Years
2019 2018
SARITA URANOVSKY Violin Recital
2018-06-14

With Annalien Ball (piano)

14 June 2018
Odeion
19:30

A native of Cape Town, Sarita Uranovsky, enjoys an exceptionally active and diverse career as soloist, recitalist, chamber musician, orchestral musician and teacher across the globe. She held positions of Concertmaster with Orchestra Geminiani de Fallonica (Italy), the RSAMD Symphony Orchestra and Assistant Concertmaster of the Cape Cod Symphony Orchestra. A founding member and violinist of MONTAGE Music Society, she can be heard on Montage Music Society's "Starry Night Project" released on MSR Classics and has recorded and broadcast for both the BBC and SABC and appeared on numerous recordings for BMOP (Boston Modern Orchestra Project). She can be heard performing regularly in groups around Boston including Boston Philharmonic, Boston Musica Viva, the Cantata Singers, BMOP, Boston Pops and Emmanuel music. She performed regularly for Sir Yehudi Menuhin's "Live Music Now!" scheme while in the United Kingdom and appeared as first violinist of the Royal Scottish Academy of Music and Drama Quartet in concert for HRH Prince Charles, HRH Princess Anne and at the church of St-Martin-in-the-Fields. She is the recipient of numerous awards including the Ellie Marx Memorial and Du Toit van Tonder Scholarships and was silver medallist and University of Natal Prizewinner at the SASOL Music Competition (South Africa). She was awarded an Audrey Macklin Bursary (England) from the Associated Board of Royal Schools of Music and won the prestigious Governors Recital Prize at the RSAMD as well as the Ian D Watt and Dunbar Gerber Prizes (Scotland) for violin and piano duo. An avid teacher, Uranovsky is on the music faculty at Tufts University and maintains a private teaching studio. She has been on the faculty of the Vianden International Music Festival (Luxembourg) and the Saarburg International Music Festival (Germany). She holds an Artist Diploma from Boston University, a BMus (with honours) and MMus (with distinction) from the Royal Scottish Academy of Music and Drama.

Professional accompanist Annalien Ball regularly performs with various South African and International artists. Highlights of 2017 include recitals in Cape Town and Johannesburg with French violinist Philippe Graffin, accompanying for a week of singing masterclasses with Professor Klesie Kelly-Moog as part of the Mozart festival, and concerts with cellist Berthine van Schoor (Port Alfred and Grahamstown). Annalien started piano at an early age and her piano teachers include Adolph Hallis and Marian Friedman. She completed a BMus, BMusHons and MMus at the University of Pretoria. After finishing her studies her main focus moved away from solo performance to chamber music and piano accompaniment. Annalien has been the pianist of numerous ensembles: The Allegri Trio, Trio Con Brio, Chalumeau trio, Trio Gloriosa, The Aulos trio, The Integration trio as well as The Magic Flutes. She performed at the Wakkerstroom festival in March 2018 with violinist Miro Chakaryan and flautist Malané Hofmeyr-Burger, as well as playing recitals with violinist Viara Markova. At present she is the accompanist of pre- and postgraduate music students at the University of Pretoria.

PROGRAMME

  • Dvorák: Romance in F minor Op. 11
  • Beethoven: Sonata No. 5 in F major, Op. 24
  • Sarasate: Romanza Andaluza
  • Brahms: Sonata No. 1 in G major, Op. 78
  • Smetana: From My Homeland

ADMISSION

  • R140 (adults)
  • *R100 (pensioners)
  • *R80 (UFS staff)
  • *R60 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504)


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Recital by Australian organist, Martin Rein

Thursday, 25 April 2013
Odeion
19:30

Martin Rein began his career with extensive studies in Choral Conducting and Sacred Music at the Berlin School of Music with Prof. Martin Behrmann.  He completed his B.Mus. in 1996.

He then undertook further postgraduate studies at the Music Academy in Detmold and graduated in December 2000 with First Class Honours in Organ Performance, and in June 2001 with an M.Mus. degree, majoring in Choral and Orchestral Conducting.  In his graduation recital in December 2000, he performed amongst other works, the Chromatic Fantasy and Fugue Op. 57 (Inferno) by Max Reger - one of the most challenging compositions within the organ repertoire. 

In Europe he studied organ and piano performance with Prof. Gerhard Weinberger (Munich-Wurzburg) and Dr Ewald Kooimann (Amsterdam) as well as organ improvisation with Prof. Renate Zimmermann (Berlin-Frankfurt-Heidelberg).  He also studied with Dame Gillian Weir in England.  Since then he held several positions at e.g. the Stiftskirche St John's (Germany), at St. Mary's Monastery (Lehnin, Germany) the Alte Kirche (Essen, Germany), conducted the Australian Chamber Singers, was Director of Music at St. John the Evangelist Notting Hill, resident College Organist and Educator at Bearwood College and the Royal Merchant Navy School (Berkshire), and in 2010 Martin accepted the post of Head of Performing Arts and Master of the Choristers at The King's School Sydney (Australia).

As an organist, Martin has performed in Australia, the USA and many European countries in venues such as Westminster Abbey and Westminster Cathedral, both Cathedrals of Berlin (Germany), the Great Hall at Sydney University (Australia), King's College Boston, St Mark's Baltimore, Gloria Dei (Philadelphia) and Carthage College (USA). His recital at Sydney University was broadcasted by 2MBS-FM 'Colours of the King' in July 2005.  Recently he has given concerts in St Martin-in-the-Fields in London, the Cathedral of St John-the-Evangelist in Hong Kong, St. Andrew's Cathedral (Sydney) and the Cathedrals of Auckland and Dunedin (New Zealand).  His special interest in historic organs - many of which he has performed on - is compiled in his book on Baroque organ builders in Germany.

Programme:

  • J.S. Bach - Prelude and Fugue in G, BWV550
  • J.S. Bach - Chorales from the Third Part of the Clavierubung (1739)
  • M. Duruflé - Scherzo, Op. 2
  • M. Reger - Introduction, Passacaglia and Fugue in E minor, Op. 127
  • M. Rein - Improvisation

Admission:

R130 (adults), R90 (pensioners), R50 (students and learners)
Tickets available at Computicket.

Enquiries:

Ninette Pretorius (tel. 051 401 2504)

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