Artist and Conn-Selmer Artist.

www.dougmasek.com

Although an acclaimed pianist in his own right, it is as an orchestral conductor that NEAL STULBERG has been heralded by the Los Angeles Times as "…a shining example of podium authority and musical enlightenment," Stulberg has garnered consistent international acclaim for performances of clarity, insight, and conviction. Since 2005, he has served as Director of Orchestral Studies at the UCLA Herb Alpert School of Music and currently serves as both Professor and Chair of the UCLA Department of Music. Stulberg has already led numerous North American orchestras, and international engagements have included the St. Petersburg Symphony Orchestra, Moscow Chamber Orchestra, Hong Kong Philharmonic, Taipei Symphony Orchestra, Seoul Philharmonic, Korea Philharmonic (KBS), Queensland, Adelaide and West Australian Symphonies, to name but a few. Behind the keyboard, Stulberg appears as recitalist, chamber musician and with major orchestras and at international festivals as pianist/conductor. His performances of Mozart concertos conducted from the keyboard are uniformly praised for their buoyant virtuosity and interpretive vigour. He has recorded for West German Radio, Donemus, Yarlung Records, Sono Luminus and the Composers Voice label. Stulberg is a graduate of Harvard College, the University of Michigan and the Juilliard School. He studied conducting with Franco Ferrara at the Accademia Nazionale di Santa Cecilia (Rome), piano with Leonard Shure, Theodore Lettvin, William Masselos and Mischa Kottler, and viola with Ara Zerounia.

PROGRAMME:

  • Melvin Solomon (b.1947): ‘a la Mozart’
  • Astor Piazzolla (1921-1992): Café 1930 (arr. Isoda/Sugawa)
  • Maria Grenfell (b.1969): Time Transfixed
  • Allan Stephenson (b.1949): Introduction and Allegro
  • Maria Newman (b.1962): Parens (Ancestors)
  • Bill Cunliffe (b.1956): Bechet
  • David Heath (b. 1956): Coltrane (solo saxophone)
  • Pedro Iturralde (b.1929): Suite Hellenique
  • John Boswell (b.1960): Waterfall
  • John Boswell: Kindred Spirits

ADMISSION

  • R140 (adults)
  • *R100 (pensioners)
  • *R80 (UFS staff)
  • *R60 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above-mentioned discount.

ENQUIRIES

Ninette Pretorius (tel. 051 401 2504)


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Free State Symphony Orchestra
 
 

Free State Symphony Orchestra
Thursday 3 March 2011
Odeion
19:30

Conductor: Arjan Tien
Soloist: Maria du Toit (clarinet)

Hendrik ANDRIESSEN Variations on a theme by Kuhnau
WEBER Clarinet Concerto No. 2
BEETHOVEN Symphony No. 7

Dutch conductor Arjan Tien has been working with South African orchestras since 1998 - the Kwa-Zulu Natal Philharmonic, Chamber Orchestra of South Africa, th JPO and the Cape Town Philharmonic Orchestra. This is the first visit of the popular conductor to Bloemfontein. In 2000, at short notice, Arjan Tien was invited to conduct the Netherlands Youth Orchestra, and in 2001 he made a successful debut in the summer season of the Amsterdam Concertgebouw. 2002 marked the beginning of a successful relationship with the Metropole Orchestra, recording with them the film music for the awarded Dutch film "Twin Sisters", which has also been released on CD. His second CD with the Metropole Orchestra, “Quand tu dors” with Wende Snijders, received an Edison Award, the oldest and most prestigious Dutch music award. His extensive symphonic and opera repertoire ranges from Baroque to Contemporary music.

He has conducted numerous television, radio, CD and DVD recordings and several world premieres, appearing in Austria, Germany, Greece, Hungary, the Netherlands, Slovenia, South Africa, Serbia Montenegro, Sweden, Switzerland and Turkey, where he worked with orchestras such as the Netherlands Radio Philharmonic and the Bilkent Symphony Orchestra (Ankara), L'Orchestre Symphonique de Bienne, the KwaZulu Natal Philharmonic Orchestra (Durban), the Chamber Orchestra of South Africa, the Metropole Orchestra, the Cape Town and Johannesburg Philharmonic Orchestras, the Residentie Orchestra (The Hague), the Arnhem Philharmonic, the Netherlands Symphony Orchestra, and the Belgrade Philharmonic Orchestra.

Principal clarinettist of the Cape Philharmonic Orchestra in Cape Town, Maria du Toit is not only recognised as a distinguished orchestral musician, but indeed as one of South Africa’s finest solo instrumentalists. She has won numerous prizes in South African instrumental competitions, and in 2006 also the first prize of the international clarinet competition Jeunesses Musicales held in Bucharest, Romania.

Du Toit has appeared on various occasions as soloist with the Cape Town Philharmonic Orchestra, the Johannesburg Philharmonic and in 2002 with the FSSO. Active also as recitalist and chamber musician, her performance credits include the Stellenbosch International Chamber music Festival, Aardklop Arts Festival, Klein Karoo Klassiek, Darling Festival, Greyton Festival, Cape Town Concert Series, Stellenbosch Festival, International Classical Music Festival South Africa and UNISA Concert Series, among others.


Admission
R120
(adults) per concert
R80 (pensioners, students and learners) per concert

Tickets @ Computicket (Shoprite / Checkers, Mimosa Mall)
Book online at www.computicket.com  

Enquiries:
Ella Kotze
(FSSO), tel. 051 – 401 2342 (8:00 – 13:00)
www.fsso.org.za

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