Years
2019 2018
THE RHAPSODIC ORGAN
2018-06-07

with Gerrit Jordaan

7 June 2018

Odeion

19:30

Gerrit Jordaan studied organ under the guidance of Stephan Zondagh (pupil of Marcel Dupré and Nadia Boulanger), Wim Viljoen (pupil of Marie Claire Alain) and Daleen Kruger (pupil of Jean Claude Zender). In 2007 he completed a DMus with a dissertation on Stefans Grové's Afrika Hymnus II. This Hymnus was dedicated to Gerrit – as it was conceived in a dream wherein the composer heard him playing this work.

Since his student days, Gerrit has been involved with South African organ music, commissioning and performing new works – of which some had been dedicated to him - writing articles on this repertoire, working towards performances with the insight of the composers, recording this repertoire, typesetting and adapting instrumental works to the organ. As an enthusiast of South African music, he presented recitals in Europe as well as Finland and Canada. In 2016 he was invited to play the final recital at the Klangzeit Festival for contemporary music in Münster (Germany). Some of his articles were published internationally in Het Orgel, Organ – Journal für die Orgel, Orgue Nouvelles as well as in local academic publications. He wrote reports on the Stylus Phantasticus in the Praeludia of Buxtehude and on the Choral Preludes of Brahms. He studied historical performance practice of standard repertoire in numerous masterclasses at UNISA Organ Simposia, Haarlem Summer Academia and in Pistoia from organists including Luigi Tagliavini, Harald Vogel, Ludger Lohmann, Bernard Lagacé, Wolfgang Zerer, Olivier Latry, Marie Claire Alain and Szigmund Zsathmary. Until recently, Gerrit was chair of the Church Organist Committee of Southern Africa (SAKOV). He compiled three volumes of original Southern African choral preludes and choir pieces for SAKOV. He is a member of VONKK – a committee that develops new Afrikaans church music – creating new songs, providing organ, choir and instrumental arrangements to this growing repertoire.

PROGRAMME:

  • Johann Sebastian Bach: Prelude and Fugue in G major (BWV 541)
  • Jacobus Kloppers: Celtic Impressions (2003/4) - Two Strathspeys, Two Airs, Two Jigs, Toccata on two marching songs
  • Surendran Reddy: Toccata for Madiba (ca. 8:00)
  • Antalffy-Zsiross Dezso: Sketches on Negro Spiritual Songs (ca. 7’00)
  • George Gershwin: Rhapsody in Blue (organ transription: Tobias Zuleger)

ADMISSION

  • R120 (adults)
  • *R80 (pensioners)
  • *R70 (UFS staff)
  • *R50 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504)


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Fun & games for violin and piano

FUN & GAMES for violin and piano with Piet Koornhof & Tinus Botha

26 October 2017

Odeion

19:30

Two celebrated South African musicians – violinist Piet Koornhof and pianist Tinus Botha – have put together a programme of exciting and exhilarating works for violin and piano. From there the name “Fun & Games”. Concertgoers will be treated to a feast of music from Charlie Chaplin’s “Smile” to Saint-Saëns’ “Dance Macabre” and De Valla’s “Ritual Fire Dance”. Piet and Tinus are both top notch lecturers at the NWU School of Music in Potchefstroom.

A comical reflection on the artists!

Piet Koornhof plays the violin and tries mostly in vain to teach others at North-West University in Potchefstroom. He has been doing it for so long that his left shoulder is higher than the other one and his face carries a permanent grimace. He was fortunate to study with one of the greatest violin teachers in history, Professor Dorothy DeLay, at the Juilliard School in New York (USA), but as a confused teenager he learned much less than he should have. His great musical love is for chamber music, which he often plays with colleagues locally, and sometimes with friends overseas. He is pathologically obsessed with gliding and reading, even though he hardly ever has time for it. He greatly enjoys playing squash with his sons, mostly on the losing side. Oh, yes, he has a DMus degree in musical performance from the institution where he serves as associate professor.

Tinus plays the piano, sometimes rather nicely, if he has to say so himself. He is one of Piet’s dearest colleagues at the North-West University, where he endeavors towards all sorts of noble pursuits. Tinus studied in America (in spite of horrifying exchange rates), where he tried the patience of Jerome Lowenthal, José Feghali, and Harold Martina. After his triumphant return to the Republic, he perpetrated a range of concerts, and completed a DMus degree at the University of Pretoria with superhuman effort. Tinus’ hobbies include gardening, even though his lawn is not currently the lush feast for the eye that he had envisioned. He is planning a duo concert with his little yorkie, Giepie, who enjoys singing with piano accompaniment. He is a rabid proponent of the Oxford comma, and a stalwart in the struggle against abuse of the apostrophe.

ADMISSION

  • R110 (adults)
  • *R70 (pensioners)
  • *R60 (UFS staff)
  • *R40 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504)

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