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THE RHAPSODIC ORGAN
2018-06-07

with Gerrit Jordaan

7 June 2018

Odeion

19:30

Gerrit Jordaan studied organ under the guidance of Stephan Zondagh (pupil of Marcel Dupré and Nadia Boulanger), Wim Viljoen (pupil of Marie Claire Alain) and Daleen Kruger (pupil of Jean Claude Zender). In 2007 he completed a DMus with a dissertation on Stefans Grové's Afrika Hymnus II. This Hymnus was dedicated to Gerrit – as it was conceived in a dream wherein the composer heard him playing this work.

Since his student days, Gerrit has been involved with South African organ music, commissioning and performing new works – of which some had been dedicated to him - writing articles on this repertoire, working towards performances with the insight of the composers, recording this repertoire, typesetting and adapting instrumental works to the organ. As an enthusiast of South African music, he presented recitals in Europe as well as Finland and Canada. In 2016 he was invited to play the final recital at the Klangzeit Festival for contemporary music in Münster (Germany). Some of his articles were published internationally in Het Orgel, Organ – Journal für die Orgel, Orgue Nouvelles as well as in local academic publications. He wrote reports on the Stylus Phantasticus in the Praeludia of Buxtehude and on the Choral Preludes of Brahms. He studied historical performance practice of standard repertoire in numerous masterclasses at UNISA Organ Simposia, Haarlem Summer Academia and in Pistoia from organists including Luigi Tagliavini, Harald Vogel, Ludger Lohmann, Bernard Lagacé, Wolfgang Zerer, Olivier Latry, Marie Claire Alain and Szigmund Zsathmary. Until recently, Gerrit was chair of the Church Organist Committee of Southern Africa (SAKOV). He compiled three volumes of original Southern African choral preludes and choir pieces for SAKOV. He is a member of VONKK – a committee that develops new Afrikaans church music – creating new songs, providing organ, choir and instrumental arrangements to this growing repertoire.

PROGRAMME:

  • Johann Sebastian Bach: Prelude and Fugue in G major (BWV 541)
  • Jacobus Kloppers: Celtic Impressions (2003/4) - Two Strathspeys, Two Airs, Two Jigs, Toccata on two marching songs
  • Surendran Reddy: Toccata for Madiba (ca. 8:00)
  • Antalffy-Zsiross Dezso: Sketches on Negro Spiritual Songs (ca. 7’00)
  • George Gershwin: Rhapsody in Blue (organ transription: Tobias Zuleger)

ADMISSION

  • R120 (adults)
  • *R80 (pensioners)
  • *R70 (UFS staff)
  • *R50 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504)


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Mandie de Villiers-Schutte (soprano) & Waldo Weyer (piano)

Photo: Kobie van Rensburg

Mandie de Villiers-Schutte (soprano) & Waldo Weyer (piano)
Poulenc: The Human Voice (La Voix Humaine)
19 May 2011
Odeion
19:30

Mandie studied at the North-West University under Prof. Werner Nel where she received her B.Mus. and M.Mus. degrees (cum laude). She completed part of her master’s degree studies at the Academy of Music in Oslo (Norway) under the guidance of Svein Bjørkøy and Håkan Hagegård. She was a finalist and semi-finalist in various national competitions and a prize winner in the 2006 South African Student Opera competition. She has received master classes from Maarten Koningsberger, Kobie van Rensburg, Mimi Coertze, Lena Lootens, Roger Vignoles and Lawrence Zazzo. She has performed in various opera productions such as L’elisir d’amore (Gianetta), Rita (Rita), Zauberflöte (Pamina), Le Nozzi di Figaro (Susannah), Hänsel und Gretel (Gretel) and Fledermaus (Adele). She also sang in various oratorios like, the St John’s Passion, Vivaldi’s Gloria and Haydn’s Creation (Schöpfung). Mandie frequently performs at South Africa’s National Arts Festivals. Since 2009 she has been traveling with Cape Town Opera with their production of Showboat to Sweden (Malmö) and France (Paris). In the same year she was invited as guest soloist at the Landestheater Niederbeyern in Passau (Germany) to sing Poppea in Monteverdi’s L’incoronatione di Poppea. In 2011 she was touring to Germany, Switzerland, Austria and Luxemburg with the ensemble Cosi Facciamo - Ensemble für Alte und Neue Musik to sing Ginevra in their production of George Frideric Handel's Ariodante.

Waldo studied B.Mus. at the then Potchefstroom University under Prof. G.W. Koornhof. From 1993 he continued his studies at the Royal Academy of Music (London) where he received his B.Mus. degree in piano performance under Hamish Milne and Patsy Toh as well as his LRAM (with distinction). In 2003 he received his M.Mus. degree (cum laude). As accompanist he has received several positive reviews for performances at the Standard Bank National Arts Festival in Grahamstown and Aardklop from 2000-9 as well as the lieder concert series of Mimi Coertse. In 2005-6 he was the official accompanist for the UNISA national and international Voice Competitions. Waldo received master classes from, amongst others, Helmut Deutsch (Germany), Frank Heneghan (Ireland), Tim Ehlen (USA), Thomas Hecht (NZ), Caroline Oltmanns (USA) and Joseph Banowetz (USA). He has performed as soloist with the Pro Musica Orchestra and COSA (Chamber Orchestra of South Africa). He is since 2000 lecturer in piano and pedagogy at the University of North West.

 
 

Admission:
R120 (adults)
R80 (pensioners, students and learners)
Tickets available at Computicket (at all Shoprite / Checkers shops, Mimosa Mall / Waterfront information desks) and at the doors.

Enquiries:
Ninette Pretorius (tel. 051 - 401 2504)
 

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