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THE RHAPSODIC ORGAN
2018-06-07

with Gerrit Jordaan

7 June 2018

Odeion

19:30

Gerrit Jordaan studied organ under the guidance of Stephan Zondagh (pupil of Marcel Dupré and Nadia Boulanger), Wim Viljoen (pupil of Marie Claire Alain) and Daleen Kruger (pupil of Jean Claude Zender). In 2007 he completed a DMus with a dissertation on Stefans Grové's Afrika Hymnus II. This Hymnus was dedicated to Gerrit – as it was conceived in a dream wherein the composer heard him playing this work.

Since his student days, Gerrit has been involved with South African organ music, commissioning and performing new works – of which some had been dedicated to him - writing articles on this repertoire, working towards performances with the insight of the composers, recording this repertoire, typesetting and adapting instrumental works to the organ. As an enthusiast of South African music, he presented recitals in Europe as well as Finland and Canada. In 2016 he was invited to play the final recital at the Klangzeit Festival for contemporary music in Münster (Germany). Some of his articles were published internationally in Het Orgel, Organ – Journal für die Orgel, Orgue Nouvelles as well as in local academic publications. He wrote reports on the Stylus Phantasticus in the Praeludia of Buxtehude and on the Choral Preludes of Brahms. He studied historical performance practice of standard repertoire in numerous masterclasses at UNISA Organ Simposia, Haarlem Summer Academia and in Pistoia from organists including Luigi Tagliavini, Harald Vogel, Ludger Lohmann, Bernard Lagacé, Wolfgang Zerer, Olivier Latry, Marie Claire Alain and Szigmund Zsathmary. Until recently, Gerrit was chair of the Church Organist Committee of Southern Africa (SAKOV). He compiled three volumes of original Southern African choral preludes and choir pieces for SAKOV. He is a member of VONKK – a committee that develops new Afrikaans church music – creating new songs, providing organ, choir and instrumental arrangements to this growing repertoire.

PROGRAMME:

  • Johann Sebastian Bach: Prelude and Fugue in G major (BWV 541)
  • Jacobus Kloppers: Celtic Impressions (2003/4) - Two Strathspeys, Two Airs, Two Jigs, Toccata on two marching songs
  • Surendran Reddy: Toccata for Madiba (ca. 8:00)
  • Antalffy-Zsiross Dezso: Sketches on Negro Spiritual Songs (ca. 7’00)
  • George Gershwin: Rhapsody in Blue (organ transription: Tobias Zuleger)

ADMISSION

  • R120 (adults)
  • *R80 (pensioners)
  • *R70 (UFS staff)
  • *R50 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504)


Back
Kayser Quintet

Kayser Quintet
2 June 2011
Odeion
19:30

Géza Kayser
(violin / viola)		 Lisa Thom
(flute)		 David Cohen
 (clarinet)		 Liuben Gadev
(cello)		 David Smith
(piano)
 

Géza Kayser studied as an undergraduate at the Conservatoire in Zürich with Thomas Füri and as a postgraduate at the Royal Academy of Music with György Pauk and members of the Amadeus String Quartet. Géza has performed as soloist with orchestra, given violin and piano recitals, participated in piano trios, string quartets as well as larger ensembles. In 2006 he was chosen to represent South Africa in the World Philharmonic Orchestra in a series of concerts in France. He is currently a member of the KZNPO, teaches privately and plays chamber music with both the violin and viola.

Lisa Thom completed her B.Mus. degree at UCT with Eva Tamassy and her B.Mus.Hons. (cum laude) with Bridget Rennie-Salonen. In 2004 she began her M.Mus. degree and was accepted to study with the world renowned pedagogue, Trevor Wye, in Kent (England). In 2009, Lisa had a year sabbatical from her job in the KZNPO to complete a Post Graduate Diploma at the Royal Northern College of Music studying under renowned teacher, Peter Lloyd. She returned to South Africa in 2010 and resumed her co-principal position in the KZNPO.

David Cohen completed a B.Mus. at the University of Cape Town, studying with Johan de Donker and Jim Reinders. As an experienced orchestral musician, he has freelanced extensively with the Cape Philharmonic Orchestra and is currently the co-principal clarinet in the KZN Philharmonic in Durban. Thanks to generous awards from the Skye Foundation and Oppenheimer Memorial Trust, David recently took a sabbatical to study at the Trinity College of Music in London, where his teachers were Joan Enric Lluna, Fiona Cross and Anthony Jennings.

Liuben Gadev studied at the Bulgarian Academy of Music and was a member of the Sofia Philharmonic Orchestra for ten years. In 1990 he came to South Africa and was co-principal cellist of the KZNPO until 1995. He currently plays and teaches cello on a freelance basis.

David Smith studied at UCT, completing his B.Mus. and Ph.D. qualifications. He lectured at the University of Natal from 1989 to 2009, initially in music theory and musicology, and from 2002 as the first Professor of Opera and Choral Studies. He has had extensive experience as a chamber pianist and has worked with both singers and instrumentalists.

Programme:
P. Hindemith: Sonata for solo viola, Op. 25, No. 1
B. Bartók: Contrasts for clarinet, violin and piano
P. Hindemith: Quartet for piano trio and clarinet (1938)
A. Schönberg: Kammersymphonie Op. 9 arranged by Webern for flute, clarinet, violin, cello and piano

Admission:
R120 (adults)
R80 (pensioners, students and learners)
Tickets available at Computicket (at all Shoprite / Checkers shops, Mimosa Mall / Waterfront information desks) and at the doors.

Enquiries:
Ninette Pretorius (tel. 051 - 401 2504)
 

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