Years
2019 2018
THE RHAPSODIC ORGAN
2018-06-07

with Gerrit Jordaan

7 June 2018

Odeion

19:30

Gerrit Jordaan studied organ under the guidance of Stephan Zondagh (pupil of Marcel Dupré and Nadia Boulanger), Wim Viljoen (pupil of Marie Claire Alain) and Daleen Kruger (pupil of Jean Claude Zender). In 2007 he completed a DMus with a dissertation on Stefans Grové's Afrika Hymnus II. This Hymnus was dedicated to Gerrit – as it was conceived in a dream wherein the composer heard him playing this work.

Since his student days, Gerrit has been involved with South African organ music, commissioning and performing new works – of which some had been dedicated to him - writing articles on this repertoire, working towards performances with the insight of the composers, recording this repertoire, typesetting and adapting instrumental works to the organ. As an enthusiast of South African music, he presented recitals in Europe as well as Finland and Canada. In 2016 he was invited to play the final recital at the Klangzeit Festival for contemporary music in Münster (Germany). Some of his articles were published internationally in Het Orgel, Organ – Journal für die Orgel, Orgue Nouvelles as well as in local academic publications. He wrote reports on the Stylus Phantasticus in the Praeludia of Buxtehude and on the Choral Preludes of Brahms. He studied historical performance practice of standard repertoire in numerous masterclasses at UNISA Organ Simposia, Haarlem Summer Academia and in Pistoia from organists including Luigi Tagliavini, Harald Vogel, Ludger Lohmann, Bernard Lagacé, Wolfgang Zerer, Olivier Latry, Marie Claire Alain and Szigmund Zsathmary. Until recently, Gerrit was chair of the Church Organist Committee of Southern Africa (SAKOV). He compiled three volumes of original Southern African choral preludes and choir pieces for SAKOV. He is a member of VONKK – a committee that develops new Afrikaans church music – creating new songs, providing organ, choir and instrumental arrangements to this growing repertoire.

PROGRAMME:

  • Johann Sebastian Bach: Prelude and Fugue in G major (BWV 541)
  • Jacobus Kloppers: Celtic Impressions (2003/4) - Two Strathspeys, Two Airs, Two Jigs, Toccata on two marching songs
  • Surendran Reddy: Toccata for Madiba (ca. 8:00)
  • Antalffy-Zsiross Dezso: Sketches on Negro Spiritual Songs (ca. 7’00)
  • George Gershwin: Rhapsody in Blue (organ transription: Tobias Zuleger)

ADMISSION

  • R120 (adults)
  • *R80 (pensioners)
  • *R70 (UFS staff)
  • *R50 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504)


Back
The hate crime project

Description: The Hate Crime Project Tags: The Hate Crime ProjectDirected by: Dion van Niekerk and DeBeer Cloete

Script by: A brand new workshopped production

Venue: Scaena Theatre

Genre: Drama

Language: Afrikaans, English and Sesotho

 

Dates and times:

16 November 2017 at 19H30

17 November 2017 at 19H30

18 November 2017 at 19H30

 

Tickets:    R 40.00 per person

R 30.00 for students, scholars,

R 25.00 for pensioners

 

Bookings:  Computicket

 

The Hate Crime Project

 

Nearly two decades after the shocking murder of Mathew Shepard in the small town of Laramie, Wyoming in the United States, reports of hate crimes, discrimination and homophobic inspired violence still populate local and international newspapers.  In South Africa, hate crimes have become synonymous with attacks of xenophobia, reports of corrective rape and violence aimed at minorities that cannot be defended as politically or socio-culturally justified. 

 

Inspired by the groundbreaking theatre production The Laramie Project by the acclaimed playwright Moises Kaufman and members of the Tectonic Theatre Project, third year drama students at the University of the Free State workshopped a brand new production which explores hate crimes in South Africa through a fictitious case of corrective rape that occurred in the small Free State town of Heilbron.  In the production, actors portray various roles which include the roles of victims, protesters, perpetrators, parents and the public.  The conclusion:  we are all affected by hate crimes, no matter which race, gender, age, sexual orientation, nationality or level of formal education. 

 

The Hate Crime Project (in Afrikaans, English and Sesotho) is the final production of this group of graduating undergraduate students and is directed by Dion van Niekerk en DeBeer Cloete.  It debuts on the 16th of November and run until the 18th November at the Scaena Theatre on the UFS campus.  Doors close at 19:30.  Tickets are available through Computicket.     

We use cookies to make interactions with our websites and services easy and meaningful, to better understand how they are used and to tailor advertising. You can read more and make your cookie choices here. By continuing to use this site you are giving us your consent to do this.

Accept