Years
2019 2018
Months
February March April May June July August September October November December
THE RHAPSODIC ORGAN
2018-06-07

with Gerrit Jordaan

7 June 2018

Odeion

19:30

Gerrit Jordaan studied organ under the guidance of Stephan Zondagh (pupil of Marcel Dupré and Nadia Boulanger), Wim Viljoen (pupil of Marie Claire Alain) and Daleen Kruger (pupil of Jean Claude Zender). In 2007 he completed a DMus with a dissertation on Stefans Grové's Afrika Hymnus II. This Hymnus was dedicated to Gerrit – as it was conceived in a dream wherein the composer heard him playing this work.

Since his student days, Gerrit has been involved with South African organ music, commissioning and performing new works – of which some had been dedicated to him - writing articles on this repertoire, working towards performances with the insight of the composers, recording this repertoire, typesetting and adapting instrumental works to the organ. As an enthusiast of South African music, he presented recitals in Europe as well as Finland and Canada. In 2016 he was invited to play the final recital at the Klangzeit Festival for contemporary music in Münster (Germany). Some of his articles were published internationally in Het Orgel, Organ – Journal für die Orgel, Orgue Nouvelles as well as in local academic publications. He wrote reports on the Stylus Phantasticus in the Praeludia of Buxtehude and on the Choral Preludes of Brahms. He studied historical performance practice of standard repertoire in numerous masterclasses at UNISA Organ Simposia, Haarlem Summer Academia and in Pistoia from organists including Luigi Tagliavini, Harald Vogel, Ludger Lohmann, Bernard Lagacé, Wolfgang Zerer, Olivier Latry, Marie Claire Alain and Szigmund Zsathmary. Until recently, Gerrit was chair of the Church Organist Committee of Southern Africa (SAKOV). He compiled three volumes of original Southern African choral preludes and choir pieces for SAKOV. He is a member of VONKK – a committee that develops new Afrikaans church music – creating new songs, providing organ, choir and instrumental arrangements to this growing repertoire.

PROGRAMME:

  • Johann Sebastian Bach: Prelude and Fugue in G major (BWV 541)
  • Jacobus Kloppers: Celtic Impressions (2003/4) - Two Strathspeys, Two Airs, Two Jigs, Toccata on two marching songs
  • Surendran Reddy: Toccata for Madiba (ca. 8:00)
  • Antalffy-Zsiross Dezso: Sketches on Negro Spiritual Songs (ca. 7’00)
  • George Gershwin: Rhapsody in Blue (organ transription: Tobias Zuleger)

ADMISSION

  • R120 (adults)
  • *R80 (pensioners)
  • *R70 (UFS staff)
  • *R50 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504)


Back
The Creation
 
 
 

The Creation

Symphony Choir of Johannesburg  and the Free State Symphony Orchestra conducted by Alexander Fokkens

Soloists:          Magdalene Minnaar (soprano)

         Kgaugelo Mpyane (tenor)

         Aubrey Lodewyk (baritone)

Date:                Sunday 7 September 2014

Venue:             NG Kerk Heuwelsig

Time:               15:00

 

Haydn’s masterpiece, The Creation will be performed at the NG Kerk Heuwelsig on Sunday 7 September by the Symphony Choir of Johannesburg and the Free State Symphony Orchestra conducted by Alexander Fokkens. The soloists are Magadalene Minnaar (soprano), Kgaugelo Mpyane (tenor) and Aubrey Lodewyk (baritone).

Magdalene Minnaar has entertained audiences across the globe with her versatile voice and enigmatic stage presence, evident in her acclaimed performances of the female lead in the international touring production Show Boat and The Phantom of the Opera. Since completing her two years at the Cape Town Opera Studio, highlights include performing as soloist at the opening of the Cape Town Stadium with the Cape Philharmonic Orchestra, Richard Cock and the 20Tenors, as well as the annual RMB Starlight Classics, Last Night at the Proms, Sean Bovim’s spectacular tribute show Queen at the Ballet and Deon Opperman’s multi-media oratorio Die Skepping.

Kgaugelo Mpyane is a final year BMus student at the Odeion School of Music at the University of the Free State majoring in both viola performance and voice. He won the Musicon Solo singing competition in 2010 and 2011 and the UNISA festival, this time in the advanced category, where he won both the classical and non-classical categories, and won the overall prize for the festival. Since 2010 Kgaugelo has sung as a soloist with various leading choirs in South Africa. In 2011 he sang in Handel’s Messiah with Bel Canto Voices. In 2012 he sang as a soloist in Nabucco and Wagner’s Lohengrin as Lohengrin  with The Voices of the Nation Choir (Pretoria).

Aubrey Lodewyk was a huge favourite with the audience at the Rodgers & Hammerstein tribute concert at the Vryfees in July. In 2011 he performed the role of Mandela in the world premiere of Mandela Trilogy and again in its European debut in Cardiff. Aubrey made his debut as Silvio in I Pagliacci at the New Israeli Opera in Tel Aviv, sang the role of William in Jan Meyerowitz opera Il Mulatto in Marseille for the Festival Musique Interdites and was a soloist at the Mandela Day celebration concert in Paris. In 2014 Aubrey performed the role of Guglielmo in Cosi fan Tutte and made his debut in Munich in the title role in Mandela Trilogy (June 2014).

The Symphony Choir of Johannesburg was established in 1947 by Edgar Cree as the SABC Choral Society.  Since 1980, the choir has grown and evolved under the leadership of Richard Cock, and has become the leading choir of its type in South Africa.  Its concerts are regularly broadcast nationwide on SAFM.  The choir has gone from strength to strength under the creative and disciplined directorship of Richard Cock.  Their repertoire is varied and wide: they have sung most of the major well-known oratorios, Mendelssohn’s Elijah, Haydn’s Creation and Nelson Mass, Vivaldi’s Gloria and the Requiems of Brahms, Mozart, Verdi, Fauré and Duruflé – to name a few. 

Admission:

R120 (adults)

R80 (pensioners)

R50 (students/learners/group bookings of 10+)

 

Tickets are available from Computicket outlets or book online at www.computicket.com

 

Enquiries:

Ella Kotze (FSSO), tel. (051) 401-2342 (office hours)

www.fsso.org.za

Economic and Management Sciences

Education

Health Sciences

The Humanities

Law

Natural and Agricultural Sciences

Theology and Religion

Open Distance Learning

Business School

We use cookies to make interactions with our websites and services easy and meaningful, to better understand how they are used and to tailor advertising. You can read more and make your cookie choices here. By continuing to use this site you are giving us your consent to do this.

Accept