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THE RHAPSODIC ORGAN
2018-06-07

with Gerrit Jordaan

7 June 2018

Odeion

19:30

Gerrit Jordaan studied organ under the guidance of Stephan Zondagh (pupil of Marcel Dupré and Nadia Boulanger), Wim Viljoen (pupil of Marie Claire Alain) and Daleen Kruger (pupil of Jean Claude Zender). In 2007 he completed a DMus with a dissertation on Stefans Grové's Afrika Hymnus II. This Hymnus was dedicated to Gerrit – as it was conceived in a dream wherein the composer heard him playing this work.

Since his student days, Gerrit has been involved with South African organ music, commissioning and performing new works – of which some had been dedicated to him - writing articles on this repertoire, working towards performances with the insight of the composers, recording this repertoire, typesetting and adapting instrumental works to the organ. As an enthusiast of South African music, he presented recitals in Europe as well as Finland and Canada. In 2016 he was invited to play the final recital at the Klangzeit Festival for contemporary music in Münster (Germany). Some of his articles were published internationally in Het Orgel, Organ – Journal für die Orgel, Orgue Nouvelles as well as in local academic publications. He wrote reports on the Stylus Phantasticus in the Praeludia of Buxtehude and on the Choral Preludes of Brahms. He studied historical performance practice of standard repertoire in numerous masterclasses at UNISA Organ Simposia, Haarlem Summer Academia and in Pistoia from organists including Luigi Tagliavini, Harald Vogel, Ludger Lohmann, Bernard Lagacé, Wolfgang Zerer, Olivier Latry, Marie Claire Alain and Szigmund Zsathmary. Until recently, Gerrit was chair of the Church Organist Committee of Southern Africa (SAKOV). He compiled three volumes of original Southern African choral preludes and choir pieces for SAKOV. He is a member of VONKK – a committee that develops new Afrikaans church music – creating new songs, providing organ, choir and instrumental arrangements to this growing repertoire.

PROGRAMME:

  • Johann Sebastian Bach: Prelude and Fugue in G major (BWV 541)
  • Jacobus Kloppers: Celtic Impressions (2003/4) - Two Strathspeys, Two Airs, Two Jigs, Toccata on two marching songs
  • Surendran Reddy: Toccata for Madiba (ca. 8:00)
  • Antalffy-Zsiross Dezso: Sketches on Negro Spiritual Songs (ca. 7’00)
  • George Gershwin: Rhapsody in Blue (organ transription: Tobias Zuleger)

ADMISSION

  • R120 (adults)
  • *R80 (pensioners)
  • *R70 (UFS staff)
  • *R50 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504)


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Christmas Concert

Sunday 1 December 2019

Odeion ~ 16:00

Admission: FREE

Josef Rheinberger (1839 – 1901)
Suite for Organ Trio and Strings, Op. 149

Camille Saint-Saëns (1835 – 1921)
Oratorio de Noël, Op. 12

In the light of this year’s advent time, the Odeion School of Music in collaboration with the Free State Symphony Orchestra, will present a Christmas Concert with various soloists and mainly string orchestra. The centre piece will be the Oratorio de Noël Op. 12 (Christmas Oratorio) from Camille Saint-Saëns, composed for five vocal soloists, mixed choir, strings, organ and harp. It was first performed at the Madeleine church on 25 December 1858 in Paris. This early work of the composer resembles a distinct lyricism of 19th-century French church music. It is sung in Latin, based on texts from the Old and New Testaments, the Psalms and Gospels, as well as the Catholic Christmas liturgy. The chamber music-like instrumentation with the exclusion of wind instruments, lyrical solo parts, and a modest choral part combine to create a general pastoral mood. The Suite for Organ Trio and String Orchestra fits into this programme with its pastoral character and chamber music setting.

The initiative for this concert is not only to offer the community of Bloemfontein a classical Christmas Concert, but it also serves as an educational project in which vocal students will form the choir of the oratorio, and string students will be part of the orchestra. These students share the stage with professional singers and instrumentalist and therefore gain first-hand experience of their profession. The Odeion String Quartet will lead the string sections. The soloists of the Rheinberger Suite are Jan Beukes (organ), Anmarie van der Westhuizen (Cello) and Samson Diamond (violin). A unique combination of vocal soloists sing in the Saint-Saëns Oratorio with Kimmy Skota (soprano), Teresa de Wit (mezzo-soprano), Mariëtte Pitout (contralto), Albertus Engelbrecht (tenor) and Thesele Kemane (baritone). Both these works will be performed under the baton of Alexander Fokkens.

ENQUIRIES
Ninette Pretorius
+27 51 401 2504
pretoriusn@ufs.ac.za

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