Years
2019 2018
THE RHAPSODIC ORGAN
2018-06-07

with Gerrit Jordaan

7 June 2018

Odeion

19:30

Gerrit Jordaan studied organ under the guidance of Stephan Zondagh (pupil of Marcel Dupré and Nadia Boulanger), Wim Viljoen (pupil of Marie Claire Alain) and Daleen Kruger (pupil of Jean Claude Zender). In 2007 he completed a DMus with a dissertation on Stefans Grové's Afrika Hymnus II. This Hymnus was dedicated to Gerrit – as it was conceived in a dream wherein the composer heard him playing this work.

Since his student days, Gerrit has been involved with South African organ music, commissioning and performing new works – of which some had been dedicated to him - writing articles on this repertoire, working towards performances with the insight of the composers, recording this repertoire, typesetting and adapting instrumental works to the organ. As an enthusiast of South African music, he presented recitals in Europe as well as Finland and Canada. In 2016 he was invited to play the final recital at the Klangzeit Festival for contemporary music in Münster (Germany). Some of his articles were published internationally in Het Orgel, Organ – Journal für die Orgel, Orgue Nouvelles as well as in local academic publications. He wrote reports on the Stylus Phantasticus in the Praeludia of Buxtehude and on the Choral Preludes of Brahms. He studied historical performance practice of standard repertoire in numerous masterclasses at UNISA Organ Simposia, Haarlem Summer Academia and in Pistoia from organists including Luigi Tagliavini, Harald Vogel, Ludger Lohmann, Bernard Lagacé, Wolfgang Zerer, Olivier Latry, Marie Claire Alain and Szigmund Zsathmary. Until recently, Gerrit was chair of the Church Organist Committee of Southern Africa (SAKOV). He compiled three volumes of original Southern African choral preludes and choir pieces for SAKOV. He is a member of VONKK – a committee that develops new Afrikaans church music – creating new songs, providing organ, choir and instrumental arrangements to this growing repertoire.

PROGRAMME:

  • Johann Sebastian Bach: Prelude and Fugue in G major (BWV 541)
  • Jacobus Kloppers: Celtic Impressions (2003/4) - Two Strathspeys, Two Airs, Two Jigs, Toccata on two marching songs
  • Surendran Reddy: Toccata for Madiba (ca. 8:00)
  • Antalffy-Zsiross Dezso: Sketches on Negro Spiritual Songs (ca. 7’00)
  • George Gershwin: Rhapsody in Blue (organ transription: Tobias Zuleger)

ADMISSION

  • R120 (adults)
  • *R80 (pensioners)
  • *R70 (UFS staff)
  • *R50 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504)


Back
Around

Original script by Arthur Schnitzler (La Ronde)

 

Adapted by the advanced acting students of the UFS Department of Drama and Theatre Arts under the supervision of Dion van Niekerk and DeBeer Cloete

 

Directed by Dion van Niekerk and DeBeer Cloete

 

Venue:  Scaena Rehearsal Room Theatre, UFS-Main Campus

 

Language: English 

 

Genre: Drama

 

Age restriction: 16+

 

Date and times:

28 November @ 19h30

29 November @ 19h30

30 November @ 19h30

 

TICKETS:          R 40.00 Per Person

R 30.00 For Students, Scholars,

R 25.00 For Pensioners

 

Bookings:        Computicket (0861 915 8000)

 

We are all connected to each other in some way, but just how deep are these connections really?

When Arthur Schnitzler presented his play La Ronde in 1920, the play sent shockwaves through Europe. It was considered an immoral and inappropriate piece of theatre, mainly because of its sexual themes. But it has continued to fascinate audiences well into the twenty-first century because of Schnitzler’s excellent treatment of class difference and social hypocrisy.

La Ronde has now found its way to Bloemfontein, in a new adaptation by the advanced acting students of the UFS Department of Drama and Theatre Arts. In this version, entitled Around, the play has been re-written to reflect a contemporary South African society. Familiar characters take the stage, be it the local butcher, the reverend’s wife, a model or a taxi-driver, and all reveal themselves to be a part of a never-ending cycle of sex, addiction and power.

Around has been conceived and developed by the students under the watchful supervision of Dion van Niekerk and DeBeer Cloete. It can be seen at the Scaena Rehearsal Room Theatre from the 28 – 30 November at 19:30.

The play has a 16+ age restriction.

Bookings can be made through Computicket.

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