Years
2019 2018
SARITA URANOVSKY Violin Recital
2018-06-14

With Annalien Ball (piano)

14 June 2018
Odeion
19:30

A native of Cape Town, Sarita Uranovsky, enjoys an exceptionally active and diverse career as soloist, recitalist, chamber musician, orchestral musician and teacher across the globe. She held positions of Concertmaster with Orchestra Geminiani de Fallonica (Italy), the RSAMD Symphony Orchestra and Assistant Concertmaster of the Cape Cod Symphony Orchestra. A founding member and violinist of MONTAGE Music Society, she can be heard on Montage Music Society's "Starry Night Project" released on MSR Classics and has recorded and broadcast for both the BBC and SABC and appeared on numerous recordings for BMOP (Boston Modern Orchestra Project). She can be heard performing regularly in groups around Boston including Boston Philharmonic, Boston Musica Viva, the Cantata Singers, BMOP, Boston Pops and Emmanuel music. She performed regularly for Sir Yehudi Menuhin's "Live Music Now!" scheme while in the United Kingdom and appeared as first violinist of the Royal Scottish Academy of Music and Drama Quartet in concert for HRH Prince Charles, HRH Princess Anne and at the church of St-Martin-in-the-Fields. She is the recipient of numerous awards including the Ellie Marx Memorial and Du Toit van Tonder Scholarships and was silver medallist and University of Natal Prizewinner at the SASOL Music Competition (South Africa). She was awarded an Audrey Macklin Bursary (England) from the Associated Board of Royal Schools of Music and won the prestigious Governors Recital Prize at the RSAMD as well as the Ian D Watt and Dunbar Gerber Prizes (Scotland) for violin and piano duo. An avid teacher, Uranovsky is on the music faculty at Tufts University and maintains a private teaching studio. She has been on the faculty of the Vianden International Music Festival (Luxembourg) and the Saarburg International Music Festival (Germany). She holds an Artist Diploma from Boston University, a BMus (with honours) and MMus (with distinction) from the Royal Scottish Academy of Music and Drama.

Professional accompanist Annalien Ball regularly performs with various South African and International artists. Highlights of 2017 include recitals in Cape Town and Johannesburg with French violinist Philippe Graffin, accompanying for a week of singing masterclasses with Professor Klesie Kelly-Moog as part of the Mozart festival, and concerts with cellist Berthine van Schoor (Port Alfred and Grahamstown). Annalien started piano at an early age and her piano teachers include Adolph Hallis and Marian Friedman. She completed a BMus, BMusHons and MMus at the University of Pretoria. After finishing her studies her main focus moved away from solo performance to chamber music and piano accompaniment. Annalien has been the pianist of numerous ensembles: The Allegri Trio, Trio Con Brio, Chalumeau trio, Trio Gloriosa, The Aulos trio, The Integration trio as well as The Magic Flutes. She performed at the Wakkerstroom festival in March 2018 with violinist Miro Chakaryan and flautist Malané Hofmeyr-Burger, as well as playing recitals with violinist Viara Markova. At present she is the accompanist of pre- and postgraduate music students at the University of Pretoria.

PROGRAMME

  • Dvorák: Romance in F minor Op. 11
  • Beethoven: Sonata No. 5 in F major, Op. 24
  • Sarasate: Romanza Andaluza
  • Brahms: Sonata No. 1 in G major, Op. 78
  • Smetana: From My Homeland

ADMISSION

  • R140 (adults)
  • *R100 (pensioners)
  • *R80 (UFS staff)
  • *R60 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504)


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Jollie Patrollie

Description: 2018 Jollie Patrollie Tags: 2018 Jollie PatrollieNAME OF PRODUCTION: JOLLIE PATROLLIE

SCRIPT BY: NICO LUWES

DIRECTED BY: NICO LUWES

VENUE: WYNAND MOUTON THEATRE, UFS-MAIN CAMPUS

LANGUAGE: AFKRIAANS

GENRE: COMEDY

Photo by Esté Strydom.
Juani Smith
Janco Pieterse
Claudia Herbst
Barend Kriel
Esmarie Booysen

Date and times:

  • 16 May @ 19:30
  • 17 May @ 19:30
  • 18 May @ 19:30

TICKETS:

  • R 40.00 PER PERSON
  • R 30.00 FOR STUDENTS, SCHOLARS,
  • R 25.00 FOR PENSIONERS

BOOKINGS: COMPUTICKET (0861 915 8000)

Nico Luwes new Afrikaans farce, Jollie Patrollie, was specially written for the talented, young third year drama students in 2018. Farce provides exceptional intellectual and physical challenges and artistic skills for actors. A typical farce depends on surprises and unexpected twists in the plot so to tell too much about the story beforehand, might give the fun away. In this crazy farce, a nerdy young bank official tries to convince his grumpy boss, Bidou von Brakel, and his prim and proper wife, Barabarossa, that he is a happily married man and the ideal husband. If he can convince them of his high morals, he might be promoted at work. His only problem is that he is not married and hired a young girl to play his so-called wife named, Jollie, for the evening. Due to various comical misunderstandings, the situation turns into a chaotic nightmare for the goodhearted Stephanus. One wonders if the grumpy old boss, Bidou, is as morally innocent as he pretends. Bidou’s wife, Barbarossa sits squarely on her poor husband’s head and does not trust Stephanus and his wife, Jollie, at all. Might Stephanus be a very kinky man with strange habits or not? She finds his wife, Jollie, is even more bizarre. Does she just play dumb or are the little pigs in her head just totally running in circles?

As in all the well-known previous farces by Luwes the comedy lies in the complex plot filled with comical characters caught up strange situations. The plot move at break-neck speed from one crisis to the other and the poor Stephanus must desperately put out fires to get out of trouble. In his typical farce style, double meanings in dialogue is driven further in that one of the characters does not understand one word of Afrikaans! Or do the characters just not have a clue about the situation they are caught in? The actors and the audience must keep their wits together to figure out who knows what, what the real situation and intentions of the characters are. The final test for a farce text and the production on stage depends on whether the audience can be convinced that this could have happened in real life. So beware! Who knows? Maybe you might one day find yourself in a similar situation! This hilarious farce can be enjoyed by the whole family and promises a good old belly laugh for all.

Performances in the Wynand Mouton Theatre take place at 7:30 on 16, 17 and 18 May. Booking at Computicket.

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