Years
2019 2018
THE RHAPSODIC ORGAN
2018-06-07

with Gerrit Jordaan

7 June 2018

Odeion

19:30

Gerrit Jordaan studied organ under the guidance of Stephan Zondagh (pupil of Marcel Dupré and Nadia Boulanger), Wim Viljoen (pupil of Marie Claire Alain) and Daleen Kruger (pupil of Jean Claude Zender). In 2007 he completed a DMus with a dissertation on Stefans Grové's Afrika Hymnus II. This Hymnus was dedicated to Gerrit – as it was conceived in a dream wherein the composer heard him playing this work.

Since his student days, Gerrit has been involved with South African organ music, commissioning and performing new works – of which some had been dedicated to him - writing articles on this repertoire, working towards performances with the insight of the composers, recording this repertoire, typesetting and adapting instrumental works to the organ. As an enthusiast of South African music, he presented recitals in Europe as well as Finland and Canada. In 2016 he was invited to play the final recital at the Klangzeit Festival for contemporary music in Münster (Germany). Some of his articles were published internationally in Het Orgel, Organ – Journal für die Orgel, Orgue Nouvelles as well as in local academic publications. He wrote reports on the Stylus Phantasticus in the Praeludia of Buxtehude and on the Choral Preludes of Brahms. He studied historical performance practice of standard repertoire in numerous masterclasses at UNISA Organ Simposia, Haarlem Summer Academia and in Pistoia from organists including Luigi Tagliavini, Harald Vogel, Ludger Lohmann, Bernard Lagacé, Wolfgang Zerer, Olivier Latry, Marie Claire Alain and Szigmund Zsathmary. Until recently, Gerrit was chair of the Church Organist Committee of Southern Africa (SAKOV). He compiled three volumes of original Southern African choral preludes and choir pieces for SAKOV. He is a member of VONKK – a committee that develops new Afrikaans church music – creating new songs, providing organ, choir and instrumental arrangements to this growing repertoire.

PROGRAMME:

  • Johann Sebastian Bach: Prelude and Fugue in G major (BWV 541)
  • Jacobus Kloppers: Celtic Impressions (2003/4) - Two Strathspeys, Two Airs, Two Jigs, Toccata on two marching songs
  • Surendran Reddy: Toccata for Madiba (ca. 8:00)
  • Antalffy-Zsiross Dezso: Sketches on Negro Spiritual Songs (ca. 7’00)
  • George Gershwin: Rhapsody in Blue (organ transription: Tobias Zuleger)

ADMISSION

  • R120 (adults)
  • *R80 (pensioners)
  • *R70 (UFS staff)
  • *R50 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504)


Back
Redfern & Pauna piano duo

with James Redfern and Laura Pauna

Thursday, 13 March 2014

ODEION

19:30

Press:

“The whole country deserves to hear the Redfern-Pauna duo.”

  Paul Boekkooi, Beeld newspaper, South Africa, 2013

“Probably the best duet I have yet been fortunate to hear”

J Holloway, Durban Friends of Music review, South Africa, 2011

The Redfern & Pauna Piano Duo has been described by Paul Badura-Skoda as “a piano duo of first class”. Their performances during 2013 of Stravinsky’s The Rite of Spring - to mark the work’s centenary - have been met with great critical acclaim.  Their performances of original masterworks for four hands have taken them across the globe.  They have appeared at festivals such as the 50th Anniversary Liszt Festival (Weimar), Piano Fortissimo Festival (Croatia), the Manchester Keyboard Festival and the UNISA Concert Series.

LAURA PAUNA

“… lavishly performed… frenziedly and brilliantly… Bravo” was written in a Carnegie Hall review in 2007

Laura Pauna was born in Bucharest (Romania), starting her studies at the Dinu Lipatti- and George Enescu music schools. She completed her KA degree at the Hochschule für Musik und Theater (Hannover) with the highest distinction.

Laura performed with orchestras including the Deutsche Kammerakademie Neuss am Rhein; Cape Town Philharmonic Orchestra, KwaZulu-Natal Philharmonic Orchestra, Pro Musica, the International Mahler Orchestra and more.  Opening the 2008 Mozarteum International Summer Academy, Laura’s performance was described as “inspired… perfectly synchronised brilliance” (Horst Reischenbroek, Drehpunkt Kultur, Salzburg).  During her time in Germany, Laura was the recipient of many scholarships and awards, including the Ottilie-Selbach award and the Ritter Foundation, in addition to winning internal scholarships.

Her numerous competition prizes include being the overall winner in 2006 of the IBLA Grand Prize,  winning the Valentino Bucchi competition (Rome, 2006), the Mozarteum Prize (Salzburg, 2009) and 1st prize at the Grieg International Piano Competition (2009).

As a soloist and chamber musician, Laura has performed all over the world, including tours of the United States, Europe and Africa.  She has performed at such prestigious venues as Carnegie Hall, Salzburg Grosse Saal, Concertgebouw (Amsterdam), Jerusalem Theatre (Israel), George Enescu Piazza (Bucharest) and St Martin-in-the-Field (London).

JAMES REDFERN

“A solo pianist of the highest calibre” – Paul Badura-Skoda (2013)

James Redfern is a leading young English pianist. He began his studies in the UK at Chetham’s School of Music and the Purcell School, with Tessa Nicholson at the Royal Academy of Music. James continued his study under the tutorship of Paul Badura-Skoda.

James performed Mozart’s Jeunhomme concerto at St John’s Smith Square (London) at the inaugural concert of the International Mahler Orchestra, under the baton of Yoel Gamzou. He subsequently toured the Ukraine performing Brahms Concerto no. 1. Other prestigious appearances include the Purcell Room, South Bank Centre, St. Martin-in-the-Fields (London), the Bucharest Festival (Romania), the Deutsche National Theater and Stadskapelle Weimar (Germany), ZK Matthews Hall (Pretoria) and more.

In 2005 he won the first prize and chamber music prize at the Franz Liszt Competition (Weimar) and in 2010 he was the overall winner of the EPTA Competition (London). In 2011 James won fourth prize at the Dudley International Piano Competition.

ADMISSION:

R130 (adults), R90 (pensioners), R70 (UFS staff), R50 (students & learners)

R50 (block booking of 10+)

PROGRAMME:

Mendelssohn: A Midsummer Night’s Dream

Beethoven: Grosse Fugue, Op. 134

Ravel: Spanish Rhapsody (1. Prelude a la nuit; 2. Malaguena; 3. Habanera & 4. Feria)

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