Years
2019 2018
THE RHAPSODIC ORGAN
2018-06-07

with Gerrit Jordaan

7 June 2018

Odeion

19:30

Gerrit Jordaan studied organ under the guidance of Stephan Zondagh (pupil of Marcel Dupré and Nadia Boulanger), Wim Viljoen (pupil of Marie Claire Alain) and Daleen Kruger (pupil of Jean Claude Zender). In 2007 he completed a DMus with a dissertation on Stefans Grové's Afrika Hymnus II. This Hymnus was dedicated to Gerrit – as it was conceived in a dream wherein the composer heard him playing this work.

Since his student days, Gerrit has been involved with South African organ music, commissioning and performing new works – of which some had been dedicated to him - writing articles on this repertoire, working towards performances with the insight of the composers, recording this repertoire, typesetting and adapting instrumental works to the organ. As an enthusiast of South African music, he presented recitals in Europe as well as Finland and Canada. In 2016 he was invited to play the final recital at the Klangzeit Festival for contemporary music in Münster (Germany). Some of his articles were published internationally in Het Orgel, Organ – Journal für die Orgel, Orgue Nouvelles as well as in local academic publications. He wrote reports on the Stylus Phantasticus in the Praeludia of Buxtehude and on the Choral Preludes of Brahms. He studied historical performance practice of standard repertoire in numerous masterclasses at UNISA Organ Simposia, Haarlem Summer Academia and in Pistoia from organists including Luigi Tagliavini, Harald Vogel, Ludger Lohmann, Bernard Lagacé, Wolfgang Zerer, Olivier Latry, Marie Claire Alain and Szigmund Zsathmary. Until recently, Gerrit was chair of the Church Organist Committee of Southern Africa (SAKOV). He compiled three volumes of original Southern African choral preludes and choir pieces for SAKOV. He is a member of VONKK – a committee that develops new Afrikaans church music – creating new songs, providing organ, choir and instrumental arrangements to this growing repertoire.

PROGRAMME:

  • Johann Sebastian Bach: Prelude and Fugue in G major (BWV 541)
  • Jacobus Kloppers: Celtic Impressions (2003/4) - Two Strathspeys, Two Airs, Two Jigs, Toccata on two marching songs
  • Surendran Reddy: Toccata for Madiba (ca. 8:00)
  • Antalffy-Zsiross Dezso: Sketches on Negro Spiritual Songs (ca. 7’00)
  • George Gershwin: Rhapsody in Blue (organ transription: Tobias Zuleger)

ADMISSION

  • R120 (adults)
  • *R80 (pensioners)
  • *R70 (UFS staff)
  • *R50 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504)


Back
Avigail Bushakevitz – Violin Recital with Ammiel Bushakevitz (piano)

7 June 2012
Odeion
19:30

Avigail Bushakevitz was born in Jerusalem (Israel) in 1988. She is currently studying violin with Sylvia Rosenberg at the Juilliard School of Music. In South Africa she studied under the guidance of Prof. Jack de Wet in Stellenbosch and Cape Town. She is the winner of the first prize in the UNISA National Strings Competition 2009. She was the only South African in the semi-finals of the 2nd UNISA International String Competition. In 2001 she was a finalist and category winner at the Sanlam Music Competition for Primary School Pupils. She has appeared numerous times as soloist in symphony concerts with various orchestras in South Africa. In 2002, 2004 and 2005 she was a finalist and winner of the strings category in the ABSA National Youth Music Competition. At the age of 16 she was the overall winner and youngest participant of the Huguenot Music Competition. In October 2006 Avigail won five prizes including 1st prize at the Unisa South African Music Scholarship Competition. Later that month she won the Pick 'n Pay/FMR music travel award, which enabled her to audition at, among other music institutions, the Juilliard School of Music. She regularly performs in recitals all over the country - often with her brothers, Benjamin and Ammiel.

Ammiel Bushakevitz was born in Jerusalem (Israel) in 1986. As recipient of the DAAD International Scholarship for Artists, he is currently studying under Phillip Moll at the Hochschule für Musik und Theater Felix Mendelssohn Bartholdy in Leipzig (Germany). Ammiel has given performances as soloist and chamber musician in centres like London, Vienna, Rome, Berlin, Zurich, Bonn, Turin, Hamburg, Milan and Bayreuth. He has appeared as soloist with every professional orchestra in South Africa, including the Cape Town Philharmonic, Johannesburg Philharmonic, Durban Philharmonic and the Chamber Orchestra of South Africa. In addition to his studies in Leipzig, he also furthered his studies at the Franz Schubert Institute in Baden bei Wien (Austria) and at the European Academy of Music and Arts in Montepulciano (Italy). He holds B.Mus. and M.Mus. degrees in solo piano from the University of Pretoria (where he studied under Prof. Joseph Stanford). In 2008 Ammiel won the Unisa Music Scholarship Competition for Performers. Other competitions he has won, include the Musicon National Piano Competition (1st prize), the Philip Moore National Music Competition (1st prize) and the Lionel Bowman Beethoven Competition (1st prize).

Programme:
Bartók – Sonata No. 2 for violin and piano, Sz.76
Strauss - Sonata in E-flat major, Op. 18
Schubert - Sonata in A major, D.574
Lutoslawski - Partita
Wieniawski - Polonaise Brillante No. 2 in A major, Op. 21

Admission:
R120 (adults), R80 (pensioners, students and learners)
R50 (block booking of 10+)
Tickets available at Computicket.

Enquiries:
Ninette Pretorius (tel. 051 401 2504)
 

We use cookies to make interactions with our websites and services easy and meaningful, to better understand how they are used and to tailor advertising. You can read more and make your cookie choices here. By continuing to use this site you are giving us your consent to do this.

Accept